《鲁迅生平》（上海电影制片厂，1956年，5本）。编剧唐弢，导演黄佐临，摄影钱瑜。（http://www.shtong.gov.cn/Newsite/node2/node2245/node4509/node15254/node16773/node63939/userobject1ai11747.html）

1949年初，中国共产党在辽沈、淮海、平津三大战役都大获全胜，国民党在东北和华北控制局面全面溃败。1月21日，总统蒋介石宣布下野，由副总统李宗仁代理总统职务。李宗仁代理总统职务后，设法与中共谈判停战。 　　国民政府和谈代表团由张治中任团长，其他成员有邵力子、黄绍竑、刘斐、章士钊、李蒸；中共方面由周恩来任代表团团长，其他成员包括林伯渠、林彪、叶剑英、李维汉、聂荣臻。4月1日，国民政府和谈代表团乘飞机抵达北平南苑机场，中共代表团秘书长齐燕铭到机场接机，随后代表团抵达六国饭店。下午六时，周恩来率中共代表团与张治中会谈。 　　经过十多天谈判，国共双方草拟《国内和平协定（最后修正案）》，并商定于4月20日签字。南京当局19日发表广播，表示对和平协定未能全部同意，解放军渡江难以接受，于是国共和谈全面破裂。毛泽东、朱德发布《向全国进军的命令》，解放军挥军渡过长江，发动渡江战役，一举占领南京、上海等大城市，然后向华南、西南、西北各省进军。

1949年初，中国共产党在辽沈、淮海、平津三大战役都大获全胜，国民党在东北和华北控制局面全面溃败。1月21日，总统蒋介石宣布下野，由副总统李宗仁代理总统职务。李宗仁代理总统职务后，设法与中共谈判停战。 国民政府和谈代表团由张治中任团长，其他成员有邵力子、黄绍竑、刘斐、章士钊、李蒸；中共方面由周恩来任代表团团长，其他成员包括林伯渠、林彪、叶剑英、李维汉、聂荣臻。4月1日，国民政府和谈代表团乘飞机抵达北平南苑机场，中共代表团秘书长齐燕铭到机场接机，随后代表团抵达六国饭店。下午六时，周恩来率中共代表团与张治中会谈。 经过十多天谈判，国共双方草拟《国内和平协定（最后修正案）》，并商定于4月20日签字。南京当局19日发表广播，表示对和平协定未能全部同意，解放军渡江难以接受，于是国共和谈全面破裂。毛泽东、朱德发布《向全国进军的命令》，解放军挥军渡过长江，发动渡江战役，一举占领南京、上海等大城市，然后向华南、西南、西北各省进军。

After the death of his wife, former civil servant Henri Rousseau takes up painting full time. Coming across as a rarified boob, Russell's version of Rousseau could best be described as an accidental master. Most of his canvases are crackpot versions of reality as seen through the eyes of a naïve painter, and his loneliness and lack of worldly perspective really amplifies his applied amateurishness. Russell treats this tale as sadly comic, and there are many jokes and jibes as Rousseau's expense. In fact, there is such a lighthearted atmosphere here that when we finally view the artist's best known masterpiece - "The Sleeping Gypsy" - it comes as quite a shock. Indeed, many of Russell's films purposely demystify the legendary, showing them just as capable of flaws and foibles as us mere humans. Indeed, as he continued on in his career, the filmmaker would make such an approach his main raison d'etra. Much of his work here can be seen as the basis for Women in Love, Tommy, and his ultimate classical rock god goof, Listzomania. 　　A dramatised portrait of the painter Henri Rousseau (1844-1910), known popularly as 'Le Douanier' because of his day job as a Customs clerk (he never reached the level implied by the nickname), both the film's best-known title and the one that actually appears on screen (Henri Rousseau: Sunday Painter) refer to the fact that his art had to be produced in his spare time, even after retirement. 　　Rousseau is played by the painter James Lloyd, the subject of an earlier Ken Russell Monitor documentary whose own career as a misunderstood naïve painter had many similarities. As Russell later told his biographer John Baxter, "He helped a lot with the atmosphere and the actors, because professionals have to adopt a different attitude when they're with someone like that. They can't do their 'acting' bit." 　　It was Russell's first fully dramatised biopic, without either the restrictions imposed by Monitor's former editor Huw Wheldon or the complex film-within-a-film framework of The Debussy Film. Here, the actors use their own voices (Lloyd's Cheshire accent neatly paralleling Rousseau's provincial Breton) or, in Annette Robertson's case, are dubbed by a male voice to create an unsettlingly androgynous Alfred Jarry. The film also reunited Russell with Melvyn Bragg and Oliver Reed, who wrote and delivered the understated commentary. 　　Given Russell's own battles with both critics and producers, it's tempting to assume that Always on Sunday is exorcising personal demons, as the film is both by and about artists who operate on instinct, frequently puting them at odds with the expectations of the mainstream establishment. Although Russell had had a much easier ride than Rousseau (at least up to this point), his work had already undergone much criticism and creative interference.

年轻记者Ariel（阿尤·艾德维利 Ayo Edebiri 饰）受邀去已经神秘失踪30年、如今回归的传奇流行巨星Alfred Moretti（约翰·马尔科维奇 John Malkovich 饰）的家里，Moretti身边全都是阿谀奉承之辈，和得意忘形的记者们。她发现，自己陷入了这个巨星扭曲的计划里。

年轻记者Ariel（阿尤·艾德维利 Ayo Edebiri 饰）受邀去已经神秘失踪30年、如今回归的传奇流行巨星Alfred Moretti（约翰·马尔科维奇 John Malkovich 饰）的家里，Moretti身边全都是阿谀奉承之辈，和得意忘形的记者们。她发现，自己陷入了这个巨星扭曲的计划里。

年轻作家Ariel受邀去已经神秘失踪30年、如今回归的传奇流行巨星Moretti的家里，身边全都是阿谀奉承之辈，和得意忘形的记者们。她发现，自己陷入了这个巨星扭曲的计划里。

The life and thoughts of an Enlightenment philosopher who suffered from chronic restlessness. A detailed biography which places special emphasis on his most influential texts and commemorates his tercentenary birthday. Using "Les confessions" as the leitmotif, the film alternates between readings by actor Roger Jendly, encounters with international experts and musings on Rousseau's travel destinations. Its manner does not conform to today's tempo, but rather seems to follow the rhythm of a thought as it unfolds, resulting in an inevitably dense portrait on the extraordinary life of one of the leading French philosophers of the Enlightenment.

本片荣获2002年第58届威尼斯电影节金狮奖最佳影片提名,Michel Deville作品。二战结束后的巴黎，一切都百废待兴，食物也要定量购买，一户犹太人家庭在犹太人的聚集区内，经营着一家服装店，丈夫阿拨特与妻子之间的感情随着战火的洗礼却出现了震荡，一个在战争中失去妻子的独身男子与阿拨特的妻子产生暧昧的情愫。题材很新鲜，反映的是二战结束后犹太人重建家园的故事，改编自一个流亡法国的波兰犹太人的小说，将一个犹太家庭在特殊年代里所特有的生活方式表现出来，如同一幅优美的风景画，恬静淳朴但也隐藏着危机。不过，影片并未能得到很高的评价。当然，最感人的还是他们面对外部环境的巨变和自身生活的压力，依然执着坚定地生活着。戏剧化的情节不多，还是法国电影一贯的味道，舒缓、镜头感淡雅、多对白、风景宜人。世界是平静的，即使生活有了涟漪，但也不能阻止人们继续平静安定地生活下去。