“在这座城市里拥有爱情，我配么？”这也许是每一个“漂一族”的自我怀疑。

“在这座城市里拥有爱情，我配么？”这也许是每一个“漂一族”的自我怀疑。一次交通意外，让王惜月（王智 饰）陷入了一场从未预想的“一见钟情”；同为…

The series is a complex story of destinies that intersect when they assassinate a media mogul on their wedding day, at the same time that an assassin in the United States is executed in the electric chair. The tycoon's soul is reincarnated in the body of the hit man and, in turn, the killer's soul ends up in the body of a professor of anthropology. Now, every man will not only have to deal with a new body, but also adapt to a new spirit.

The series is a complex story of destinies that intersect when they assassinate a media mogul on their wedding day, at the same time that an assassin in the United States is executed in the electric chair. The tycoon's soul is reincarnated in the body of the hit man and, in turn, the killer's soul ends up in the body of a professor of anthropology. Now, every man will not only have to deal with a new body, but also adapt to a new spirit.

“Deep love has finally happened in Ukraine.” 　　Perhaps the most prominent and radical figure in Ukrainian animation, Lyskov (b. 1983) crafts a surreal portrait of his home city Dnipro. Documenting how the people of the riverine metropolis weathered post-USSR storms of social upheaval, this colourful exercise in urban surrealism is a non-verbal phantasmagoria in which entities absurdly and oneirically intermingle. Essentially empathetic and humane, it explores the idea of “Kohannia”—defined by Lyskov as “a feeling that arises in the soul and has a connection with the transcendental and divine… which I do not see around me nowadays.” (N.Y.)

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.

The deep sea is the last unknown territory on Earth. Here, biologists struggle to study the enigmatic wildlife that looks like something from another planet. But time is running out as deepsea mining threatens the fragile ecosystems. 　　The depths of the world’s oceans resemble outer space. The alien and strange life forms down in the darkness send the imagination soaring. We know less about life in the dark and impassable depths than any other life form on the planet. Down here, intrepid biologists work to study the unknown creatures and ecosystems that thrive in isolation. 　　But the days when the deep sea was the last wilderness on earth may be coming to an end. As biologists work to map life in the deep, mining companies are preparing to extract the oceans’ precious resources. For the biologists, the battle against the elements suddenly becomes a battle against time. 　　‘How Deep is Your Love’ is both an adventurous journey into an unknown and breathtaking realm, and a call to respect nature – even that part of it that we rarely have access to. It’s also a thought-provoking reminder that we actually live on a planet where humans are not the center of everything.

亚伦（约瑟夫·费因斯 Joseph Fiennes 饰）是一名平凡的大学生，利用课余时间，他在高级旅馆做服务生来赚取外快。一次偶然中，亚伦在工作的过程里邂逅了名为艾拉（格瑞辰·摩尔 Gretchen Mol 饰）的姑娘，艾拉的美丽和聪慧很快就吸引了艾伦的注意，两人之间产生了神奇的化学反应，很快，他们就走到了一起。 　　然而，这段感情注定将会是没有结果的，因为艾拉是有夫之妇，她的丈夫马克（雷·利奥塔 Ray Liotta 饰）是一位德高望重的政府公职人员。在爱意的趋势之下，亚伦头脑发热，向马克倾诉了自己对于艾拉的感情，这令马克妒火中烧。对于亚伦的横刀夺爱，马克当然不会善罢甘休，他想出了一个计谋，来除掉亚伦。

亚伦（约瑟夫·费因斯 Joseph Fiennes 饰）是一名平凡的大学生，利用课余时间，他在高级旅馆做服务生来赚取外快。一次偶然中，亚伦在工作的过程里邂逅了名为艾拉（格瑞辰·摩尔 Gretchen Mol 饰）的姑娘，艾拉的美丽和聪慧很快就吸引了艾伦的注意，两人之间产生了神奇的化学反应，很快，他们就走到了一起。 　　然而，这段感情注定将会是没有结果的，因为艾拉是有夫之妇，她的丈夫马克（雷·利奥塔 Ray Liotta 饰）是一位德高望重的政府公职人员。在爱意的趋势之下，亚伦头脑发热，向马克倾诉了自己对于艾拉的感情，这令马克妒火中烧。对于亚伦的横刀夺爱，马克当然不会善罢甘休，他想出了一个计谋，来除掉亚伦。

인적 드문 고요한 깊은 산속에 자리 잡은 산장 한 채. 아는 사람이 없어 찾아오는 이 거의 없는 산장이지만 가끔 지나는 길에 하룻밤 묶어가는 손님들이 있다. 이 산장에 묵는 손님들은 무언가에 홀린 듯 신비한 분위기의 산장 주인인 소리에게 이끌리고 황홀한 경험을 하게 된다.