卡皮巴拉探知号AI动漫，是一部融合物理、生物、天文、地理、化学、心理学、自然等科普类动画剧集，其剧情围绕某一类话题展开，通过卡皮巴拉故事引入，是一部关于青少年寓教于乐的科普类漫剧。

Balane 3 est un quartier d'Inhambane, au sud du Mozambique, dont le réalisateur a voulu, au travers du documentaire, restituer le quotidien de ses habitants et l'époque qu'ils traversent. 　　Comme toute autre personne dans le monde, les personnages de ce film travaillent comme laveurs de voitures, pêcheurs ou bouchers, ils vont à l'école, dans les hôpitaux, les salons de coiffure et les marchés de rue, ils boivent et dansent la nuit. Ils parlent de maladies, de politique, d'amis, d'amour et de sexe.

Balane 3 est un quartier d'Inhambane, au sud du Mozambique, dont le réalisateur a voulu, au travers du documentaire, restituer le quotidien de ses habitants et l'époque qu'ils traversent. 　　Comme toute autre personne dans le monde, les personnages de ce film travaillent comme laveurs de voitures, pêcheurs ou bouchers, ils vont à l'école, dans les hôpitaux, les salons de coiffure et les marchés de rue, ils boivent et dansent la nuit. Ils parlent de maladies, de politique, d'amis, d'amour et de sexe.

故事讲述咔咔和阿吉在中国和全球各大景点的旅行故事，咔咔是一只热衷于“慢旅游”的水豚，他喜欢放慢旅行节奏，享受与当地文化的深入融合，注重体验过程中的每一刻。而他的伙伴阿吉，一只橘子鳄，则代表了现代快节奏的旅行方式，总是匆匆忙忙地打卡景点，拍照分享，急于完成旅行清单。在旅途中，两人性格的差异频频碰撞，带来许多幽默且富有治愈感的故事。通过这一系列的旅行经历，故事传达出尊重每个人选择的旅游方式，无论快慢，每种节奏和方式都有其独特的价值，最重要的是找到适合自己的方式，享受旅游的过程。

一个对未来充满憧憬的年轻人惊恐的发现自己出现了大面积脱发的问题，如同晴天霹雳一般，他的事业和感情生活都危在旦夕，他也无所不用其极去想办法找回自己的发量。

一个对未来充满憧憬的年轻人惊恐的发现自己出现了大面积脱发的问题，如同晴天霹雳一般，他的事业和感情生活都危在旦夕，他也无所不用其极去想办法找回自己的发量。

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

During the 70's, this film was banned in Brazil by the military government's censorship, and even its exportation was prohibited. When there's a crisis in power, the man who holds this power is also personally disturbed. His defeat is thorough and complete. A dictator, in a moment of serious national crisis, confronted in the streets and countryside by revolt and guerilla, makes a long speech on TV, looking for an illusionary peace. But reality is stronger than his fiction, and control gets out of hand. For him, there's only one way out: a pathetic confession and going off the air.

In a Himalayan polyandrous village, pregnant PEMA faces scrutiny as her husband vanishes. With her monk brother-in-law, her de facto spouse, she seeks him in the wild, unraveling her own self-discovery along the journey