Two boys are surviving in different circumstances. Tagai lives in a settlement within which the people are plagued by the new power of a military dictatorship. Kerim lives amongst wolves in the mountain forests. Someone is taking a path of revenge whilst the other has chosen the path of love and forgiveness. A historical drama, based on true events which took place in the twentieth century in Kazakhstan. The main characters are faced with the necessity to live within the conditions of a historic experiment, at a time when society in general tried to erase its history to build a happy future. In Central Asia, this experience brought with it its own dramatic landscape. War and hunger changed people and it didn’t seem possible to return to how things were before.

Two boys are surviving in different circumstances. Tagai lives in a settlement within which the people are plagued by the new power of a military dictatorship. Kerim lives amongst wolves in the mountain forests. Someone is taking a path of revenge whilst the other has chosen the path of love and forgiveness. A historical drama, based on true events which took place in the twentieth century in Kazakhstan. The main characters are faced with the necessity to live within the conditions of a historic experiment, at a time when society in general tried to erase its history to build a happy future. In Central Asia, this experience brought with it its own dramatic landscape. War and hunger changed people and it didn’t seem possible to return to how things were before.

该剧改编自格里高利·大卫·罗伯茨2003年的同名畅销小说，讲述银行抢匪Lin Ford（查理·汉纳姆 饰）自澳洲越狱后逃往印度孟买，一场救赎之旅就此开启。…

Abstract animation illustrates Edwin Gerschefski's modernist composition. Two dots - one blue and one orange - appear most often, sometimes large, sometimes small, sometimes overlapping. When the sounds become more staccato, so do the images: wavy lines become squiggles, short nail-like lines go across the screen in rows. The result is a visual representation of abstract music, lively and spirited in spite of its link to a dance composed to sweat out the poisons of a spider bite.

Abstract animation illustrates Edwin Gerschefski's modernist composition. Two dots - one blue and one orange - appear most often, sometimes large, sometimes small, sometimes overlapping. When the sounds become more staccato, so do the images: wavy lines become squiggles, short nail-like lines go across the screen in rows. The result is a visual representation of abstract music, lively and spirited in spite of its link to a dance composed to sweat out the poisons of a spider bite.

塔兰图拉毒蛛(Tarantola dal ventre nero, La)由吉安卡罗·吉安尼尼 克劳迪娜·奥格尔 芭芭拉·布薛特等巨星主演，由著名的恐怖片导演Paolo Cavara执导。 　　铬黄，是意大利早期生产的低俗小说的纸张颜色，代表着陈旧、劣质和通俗。铬黄电影的内容也就离不开市井气的凶杀、通奸和诱拐，简单来讲，就是我们现在所说的“三俗”，也可以说是“意大利的杀人狂电影”。被残虐的对象99.9%是无辜的年轻女性，死亡前都有不同程度地折磨。以达里奥·阿真托、卢西奥·福奇和马里奥·巴瓦为首的铬黄大师们，用各种变态的手段无所不用其极地蹂躏着可怜的花朵，也摧残着我们的视听系统。刀片锐利无比，娇嫩的皮肤像白纸一样脆弱，鲜血像加了水泵一样喷涌四溅。www.chaoji365.com

塔兰图拉毒蛛(Tarantola dal ventre nero, La)由吉安卡罗·吉安尼尼 克劳迪娜·奥格尔 芭芭拉·布薛特等巨星主演，由著名的恐怖片导演Paolo Cavara执导。 　　铬黄，是意大利早期生产的低俗小说的纸张颜色，代表着陈旧、劣质和通俗。铬黄电影的内容也就离不开市井气的凶杀、通奸和诱拐，简单来讲，就是我们现在所说的“三俗”，也可以说是“意大利的杀人狂电影”。被残虐的对象99.9%是无辜的年轻女性，死亡前都有不同程度地折磨。以达里奥·阿真托、卢西奥·福奇和马里奥·巴瓦为首的铬黄大师们，用各种变态的手段无所不用其极地蹂躏着可怜的花朵，也摧残着我们的视听系统。刀片锐利无比，娇嫩的皮肤像白纸一样脆弱，鲜血像加了水泵一样喷涌四溅。www.chaoji365.com

在埃塞俄比亚的传说中，伊斯兰教苏菲派的伊玛目寻求永恒时，发现了卡塔叶。受此传说的启发，本片带领观众进入哈勒尔高地，体验古老的卡塔叶仪式，展开一段神秘的精神之旅。卡塔叶具有刺激神经的效用，几个世纪以来，苏菲派穆斯林依靠咀嚼这种绿叶来进行宗教冥想。它也是埃塞俄比亚利润最高的经济作物。本片以卡塔叶的交易为纽带，串起一个个私密的故事，让我们得以走近那些在政府暴力压迫下，对卡塔叶上瘾并冒险越境的人们。本片也为观众打开了一扇窗，进入被专制政权追捕的年轻人的梦。