女帝明凰与霍君泽相爱，却遭逢大难。霍君泽为保明凰而赴死，明凰悲痛欲绝，却意外穿越至现代与霍君泽重逢。两人在现代都市中携手创业，共同面对挑战，明凰展现领导才能，霍君泽则以智慧和勇气支持她。他们共同克服困难，创造传奇，让爱情在现代都市中绽放光芒。最终，他们的事业与爱情双双成功，成为佳话，留下永恒的传奇。

主角身为大秦明君，因穿书受女主苏茶清光环影响，亲手处死深爱自己的皇后凤洛溪并灭其九族，还拱手让出江山，清醒后含恨自杀，却重生回两年半前。他决心弥补，而凤洛溪竟也重生，初期一心复仇。主角先拒纳勾栏女子晴暖，斩杀挑拨离间的宦官黄浩，又冒死赴天幽谷救下中毒的凤洛溪，还放出被关天牢的凤相（皇后爷爷），赠予回灵草、神兽精血及大秦至宝 “凤舞九天” 武技，逐步化解皇后戒备。

我的王，你为何将剑刺向我？如若重来，我的骑士可还会守护我直到最后？即使我是被神降下诅咒的公主。

母胎单身破产落魄千金钟晚晴，被亲哥扔到他的死对头季氏季总裁季见川的家里，勾引死对头，转移死对头的资产，成为他们家复苏的成本！钟晚晴原本以为自己会大败特败，落得一个悲剧下场，不想却被禁欲总裁狠狠宠！

圈内都说酥家刚找回来的大小姐是个祸害，一句话说得人妻离子散破产坐牢，众人纷纷避而远之。 不仅如此，她还开了道观，算命、看相、观风水、卖符纸、抓鬼，做尽了“招摇撞骗”的事！ 后来，听闻酥家大小姐得罪了权势滔天的袁家三爷。 所有人都等着酥瑾玩完。她们等啊等…结果等来了酥瑾跟袁璟订婚的消息！ 袁璟公然在圈内放话：我家夫人年纪小，不懂事，别欺负她。 所有人，“谁？”

女主角意外穿到小说中，成为了自己最喜欢的角色——反派女二号，佩莎公主。度过孤独一生的佩莎公主，因为母亲的关系，一生背负着“恶女”之名，并最终身患绝症而死。于是女主决定，利用这次重生的机会，拯救在原作中牺牲的配角们。单纯开朗的女主，逐渐改变了佩莎的“恶女”形象，也正式开始了她的“追星人生”。

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.

影片讲述的是一个发生在30年代的故事，那时爵士乐正风靡全美；吉普赛人德詹哥雷恩哈特是爵士乐坛的传奇人物，他当时被冠以“世界上最出色的爵士乐与吉它…

中华机械厂厂长兼党委书记李江川为完成生产人物不得不派运输科长郝宝生拉关系、走后门，而与此同时省委接到关于李江川违纪的举报信，派邵彦率省纪律检查委员会调查组进驻中华机械厂进行调查。省纪委调查组进驻厂里后，有的人为李江川担心，并悄悄为他打掩护，甚至出面承揽责任将他解脱出来。但也有某些人和某些单位想利用这一时机趁火打劫。李江川在送邵彦的路上看到厂里的汽车司机风冒雨运煤两人遂参与到抬煤的队伍中。李江川与邵彦在雨中交谈，检讨自己的错误，表白了改正的决心。而在邵彦率调查组返回省城的火车上中华机械厂的吕科长告诉邵彦写举报信的其实是李江川自己。李江川这种引火烧身的举动使邵彦深感震动，他带着全部调查材料和对老战友的信赖与同情以及对未来的希望和信心，走进了省纪委的办公室。