Since 2014, the terrorist organisation Boko Haram have led strikes against the villages and people of the Far North Region of Cameroon. Today, this constant threat of violence has woven itself into daily existence. 　　In her profoundly affecting debut feature, Cyrielle Raingou follows a group of children as they carve out their own worlds amid the dangers of armed conflict. We meet the precocious Falta, studious and hardworking, eager to process her father’s death in a terrorist attack. Her classmate, Ibrahim, and his older brother Mohamad struggle with balancing their boyhood energy and a traumatic past that strays them from their eight and 11-year-old innocence. 　　Raingou, a native of the Far North Region herself, approaches her young subjects with a delicate and unobtrusive observance, allowing them to dictate the reality of their surroundings through their own words, movements and perspectives. The result is a distinct and profound study of the contrasts of a war zone: hope and despair, innocence and terrorism, the present and future, western influence and traditional culture. 　　As the children prepare for school, gunshots ring out in the distance. In the schoolyard, amidst soccer games and jump rope, military servicemen patrol the edges of the frame. But Raingou holds on to the laughter and innocence of the children’s play, which stretches far above war’s reach. 　　源自：https://iffr.com/en/iffr/2023/films/le-spectre-de-boko-haram

Since 2014, the terrorist organisation Boko Haram have led strikes against the villages and people of the Far North Region of Cameroon. Today, this constant threat of violence has woven itself into daily existence. 　　In her profoundly affecting debut feature, Cyrielle Raingou follows a group of children as they carve out their own worlds amid the dangers of armed conflict. We meet the precocious Falta, studious and hardworking, eager to process her father’s death in a terrorist attack. Her classmate, Ibrahim, and his older brother Mohamad struggle with balancing their boyhood energy and a traumatic past that strays them from their eight and 11-year-old innocence. 　　Raingou, a native of the Far North Region herself, approaches her young subjects with a delicate and unobtrusive observance, allowing them to dictate the reality of their surroundings through their own words, movements and perspectives. The result is a distinct and profound study of the contrasts of a war zone: hope and despair, innocence and terrorism, the present and future, western influence and traditional culture. 　　As the children prepare for school, gunshots ring out in the distance. In the schoolyard, amidst soccer games and jump rope, military servicemen patrol the edges of the frame. But Raingou holds on to the laughter and innocence of the children’s play, which stretches far above war’s reach. 　　源自：https://iffr.com/en/iffr/2023/films/le-spectre-de-boko-haram

内容简介： 　　一位生活在泰阿维求学的传统希伯莱学生曼迪（雷哈尼）被一俄国妓女莎莎迷住了，莎莎于是介绍他和一位冒险家即前美国战地记者迈克（现为移民）认识，迈克在耶路撒冷开了一家“迈克地带”的酒巴，在这个酒巴中，犹太人、阿拉伯人以及基督徒可坐在一起随意喝酒，当曼迪跟随莎莎来到耶路撒冷并找到工作后，曼迪平静的学生生活立即变得疯狂并投入了以色列光怪离奇的夜生活中。

巨木と井戸が目印のこの場所に足を踏み入れた者は精神を病み常軌を逸して、奇妙な死を遂げてく…。有能な祈祷師が祓いを試みるも太刀打ちできず、悪夢はひたすら続いていく。彼らはこの「聖地X」で起こる数々の惨劇から逃れ、忌々しい土地に根付く「約束された死」から解放されることはできるのだろうか…。 　　劇作家であり演出家・前川知大と映画監督・入江悠のタッグは、神木隆之介と門脇麦のダブル主演作『太陽』以来、5年ぶり2度目となる。本作は、驚異の大ヒットを叩き出した「恐怖の村」シリーズ『犬鳴村』『樹海村』のプロデュースチームと、『22年目の告白−私が殺人犯です−』『見えない目撃者』等を手掛けるロボットが企画、そしてオール韓国ロケで臨んだ現場には『犯罪都市』『悪人伝』など数々の韓国映画を手掛けたB.A.エンタテインメントが参加。ロボットと共同制作を行った日韓スタッフ融合の、世界基準の作品が誕生した。

该剧讲述了20世纪50年代至90年代中国第一代石油人勘探、开发、建设克拉玛依油田的创业故事。志愿军某部集体转业，赴克拉玛依开发石油。战斗英雄杨大水为了见未婚妻兰妮一面掉队。当他历尽千辛万苦找到部队时，战友小豹子已顶替他当上了钻井队长，而他却阴错阳差地成为地质队的炊事员。兰妮怀孕，徒步进疆寻夫，临产前得农民张粮库母子收留。兰妮为了孩子暂留张家。文工团员田可一直爱慕杨大水。得知杨大水已有未婚妻，她深感失落，和小豹子结婚。小豹子总是吃杨大水的醋，夫妻俩常为此不快。

巨木と井戸が目印のこの場所に足を踏み入れた者は精神を病み常軌を逸して、奇妙な死を遂げてく…。有能な祈祷師が祓いを試みるも太刀打ちできず、悪夢はひたすら続いていく。彼らはこの「聖地X」で起こる数々の惨劇から逃れ、忌々しい土地に根付く「約束された死」から解放されることはできるのだろうか…。 　　劇作家であり演出家・前川知大と映画監督・入江悠のタッグは、神木隆之介と門脇麦のダブル主演作『太陽』以来、5年ぶり2度目となる。本作は、驚異の大ヒットを叩き出した「恐怖の村」シリーズ『犬鳴村』『樹海村』のプロデュースチームと、『22年目の告白−私が殺人犯です−』『見えない目撃者』等を手掛けるロボットが企画、そしてオール韓国ロケで臨んだ現場には『犯罪都市』『悪人伝』など数々の韓国映画を手掛けたB.A.エンタテインメントが参加。ロボットと共同制作を行った日韓スタッフ融合の、世界基準の作品が誕生した。

已婚的中年农夫卡尔驾着车来到美国宾州的男同志露营胜地，找寻年轻时的心上人。周遭聚集着不少抛开世俗、忘情享受假期的男人们，卡尔能在宛如天堂的营地裡觅得那个「他」吗？

An eccentric drifter claiming to be Elvis Presley hitches a ride with a young man and they find themselves on an adventurous road trip to Memphis.

1. 贵族墓葬，藏礼于器。莫角山上的宫殿，四面合围的城垣，考古成果层层递进。对良渚性质的猜想也逐步升级。本期带你探索良渚遗址。 　　2.施时英，良渚遗址管理所巡查员，负责遗址的日常巡查和保护。每日走村串户，最多的时候，一年要驱车两万多千米。施时英从小在林场长大，最大的愿望是寄情山水。1994年良渚博物馆开馆，是施时英生活的转折点，也是施时英和他素未谋面的祖父的命运交叉点。

本剧以20世纪50年代至90年代勘探、开发、建设克拉玛依油田的历程为背景，讲述了共和国第一代石油人在艰苦的年代和环境里，以他们的创业豪情和钢铁意志克服种种困难的感人故事，塑造了以杨大水为代表的第一代石油人无私奉献的壮丽人生，是一部赞美崇高、充满阳刚之气的嘹亮的主旋律作品。