Otto Muehl 　　Kardinal 　　Perinetkeller Wien 　　Frühjahr 1967 　　http://www.ubu.com/film/muehl.html 　　Kamera Helmut Kronberger 　　Otto Muehl (born June 16, 1925, at Grodnau, Burgenland, Austria) is an Austrian artist. He started painting in his youth and in the 60s was one of the co-founders, and an important member, of Wiener Aktionismus or Viennese Actionism. In 1972 he founded the famous commune Friedrichshof that flourished for several years before falling apart in the 1990s. Muehl himself was sentenced to 7 years imprisonment for having sexual relationships with teenagers. He was released after 7 years and set up a smaller commune in Portugal. 　　In 1943, Otto Muehl served in the German Army and in 1944 he was sent to the Front. After the war, he studied teaching German and History, and Pedagogy of Art at the Wiener Akademie der bildenden Künste. 　　In the sixties his aim was 'to overcome painting on canvas through staging the process of its destruction'. He made rhizomatic structures with scrap iron ("Gerümpelplastiken"), but soon proceeded to the "Aktion" in the vein of the New York Happenings. In 1962, when he was 37, the first "Aktion" "Die Blutorgel" was performed in Muehl's atelier in the Perinetgasse by Muehl himself, Adolf Frohner and Hermann Nitsch. The "Fest des psycho-physischen Naturalismus" and "Versumpfung einer Venus" followed in 1963. From 1964 to 1966 many "Malaktionen" were filmed by Kurt Kren and photographed by Ludwig Hoffenreich. In 1966 a new concept of Aktion was developed with Günter Brus: instead of the canvas, the body became the scene of action. In 1968, Muehl, Brus and Oswald Wiener organised an Aktionsveranstaltung "Kunst und Revolution" in the University of Vienna, which caused a scandal in the press; they were arrested and Brus emigrated to Berlin. 　　Gradually, Muehl began to distance himself from "Aktion". He regarded the "happening as a bourgeois artform, mere art". The "transition from art to life" resulted in the founding of the commune as a kind of anti-society. Inspired by Wilhelm Reich, all members submitted to the so-called Aktionsanalyse. The declared aim was the destruction of bourgeois marriage and private property, free love, and collective education of the children. In 1974 he played a small role as a member of an anarchic/therapy commune in Dusan Makavejev's Sweet Movie. In the eighties, tensions within the commune increased until they culminated in a revolt under the direction of Altenberg. When, on top of that, Muehl was arrested and imprisoned in 1991, the commune fell apart. In 1997 Muehl moved to Faro, Portugal to start a new commune experiment. Despite suffering from Parkinsons disease, Muehl continued his art work, and in 2002 developed "electric painting films", a new technique in which he paints digital photos from actions using a computer tablet and pen and edits the process into films. 　　http://en.wikipedia.org/wiki/Otto_Muehl

Otto Muehl 　　Kardinal 　　Perinetkeller Wien 　　Frühjahr 1967 　　http://www.ubu.com/film/muehl.html 　　Kamera Helmut Kronberger 　　Otto Muehl (born June 16, 1925, at Grodnau, Burgenland, Austria) is an Austrian artist. He started painting in his youth and in the 60s was one of the co-founders, and an important member, of Wiener Aktionismus or Viennese Actionism. In 1972 he founded the famous commune Friedrichshof that flourished for several years before falling apart in the 1990s. Muehl himself was sentenced to 7 years imprisonment for having sexual relationships with teenagers. He was released after 7 years and set up a smaller commune in Portugal. 　　In 1943, Otto Muehl served in the German Army and in 1944 he was sent to the Front. After the war, he studied teaching German and History, and Pedagogy of Art at the Wiener Akademie der bildenden Künste. 　　In the sixties his aim was 'to overcome painting on canvas through staging the process of its destruction'. He made rhizomatic structures with scrap iron ("Gerümpelplastiken"), but soon proceeded to the "Aktion" in the vein of the New York Happenings. In 1962, when he was 37, the first "Aktion" "Die Blutorgel" was performed in Muehl's atelier in the Perinetgasse by Muehl himself, Adolf Frohner and Hermann Nitsch. The "Fest des psycho-physischen Naturalismus" and "Versumpfung einer Venus" followed in 1963. From 1964 to 1966 many "Malaktionen" were filmed by Kurt Kren and photographed by Ludwig Hoffenreich. In 1966 a new concept of Aktion was developed with Günter Brus: instead of the canvas, the body became the scene of action. In 1968, Muehl, Brus and Oswald Wiener organised an Aktionsveranstaltung "Kunst und Revolution" in the University of Vienna, which caused a scandal in the press; they were arrested and Brus emigrated to Berlin. 　　Gradually, Muehl began to distance himself from "Aktion". He regarded the "happening as a bourgeois artform, mere art". The "transition from art to life" resulted in the founding of the commune as a kind of anti-society. Inspired by Wilhelm Reich, all members submitted to the so-called Aktionsanalyse. The declared aim was the destruction of bourgeois marriage and private property, free love, and collective education of the children. In 1974 he played a small role as a member of an anarchic/therapy commune in Dusan Makavejev's Sweet Movie. In the eighties, tensions within the commune increased until they culminated in a revolt under the direction of Altenberg. When, on top of that, Muehl was arrested and imprisoned in 1991, the commune fell apart. In 1997 Muehl moved to Faro, Portugal to start a new commune experiment. Despite suffering from Parkinsons disease, Muehl continued his art work, and in 2002 developed "electric painting films", a new technique in which he paints digital photos from actions using a computer tablet and pen and edits the process into films. 　　http://en.wikipedia.org/wiki/Otto_Muehl

