剧作家博马舍的传记电影。讲的是他从事戏剧创作（《费加罗的婚礼》等）和从事间谍工作以及投机倒把、资助美国独立战争等丰富多彩的人生经历。

剧作家博马舍的传记电影。讲的是他从事戏剧创作（《费加罗的婚礼》等）和从事间谍工作以及投机倒把、资助美国独立战争等丰富多彩的人生经历。

普帕和南法从小就是最好的朋友，这使他们有着难以置信的亲密友谊。他们互相承诺永远不离开对方，但无论如何，普帕还是禁不住害怕失去南法。当超越友谊的感情成为障碍时，这样的承诺能不被打破吗？ 　　Phupha and Nanfah have been best friends since childhood, leading them to have an incredibly close friendship. They made a promise to each other to never leave the other, but Phupha can't help but fear losing Nanfah anyway. Can such a promise not be broken when feelings of more than friendship get in the way?

普帕和南法从小就是最好的朋友，这使他们有着难以置信的亲密友谊。他们互相承诺永远不离开对方，但无论如何，普帕还是禁不住害怕失去南法。当超越友谊的感情成为障碍时，这样的承诺能不被打破吗？ 　　Phupha and Nanfah have been best friends since childhood, leading them to have an incredibly close friendship. They made a promise to each other to never leave the other, but Phupha can't help but fear losing Nanfah anyway. Can such a promise not be broken when feelings of more than friendship get in the way?

普帕和南法从小就是最好的朋友，这使他们有着难以置信的亲密友谊。他们互相承诺永远不离开对方，但无论如何，普帕还是禁不住害怕失去南法。当超越友谊的感情成为障碍时，这样的承诺能不被打破吗？

林泽言与苏依依在苏黎老房阁楼找到保险箱，获，记忆重构，实验证据，揭露陈锋罪行。报警前遭陈锋威胁，警方随后抓获销毁证据的陈锋。苏依依整理遗物，发现姐姐日记夹层纸页，得知林泽言才是幕后黑手，陈锋只是执行者。她暗中调查，获林泽言自曝罪行的证据，且林欲灭口。苏依依提前备证并联系警方，最终林泽言被抓。苏依依到姐姐墓前告慰，案件尘埃落定。

被朋友两个字隔开的两个人的故事。最好的朋友，Phupha和Nanfah，将传达一种爱，困惑和恐惧的关系。他们将如何跨越从朋友到爱人的界限？ 　　The story of two people separated by the word friend. Best friends, Phupha and Nanfah, will convey a relationship of love, confusion and fear. How will they come to cross over the line from friend to lover?

被朋友两个字隔开的两个人的故事。最好的朋友，Phupha和Nanfah，将传达一种爱，困惑和恐惧的关系。他们将如何跨越从朋友到爱人的界限？ 　　The story of two people separated by the word friend. Best friends, Phupha and Nanfah, will convey a relationship of love, confusion and fear. How will they come to cross over the line from friend to lover?

‘What was unusual about this film I think is that I tried to see. I didn’t want to write a script I wanted to see it… There were certain given facts but the business of the script was to see them, to see if this world could exist’. - Jean-Luc Goddard. Scenario du film Passion. 1982

‘What was unusual about this film I think is that I tried to see. I didn’t want to write a script I wanted to see it… There were certain given facts but the business of the script was to see them, to see if this world could exist’. - Jean-Luc Goddard. Scenario du film Passion. 1982