图恩是一个孤独的人，一个不合群的短歌作曲家，他对“家”这个避风港非常依恋。浮华的娱乐行业，以及其中成功、时髦而性感的人群与他完全绝缘。当图恩迫于压力在一场生日派对上演奏后，一切都发生了改变。他的即兴演奏在 YouTube 上被疯传，这让图恩成为一夜爆红网络的名人。图恩发现自己遇到了最棘手的事：他成了人们关注的焦点。

故事讲述咔咔和阿吉在中国和全球各大景点的旅行故事，咔咔是一只热衷于“慢旅游”的水豚，他喜欢放慢旅行节奏，享受与当地文化的深入融合，注重体验过程中的每一刻。而他的伙伴阿吉，一只橘子鳄，则代表了现代快节奏的旅行方式，总是匆匆忙忙地打卡景点，拍照分享，急于完成旅行清单。在旅途中，两人性格的差异频频碰撞，带来许多幽默且富有治愈感的故事。通过这一系列的旅行经历，故事传达出尊重每个人选择的旅游方式，无论快慢，每种节奏和方式都有其独特的价值，最重要的是找到适合自己的方式，享受旅游的过程。

江庭州是江听雪家保姆的儿子，也是她追了五年才在一起的白月光，她心疼他身份卑微，于是想法设法托举他成为娱乐圈顶流，她放弃保研清华，陪他进娱乐圈，不仅花钱为他打点，还亲自为他跑上跑下扛下所有累活苦活，生怕哪处委屈了他，就算被全网黑也在所不惜，而江庭州却恩将仇报，在她投资的节目里对她吆三喝四，冒充她的富二代身份，为了当红小花怒斥她，最后更是把她卖给地下色情直播。

一个对未来充满憧憬的年轻人惊恐的发现自己出现了大面积脱发的问题，如同晴天霹雳一般，他的事业和感情生活都危在旦夕，他也无所不用其极去想办法找回自己的发量。

一个对未来充满憧憬的年轻人惊恐的发现自己出现了大面积脱发的问题，如同晴天霹雳一般，他的事业和感情生活都危在旦夕，他也无所不用其极去想办法找回自己的发量。

During the 70's, this film was banned in Brazil by the military government's censorship, and even its exportation was prohibited. When there's a crisis in power, the man who holds this power is also personally disturbed. His defeat is thorough and complete. A dictator, in a moment of serious national crisis, confronted in the streets and countryside by revolt and guerilla, makes a long speech on TV, looking for an illusionary peace. But reality is stronger than his fiction, and control gets out of hand. For him, there's only one way out: a pathetic confession and going off the air.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

修仙界最强灵植师江晚柠穿成现代十八线女星，遭遇顶流男友羞辱和经纪人出卖，欣然回家种地，种啥都好吃， 还能治百病，一不小心靠种地爆红全网成了顶流。

In a Himalayan polyandrous village, pregnant PEMA faces scrutiny as her husband vanishes. With her monk brother-in-law, her de facto spouse, she seeks him in the wild, unraveling her own self-discovery along the journey