History of filmmaking in China from its beginnings in the 1920s to 1982, featuring Shanghai cinema of 1930s; the progressive filmmakers; the organisation of filmmaking under the post-war communist government; the impact of the Cultural Revolution; the work of Xie Jin.

从默片时代开始到如今metoo时期，聚焦和探讨电影中裸露戏份，和其中道德规范的变化，跟其背后政治、社会和艺术的变化有关，以及裸戏的改变如何改变了电影。

这是一部精美奇妙的旅行片、新闻片和家庭电影合集，带你重回20世纪上半叶的中国。 　　影片中的所有资料均来自英国电影协会国家档案馆，由一大批英法电影制片人，或专业或业余的旅行家，殖民时代的外籍人士以及基督教传教士们共同摄制而成。 　　影片再现了1900年上海繁华时尚的南京路、1929年的大世界游乐场、1937年的上海马赛、1910年的北京前门大街、1925年杭州的运河美景等极具中国特色和时代印记的场景。在这里你可以漫游香港、重庆、广州、昆明等中国各大城市，探秘湖南和云南的偏远乡村。影片中那些具象但一闪而过的画面可能是现存的在中国取景的影片中最为古老的画面了。 　　2015年上海国际电影节，英国著名默片钢琴家约翰•斯威尼还为该片进行现场伴奏。

探寻1949年前中国重要纪录片与纪录片人。1、《勋业千秋》与黎民伟；2、冯玉祥影像；3、《十九路军抗日战史》与联华；4、《第二代》与潘孑农；5、《民族万岁》与郑君里；6、《民主前锋》与孙明经；7、《民主东北》与东影；8、《中国人民的胜利》与苏联摄影队。

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

Leo is a successful author of mystery novels, who writes under a pseudonym. While penning his next book in an isolated chalet, he receives a strange visit from Jota, a somewhat troubling character, who claims to be a journalist.

Leo is a successful author of mystery novels, who writes under a pseudonym. While penning his next book in an isolated chalet, he receives a strange visit from Jota, a somewhat troubling character, who claims to be a journalist.

这部Erskine和McCullough合作的首部作品是恐怖片，用灵活的手法交织出了一个发生在城市中的神秘故事 - 　　从偷肾到外星人劫持，然后到操纵药品公司；这里是偏执狂的天堂。与令人回忆的《天梯》(Jacob's Ladder)和比较阴暗的《死亡幻觉》(Donnie 　　Darko)一样，故事结构依然保持了这一风格，仿佛魔方一样，把观众带向令人满足，又峰回路转达到故事的高潮... 　　故事情节险恶，令人惊奇和震惊。影片刻划了一个令人怜爱的无助的英雄角色，EMR是一部令人精神一震的英国惊悚电影，它会令你在下次吃阿斯匹林时，再好好想一想。