Jotuomba的每个居民长久以来都扮演者自己分内的角色。一如每个早晨，玛德莲做好面包，带去安东尼奥古旧的咖啡店，两人照例吵嘴抬杠。这山城里的时间似乎停滞不动，所有事物的流转，拥有着自己的节奏，在此即是永恒。直到年轻女摄影师丽塔抵达，变化，终于随着她的快门，开始产生涟漪。

Co-directed by Godard with the Dziga Vertov group in 1969, 'Pravda's a direct attack to revisionism and socialist imperialism. With his usual collage of images taken from real life, the film's structured as a letter which a man writes to a woman called Rosa.

A farce, Hoskins plays a photographer who specializes in religious pictures who searches for a model for Jesus. He does a favor for a friend and finds himself doing a voice track for a porno movie with Natasha Richardson. Hoskins finds his model for Jesus in Jeff Goldblum and a romantic triangle begins in which Goldblum finds adoring crowds believing him to be Jesus and then begins to believe it himself.

沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

After the death of their friend, a group of eccentric young adults are whisked away to a villa on the outskirts of London, but a mysterious entity seems to have followed them to their luxurious getaway.

After the death of their friend, a group of eccentric young adults are whisked away to a villa on the outskirts of London, but a mysterious entity seems to have followed them to their luxurious getaway.

我得了怪病，只能说真话，任何谎话都像被无形的手扼住喉咙，一个字也吐不出。起初倒也无妨，日常琐事无需遮掩。直到那天数学课，老师让我照着课本念函数定义，我张了张嘴，喉咙却像被堵住般发不出声。全班寂静中，我冷汗直流 —— 原来这所谓的 “定义”，竟不是真话。这病的可怕，从不是无法说谎，而是它会戳破世界的假象。

我得了怪病，只能说真话，任何谎话都像被无形的手扼住喉咙，一个字也吐不出。起初倒也无妨，日常琐事无需遮掩。直到那天数学课，老师让我照着课本念函数定义，我张了张嘴，喉咙却像被堵住般发不出声。全班寂静中，我冷汗直流 —— 原来这所谓的 “定义”，竟不是真话。这病的可怕，从不是无法说谎，而是它会戳破世界的假象。

最终版的纪录片《致真理》分为两个部分，第一部分为黄素雅导演执导的短片《4：Clean Island》—当初雪莉原本会拍摄来自五位导演的短片作品，她却在第二部的拍摄期间离世，因此这部《4：Clean Island》成了最初筹备的五部短片作品中唯一的完成品；第二部分名为《致真理》，是一部以雪莉的深度专访展开的纪录片。观众将时隔四年，听到25岁的雪莉在最后的日子里坦诚分享内心感受。纪录片名亦是取自雪莉的本名「崔真理」——而她内心最迫切希望的，正是大众尊重并喜欢她真实的样子。