Indira decides to restart her life and move to London. However, on her last day, she dares to explore what she will leave behind.

Indira decides to restart her life and move to London. However, on her last day, she dares to explore what she will leave behind.

首部聚焦牛奶的大型美食人文纪录片，深入探讨牛奶在人类历史与文化中的重要地位。通过科学知识、生动故事和真实情感，展现牛奶的营养、美味及其对人类生活的深远影响，揭示其在不同文化中的独特价值和意义。

One of the first recorded images of a giraffe appeared in the drawings of the ancient Egyptians, who named it ‘sr’. In the 1990s, veterinarian Motke Levinson purchased four giraffes on behalf of two zoos. Upon their arrival in the same container to a port in the Red Sea, they were divided. Two were sent to an Israeli zoo while the others were sent to a Palestinian zoo. Living outside their natural habitat, their survival became an uphill battle at the zoos, and within years, they perished. This is just one of many stories that director Lea Harlaub ponders on. From the wall paintings of ancient Egyptians to exotic animal exports and modern-day safari tourism, this essay film takes us on a hypnotic journey to weave together the history of this majestic animal with the history of humanity.

One of the first recorded images of a giraffe appeared in the drawings of the ancient Egyptians, who named it ‘sr’. In the 1990s, veterinarian Motke Levinson purchased four giraffes on behalf of two zoos. Upon their arrival in the same container to a port in the Red Sea, they were divided. Two were sent to an Israeli zoo while the others were sent to a Palestinian zoo. Living outside their natural habitat, their survival became an uphill battle at the zoos, and within years, they perished. This is just one of many stories that director Lea Harlaub ponders on. From the wall paintings of ancient Egyptians to exotic animal exports and modern-day safari tourism, this essay film takes us on a hypnotic journey to weave together the history of this majestic animal with the history of humanity.

This course offers a broad survey of modern European history, from the end of the Thirty Years’ War to the aftermath of World War II. Along with the consideration of major events and figures such as the French Revolution and Napoleon, attention will be paid to the experience of ordinary people in times of upheaval and transition. The period will thus be viewed neither in terms of historical inevitability nor as a procession of great men, but rather through the lens of the complex interrelations between demographic change, political revolution, and cultural development. Textbook accounts will be accompanied by the study of exemplary works of art, literature, and cinema.

本片分为四个部分，展开了对印度文化、建筑及社会状况之旅。当时的印度社区状况给导演罗西利尼留下了深刻的印象。

导游蒂亚戈的心已经碎了，在妻子出轨的绝望中，他带领一位悲伤的、即将步入老年的巴西父女凯伦，在充满奇怪的自杀式英雄的里斯本四处游荡。蒂亚戈和他的父亲劳尔及儿子曼努埃尔生活在一起。劳尔，一名被国王的失败锁困扰的老水手；曼努埃尔，一名生活在泡沫中的青少年，梦想着一次孤独但充满情欲的宇宙之旅。凯伦，仿佛是存在于这祖孙三代间的幽灵。她构建起了一个私密的信箱，在里面给已故的丈夫写信，讲述过往幸福生活的点滴。劳尔携着儿子蒂亚戈和他的那些遐想，带领凯伦一起穿越梦境、失落的荣耀和灾难，去见一位几个世纪前在南大西洋某个小岛上失踪的没落英雄。

导游蒂亚戈的心已经碎了，在妻子出轨的绝望中，他带领一位悲伤的、即将步入老年的巴西父女凯伦，在充满奇怪的自杀式英雄的里斯本四处游荡。蒂亚戈和他的父亲劳尔及儿子曼努埃尔生活在一起。劳尔，一名被国王的失败锁困扰的老水手；曼努埃尔，一名生活在泡沫中的青少年，梦想着一次孤独但充满情欲的宇宙之旅。凯伦，仿佛是存在于这祖孙三代间的幽灵。她构建起了一个私密的信箱，在里面给已故的丈夫写信，讲述过往幸福生活的点滴。劳尔携着儿子蒂亚戈和他的那些遐想，带领凯伦一起穿越梦境、失落的荣耀和灾难，去见一位几个世纪前在南大西洋某个小岛上失踪的没落英雄。

在赫尔辛基艺术节上放映的《现代文明永不消逝》是一部科幻片，用动画呈现了呈现了未来几千年时间中一栋建筑废墟的变化过程，那时人类已经消失，只有气候能够对它产生影响。被称为“糖立方”的Stora Enso大楼是赫尔辛基市中心的标志性建筑，而在本片放映的40平方米广场银幕的对面，正伫立着这座实际的建筑。 　　由丹麦艺术家Jakob Fenger、Rasmus Nielsen、Reuter Christiansen等组成的团体Superflex近日在赫尔辛基的现代艺术节上播放了史上最长的电影作品：《现代文明永不消逝》（Forever Modern Times）。该片将从3月24日放映到4月2日——才能放完一次。