弗洛里的爸爸离开了。他的妈妈介绍“大胖子”（Der Dicke）作为她的新伴侣。弗洛里爱他的爸爸。他对这个新男人不感兴趣。他玩耍、盯着女孩看，还喜欢踢足球。他能接受这些变化吗？

弗洛里的爸爸离开了。他的妈妈介绍“大胖子”（Der Dicke）作为她的新伴侣。弗洛里爱他的爸爸。他对这个新男人不感兴趣。他玩耍、盯着女孩看，还喜欢踢足球。他能接受这些变化吗？

两年前，我在跟随一支支教队伍进行拍摄时意外结识了一位热爱跳舞的小姑娘卓玛，她当时正在忧虑考上初中的问题。和她短暂相处几天后，我返回了我的城市，但离别时答应她会再回来。 　　两年后，我决定根据手中有限的信息回去寻找她。随着她妈妈姐姐外出打工，家中经济有好转，但新的问题扑面而来——12年义务教育的普及让她不再担心初高中入学，但因为成绩不好，她可能就要被迫嫁做人妇。

两年前，我在跟随一支支教队伍进行拍摄时意外结识了一位热爱跳舞的小姑娘卓玛，她当时正在忧虑考上初中的问题。和她短暂相处几天后，我返回了我的城市，但离别时答应她会再回来。 　　两年后，我决定根据手中有限的信息回去寻找她。随着她妈妈姐姐外出打工，家中经济有好转，但新的问题扑面而来——12年义务教育的普及让她不再担心初高中入学，但因为成绩不好，她可能就要被迫嫁做人妇。

几年前，一次工作拍摄中导演接触到爱跳舞的藏族女孩扎什卓玛。之后，她们成为3天朋友。临别时，她们约定会再见面。两年后的夏天，到兑现诺言的时候。导演辗转回到甘南，找到十四岁的卓玛，共度一个带着忧愁的夏天。

The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. 　　The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. 　　The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". 　　Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.

The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. 　　The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. 　　The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". 　　Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.

厚物（あつもの）と呼ばれる菊の栽培に情熱を傾けてきた初老の2人のライバルと、2人の間に紛れ込んできた若い女性との愛憎を描いた人間ドラマ。北陸の小さな町の消防士だった馬野杢平は、大菊の厚物を仕立てる事では北陸の名人と呼ばれるほどの男。定年を機に妻の夏美が東京郊外の精神病院に入院し、杢平は息子夫婦の住む関東近郊へ身を寄せる。北関東には杢平のライバル黒瀬玄一がいる。ある日、杢平は地元の菊同好会の集いで知り合った音大生ミハルの案内で黒瀬の家を訪ねるが……。

一个几近被社会抛弃的人逆袭成为毒枭，一个体制内受掣肘的普通民警，因毒品交易卷入大案，凭借顽强意志，对抗各方，展开双雄对决，干掉保护伞，誓将毒枭统之以法。

一个几近被社会抛弃的人逆袭成为毒枭，一个体制内受掣肘的普通民警，因毒品交易卷入大案，凭借顽强意志，对抗各方，展开双雄对决，干掉保护伞，誓将毒枭统之以法。