每个人爱人的方式不同，蹩脚的我们常常自己为是地去付出爱，但是对方却不一定能得到相应的感知，爱的最好方式不是牺牲自己，而是相互陪伴带来的温情。 故事讲述的是主人公想要把一条腿当做礼物送给腿部有残疾的朋友，便独自在家种腿。为了不让朋友担心，总是在朋友前来找他的时候躲躲藏藏,，当他费劲心力种出腿之后，却看到朋友穿上了翅膀飞走了，同时因为药水的副作用而双目失明。实际上，朋友因他每次的避而不见而担忧，看到他左眼失明，便在家做了一双翅膀飞到远方只为取下一只眼睛送给他。最后互相得以理解，种回了失去的眼睛。

每个人爱人的方式不同，蹩脚的我们常常自己为是地去付出爱，但是对方却不一定能得到相应的感知，爱的最好方式不是牺牲自己，而是相互陪伴带来的温情。 故事讲述的是主人公想要把一条腿当做礼物送给腿部有残疾的朋友，便独自在家种腿。为了不让朋友担心，总是在朋友前来找他的时候躲躲藏藏,，当他费劲心力种出腿之后，却看到朋友穿上了翅膀飞走了，同时因为药水的副作用而双目失明。实际上，朋友因他每次的避而不见而担忧，看到他左眼失明，便在家做了一双翅膀飞到远方只为取下一只眼睛送给他。最后互相得以理解，种回了失去的眼睛。

A deeper connection to tradition, a link to historical roots, and the seeds freely offered by the earth (including the very identity of its people) are only but a few of the invaluable gifts a farm can provide. In Seeds, one of the most breathtaking observational documentaries of recent years, the camera lens captures the ethereal essence of the concept of legacy. Through an intimate look at the life of an Afro-American family of farmers in the rural South, Brittany Shyne’s exceptional directorial debut captures how these people bravely withstand systemic racism to maintain their hold on their land – and be maintained by it in return. Without neglecting to address the political dimensions of this issue (and by exposing the American government’s responsibility for the increasingly dwindling landed property over the years), Shyne reveals a far-reaching directorial and aesthetic vision. A visually captivating film with an almost tangible sense of melancholy.

A deeper connection to tradition, a link to historical roots, and the seeds freely offered by the earth (including the very identity of its people) are only but a few of the invaluable gifts a farm can provide. In Seeds, one of the most breathtaking observational documentaries of recent years, the camera lens captures the ethereal essence of the concept of legacy. Through an intimate look at the life of an Afro-American family of farmers in the rural South, Brittany Shyne’s exceptional directorial debut captures how these people bravely withstand systemic racism to maintain their hold on their land – and be maintained by it in return. Without neglecting to address the political dimensions of this issue (and by exposing the American government’s responsibility for the increasingly dwindling landed property over the years), Shyne reveals a far-reaching directorial and aesthetic vision. A visually captivating film with an almost tangible sense of melancholy.

北京电影学院2015届毕业联合作业。田思源导演。 　　私人侦探成平的妻子一年前神秘死亡。经过一系列的调查，成平坚持相信杀死妻子的凶手是连环杀人狂“黄丝带”，这位连环杀人狂同时也正是妻子的神秘情人。成平独自追凶未果，却意外发现真正的凶手可能就在他的身边。

Searching for an escape from the day-to-day madness of city life, Frenchman Gaspar heads to a well-known park for a dip in the lake, where he sees an alluring man emerge onto the shore.

Searching for an escape from the day-to-day madness of city life, Frenchman Gaspar heads to a well-known park for a dip in the lake, where he sees an alluring man emerge onto the shore.

30 歲的阿仁，在科技大腦的右側偷偷挖隧道， 36歲的阿仁，在朦朧的亮光中，看到台灣的「土」，看到崑濱伯「坐禪｣（做田）的辛苦，毅然決然放棄科技業美好的未來，憑著熱血嘗試將垃圾化做堆肥讓土復活。已近耳順的安和哥向自然取經，帶著家人以有機農法種土養地，農活既是生活形式，也是生命態度。天地運行，大道無形也無情，理想與現實的拉鋸間，兩位農民一老一少，一靜一動，交錯彼此生命的春夏秋冬。 　　時隔 20 年，號稱「比《無米樂》還難拍」的新作《種土》終於問世，顏蘭權再次長期蹲點，記錄對土地一片至誠的性情中人，找來陳明章配樂、楊大正獻唱，娓娓道出農民的辛酸血淚與人生哲學。極度寫實、極度真摯，喜形於色對比老僧入定，被攝者截然不同的性格與選擇，引領他們走上不同道路 ─ 種下土壤，究竟是希望，還是憨人的夢想？

保罗（钟保罗饰），害羞却钟情于美女珍妮（关之琳饰）。珍妮是酒楼侍应领班的女儿，被酒楼经理三少爷看中。保罗在好友阿森（蔡枫华饰）的协助下，屡次与三少爷斗追女仔，连场好戏，如单车与跑车斗技，便因此展开。当中少不了的是追女仔的庸俗笑话和桥段。其中保罗的鬼爷爷，既放不下晚上风流，亦不忘教唆孙儿追女仔的技俩。最后，当然是慈父宁愿放弃公积金，亦不愿出卖女儿，而有情人亦终成眷属。

三名身为高中对手的同性恋者，每日都在对抗欺凌、处理家庭问题以及与自尊问题作斗争。他们对认可的渴望引发了一连串危险事件，还导致了严重后果。