上世纪80年代初的西班牙正处于大变革之中，瓜达尔基维尔流域的沼泽地上有一座偏远小镇，一件极其残忍的少女凶杀案就发生于此。来自马德里的警探帕德罗（劳尔·阿雷瓦罗 Raúl Arévalo 饰）和搭档胡安（哈维尔·古铁雷斯 Javier Gutiérrez 饰）奉命来调查此事。然而凶杀案并不像封建保守的当地居民想的那样简单，两人逐渐发现这是一宗连环少女失踪案，他们面对的很可能不只是一个残忍的凶手，而是一个组织。随着受害者母亲（内瑞雅·巴德洛斯 Nerea Barros 饰）提供的关键线索，案件更加地扑朔迷离，而在调查过程中帕德罗也发现了胡安不为人知的过去，更让人不安的是社会的腐败，以及小镇人民的贫穷与冷漠，两人都面对着极大的挑战。

The film, which claims to be a true story, sets out to detail the existence of the "Fouke Monster", a bigfoot-like creature that has reportedly been seen by residents of a small Arkansas community since the 1950s. It is described as having a foul odor, completely covered in reddish-brown hair and having 3 toes and also known by leaving tracks found in beanfields. 　　Several locals from the small town of Fouke, Arkansas recall their stories, often appearing as themselves, claiming that the creature has killed several large hogs as well as other animals. In one scene, a kitten is shown as having been "scared to death" by the creature. The narrator informs us that while people have shot at the creature in the past, it has always managed to escape. In another scene, hunters attempt to pursue the creature with dogs, but the dogs refuse to give chase. A police constable states that while driving home one night, the creature suddenly ran across the road in front of him. 　　In a later sequence, culled from the actual newspaper accounts inspiring the film, the creature is shown menacing a family in a remote country house. After being fired upon, the creature attacks, sending one family member to the hospital.

每年二月份，阿根廷西北部就会开始下起热带雨林特有的倾盆大雨，雨水把广阔的森林变成了一片人畜都无法通过的沼泽湿地，炙热的太阳晒在沼泽上，热气与雾气让这儿一片死寂。五十岁老妇人梅恰，就住在这片沼泽地的边缘，她与她的表妹塔丽在这儿经营着一座农场，她们各有四个小孩，各有一个老公，两个家庭在沼泽边挣扎着生存，但是这一年夏天，两个意外事件让她们面临了生存的挑战……

每年二月份，阿根廷西北部就会开始下起热带雨林特有的倾盆大雨，雨水把广阔的森林变成了一片人畜都无法通过的沼泽湿地，炙热的太阳晒在沼泽上，热气与雾气让这儿一片死寂。五十岁老妇人梅恰，就住在这片沼泽地的边缘，她与她的表妹塔丽在这儿经营着一座农场，她们各有四个小孩，各有一个老公，两个家庭在沼泽边挣扎着生存，但是这一年夏天，两个意外事件让她们面临了生存的挑战……

一个成功的侦探小说家卷入了一起绑架案，并发现了政客和黑手党之间存在的腐败。马克·维吉尔的第一个特点是挖掘隐藏在表面后面的是什么。

Hyeran is from an orphan but goes to college with the care of the orphanage director. One day, Hye-ran, who has been deprived of the honor by the director, takes out the account of the director and leaves the orphanage. As a school senior, I ask for help from Tae Jin, president of a large company. Instead of giving money, I make him a pleasure. Hye-ran, who meets with Sang-il of Philosophy Department, feels a man who is a man of the past. Hye-ran is a man who has betrayed Hye-ran after he passed the examination of Hye-ran. Meanwhile, Hye-ran decides to take revenge on Hye-hwan, When he found two people for revenge, Hye-ran gave up his immigration and found that the orphanage died and his orphanage was left to Hye-ran by his father. I decide to devote my life to the orphanage. The day of the orphanage inauguration ceremony day comes and the two will make a new start.

第十四届（1949）威尼斯电影节 最佳导演：阿．吉尼那《沼泽的蓝天》（意）

Hyeran is from an orphan but goes to college with the care of the orphanage director. One day, Hye-ran, who has been deprived of the honor by the director, takes out the account of the director and leaves the orphanage. As a school senior, I ask for help from Tae Jin, president of a large company. Instead of giving money, I make him a pleasure. Hye-ran, who meets with Sang-il of Philosophy Department, feels a man who is a man of the past. Hye-ran is a man who has betrayed Hye-ran after he passed the examination of Hye-ran. Meanwhile, Hye-ran decides to take revenge on Hye-hwan, When he found two people for revenge, Hye-ran gave up his immigration and found that the orphanage died and his orphanage was left to Hye-ran by his father. I decide to devote my life to the orphanage. The day of the orphanage inauguration ceremony day comes and the two will make a new start.

BBC系列剧《今日剧》中的一集。导演阿兰·克拉克把编剧David Rudkin通过特有的超强的幻想潜力创作出的剧本，打造成了一个集合了个人的、社会的、性的、超自然的、形而上的当代社会的多层化的深刻故事。

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