这部壮观的史诗系列剧聚焦于黄金二十年代的两个结晶：首都沉沦于贫困、暴力和混乱之中，而城西百货商场则是奢华和美丽的绿洲。从第一次世界大战归来后，哈里·詹多夫以血腥手段的制止了百货公司劫匪的武装袭击。他的父亲阿道夫·詹多夫，靠着商业上的谨慎和可靠的会计师格尔戈的支持经营着这家濒临破产的 传统企业，这位受到创伤的小老板将他的冒险精神带到了企业的最前沿。而对于哈里的妹妹弗里来说，上层社会并没有在管理层中为其提供一个位置的家庭传统。同时弗里与百货公司的女售货员渐生情愫，开启了一段禁忌之恋~微博@亿万同人字幕分享

这部壮观的史诗系列剧聚焦于黄金二十年代的两个结晶：首都沉沦于贫困、暴力和混乱之中，而城西百货商场则是奢华和美丽的绿洲。从第一次世界大战归来后，哈里·詹多夫以血腥手段的制止了百货公司劫匪的武装袭击。他的父亲阿道夫·詹多夫，靠着商业上的谨慎和可靠的会计师格尔戈的支持经营着这家濒临破产的 传统企业，这位受到创伤的小老板将他的冒险精神带到了企业的最前沿。而对于哈里的妹妹弗里来说，上层社会并没有在管理层中为其提供一个位置的家庭传统。同时弗里与百货公司的女售货员渐生情愫，开启了一段禁忌之恋~微博@亿万同人字幕分享

Catalogue Lumière no. 255 　　Filmé par Alexandre Promio

塞琳娜·昆塔尼利亚——被誉为“德克萨斯音乐女王”——以及她的家庭乐队“塞琳娜与洛斯·迪诺斯”，从在十五岁成人礼上表演起步，最终发展到举办座无虚席的体育馆巡回演唱会。通过家庭私人档案中从未曝光的画面，记录了她一生的传奇和留下的遗产。伊莎贝尔·卡斯特罗带着对塞琳娜·昆塔尼利亚的深情致敬重返圣丹斯电影节（继2022年的《米哈》之后）。她巧妙地捕捉到了这位歌手的热情、谦逊以及她与家人之间深厚的情感纽带。与她亲近之人的访谈揭示了她成名背后的付出与牺牲，而怀旧的家庭录像则将我们带回20世纪90年代，提供了前所未见的巡演生活片段。这些家庭录像的温暖仿佛让我们与昆塔尼利亚一家坐在一起，亲身重温他们的旅程。卡斯特罗展示了塞琳娜的个人魅力和对表演的热爱，同时也为她的家人提供了空间，让他们能够庆祝自己的女儿、姐妹和妻子。无论是塞琳娜的忠实粉丝，还是刚刚开始了解她的人，卡斯特罗都提供了一个全新的视角来体验塞琳娜的遗产，并让人们忍不住想要高唱《像朵花》。

生者放不下，死者离不了。人间的牵绊，是爱，是疚；是愤恨，也是遗憾。神经病学家卡特莲娜与著名退休医生亚尼斯驱车前往荒凉海边小镇，秋风吹拂着沉默。因一宗交通事故，亚尼斯被召来辨认遗体，始知死者不止一人。随着疑虑渐获证，卡特莲娜在黑夜独行至残破酒吧，在那失落世外桃源，终看清一切真相。朦胧镜头、迷样美感，尤格索伊带点希腊诡异浪潮之风，营造疑幻疑真的神秘氛围，模糊生前死后世界，以梦幻诗意召唤记忆中的幽灵，好好道别，放手离去。

由加拿大Nelvana Limited公司出品的卡迪拉克与恐龙《Cadillacs & Dinosaurs》TV动画剧集于1993年04月播出，改编自漫画家Mark Schultz的作品《Xenozoic Tales》，。 动画故事舞台设定在已经发生了翻天覆地变化的公元26世纪，此时恐龙和人类共存！讲述了主角与人类反派及恐龙三方的殊死纠葛。。场面火爆，扣人心悬。

Cardi B（卡迪碧）最新推出的真人秀小品剧集《卡子的试炼Cardi Tries》重磅上线！小品演员卡碟比将尝试各种从未接触的活动，包括跳芭蕾，务农，开车，做寿司等等，将于每周五更新