改编自丹尼尔·苏加利诺夫的小说《 Bricks 2.0》。离婚的银行职员卡纳特和他饱受阿兹海默病困扰的母亲一起，过着单调而乏味的生活。 当他重遇大学老友丹尼尔时，他的世界逐渐陷入了声色犬马的夜晚与道德的败坏。这是一则关于好人如何堕落的警世故事。

《领导来了》是一部现实主义短片，故事的类型是讽刺喜剧，但结局带有悲剧色彩。在我过去的受教育经验中，我的中小学老师在每一次领导视察之前，总会请全校师生一起打扫卫生，还会要求我们上课时积极回答问题，对待领导的态度也⾮常殷勤。因此我常常思考，这些视察到底能不能反映一个学校的真实情况，据此产生了这个剧本。我希望通过这样的风格使这个故事更加生动，并且能给予观众更深刻的思考。

《我们的滚烫人生 全集直通版》是《我们的滚烫人生》官方衍生节目，会员尊享每场职业体验全集内容，致敬时代奋斗精神！

대학교 캠퍼스를 배경으로 펼쳐지는 ‘필수연애교양’은 동명의 수업을 듣는 여섯 명의 남녀 새내기들의 이야기를 담는다. 이들은 수업을 들으며 세 명의 이성과 돌아가며 데이트를 해야 한다. 이 과정에서 썸은 좋은데 연애는 싫은 대학생, 연애센스가 없는 모쏠남, 대학생이 되자 권태기를 맞이한 커플까지 다채로운 캐릭터들의 향연이 펼쳐질 것으로 보인다.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

超学先锋来自六个不同的国家，除了黑头发的甜甜是中国人外，其他小朋友来自东亚、南亚甚至遥远的美洲、欧洲。不同文化背景下的超学先锋实验基地，俨然一个小型“国际交流学院”。他们的思维和做事风格不同，擅长的学科各异，但反而因此碰撞出更多灵感，为剧情增添了不少看点。

「是非精」劉穎鏇、何泳芍為了宣揚禁毒訊息，想到向《新聞女王》SNK的「飛爺」鄧智堅尋求幫忙。飛爺率領「王偉」林正峰和「實習記者」陳懿德，與兩名是非精四出走訪醫生、學者、執法人員，讓觀眾了解毒品對身心的禍害，以及相關罪行的刑責。警惕市民之外，節目亦為年輕人提供全面的禁毒訊息。此外，眾人還會合演有趣劇場，並帶來小測試，以輕鬆形式呼籲大眾切勿貪圖一時利益，被毒販誘騙販運毒品，從而惹來牢獄之災！

改编自萨德侯爵声名狼藉的小说《卧室的哲学》，基本上由影像和朗诵两部分组成，无对白，画外音念着小说的情节

This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html