托尼是供职于纽约爱乐乐团的钢琴手，一天，他邂逅了在卡内基音乐厅做清扫工的诺拉，一见钟情的两人很快就走到了一起，结婚后，诺拉给托尼生了一个大胖小子，取名为小托尼。老托尼因为自己在音乐上的创新思想不被乐团理解而遭到了辞退，借酒消愁的他一天从楼梯上摔了下来，不幸身亡，之后，抚养小托尼的重担全都落到了诺拉的肩上。 　　诺拉有一个梦想，那就是将儿子培养成一个和父亲一样伟大的音乐家，然而看着他登上卡内基音乐厅的舞台表演，然而，随着年龄的增长，小托尼也表现出了和父亲一样的，对于新式音乐创作的热情，害怕儿子重蹈覆辙的诺拉和他大吵了一架，之后，小托尼决定离家出走。

托尼是供职于纽约爱乐乐团的钢琴手，一天，他邂逅了在卡内基音乐厅做清扫工的诺拉，一见钟情的两人很快就走到了一起，结婚后，诺拉给托尼生了一个大胖小子，取名为小托尼。老托尼因为自己在音乐上的创新思想不被乐团理解而遭到了辞退，借酒消愁的他一天从楼梯上摔了下来，不幸身亡，之后，抚养小托尼的重担全都落到了诺拉的肩上。 　　诺拉有一个梦想，那就是将儿子培养成一个和父亲一样伟大的音乐家，然而看着他登上卡内基音乐厅的舞台表演，然而，随着年龄的增长，小托尼也表现出了和父亲一样的，对于新式音乐创作的热情，害怕儿子重蹈覆辙的诺拉和他大吵了一架，之后，小托尼决定离家出走。

This program features the music of Broadway composer Stephen Sondheim in a 1992 performance at Carnegie Hall. An American Musical Theatre writer for over 40 years, Stephen Sondheim has created the scores for hits such as Passion, Assassins, Bounce, Into The Woods, Sunday In The Park With George, Merrily We Roll Along, Sweeney Todd and Pacific Overtures. Featuring: Liza Minnelli, Patti LuPone, Bernadette Peters, Glenn Close and many more.

This program features the music of Broadway composer Stephen Sondheim in a 1992 performance at Carnegie Hall. An American Musical Theatre writer for over 40 years, Stephen Sondheim has created the scores for hits such as Passion, Assassins, Bounce, Into The Woods, Sunday In The Park With George, Merrily We Roll Along, Sweeney Todd and Pacific Overtures. Featuring: Liza Minnelli, Patti LuPone, Bernadette Peters, Glenn Close and many more.

香港警察顧玲玲為調查好友楊美華的死因，遠赴日本與作家李三郎會面，詢問美華有無遺留下重要物品，但卻未有所悉。不久，日本外事邢警木下與倆人接洽合作，情求協助調查一起私毒品案件，並從刑警口中得知楊美華妹妹楊美鳳的下落。 　　為此，倆人結伴去楊美華生前工作的夜總會，進行實地查訪，更希望能見到楊美鳳……

香港警察顧玲玲為調查好友楊美華的死因，遠赴日本與作家李三郎會面，詢問美華有無遺留下重要物品，但卻未有所悉。不久，日本外事邢警木下與倆人接洽合作，情求協助調查一起私毒品案件，並從刑警口中得知楊美華妹妹楊美鳳的下落。 　　為此，倆人結伴去楊美華生前工作的夜總會，進行實地查訪，更希望能見到楊美鳳……

戒嚴前夕的台灣，曾出現一系列「女性復仇」電影，形塑受害女性角色，再由極殘忍的復仇結局收尾。延續著近年對身體政治課題的關注，蘇匯宇再次以肉身探討權力，以女性電影為想像基礎，重新創造了一個平行宇宙的女性復仇。

A socially committed film about the feudal state of many Japanese women in 1946. Hiroko Hosokawa, a female lawyer, defends Mrs. Asakura, who suffocated her child in her grief after her husband died penniless following an industrial accident. The prosecutor is Hiroko's sister's husband Kono, who also sent Hiroko's fiance, Yamaoka, to jail for his liberal views during the war. Yamaoka has just been freed, but is seriously ill from his time in prison.

戒嚴前夕的台灣，曾出現一系列「女性復仇」電影，形塑受害女性角色，再由極殘忍的復仇結局收尾。延續著近年對身體政治課題的關注，蘇匯宇再次以肉身探討權力，以女性電影為想像基礎，重新創造了一個平行宇宙的女性復仇。

A socially committed film about the feudal state of many Japanese women in 1946. Hiroko Hosokawa, a female lawyer, defends Mrs. Asakura, who suffocated her child in her grief after her husband died penniless following an industrial accident. The prosecutor is Hiroko's sister's husband Kono, who also sent Hiroko's fiance, Yamaoka, to jail for his liberal views during the war. Yamaoka has just been freed, but is seriously ill from his time in prison.