Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

一个谋杀犯逍遥法外：一位衣冠楚楚的商人囚禁着几名受害者，把他们锁起来，不提供任何食物，并且记录下他们死在自己的排泄物中的过程；同时，在城市的另一端，一位女性在妓院工作。这两条故事线在电影中被一个共同的主题所联系起来：女人们的苦难是男人愉悦的基础。 　　A murderer is at large: a well-dressed businessman who incarcerates his victims, chains and starves them, and documents their death amid their filth with instamatic snaps. Meanwhile, in another part of town, a woman joins a brothel. These two simple strands of plot come together within the film, and are united by a single theme: that women's suffering is basic to man's pleasure.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

Shadowed by a strict, military father who inflicts severe methods of punishment as a form of discipline, seventeen year old Ariella commits a grave error that her father isn’t willing to punish her for. Seeking a punishment of her own, Ariella embarks on a dark quest where she will discover a secret to her father’s past that will lead them to confront one another.

此为电视电影，改编自2014年同名舞台剧，同导演同主演，故事源自法国十八世纪喜剧大师马里沃的同名作品，此为现代改编版。

此为电视电影，改编自2014年同名舞台剧，同导演同主演，故事源自法国十八世纪喜剧大师马里沃的同名作品，此为现代改编版。

A wave of terrorism hits Paris. Unable to finish a video game, Salim, a young unemployed man, calls the help line reserved for players in difficulty from a telephone booth. Laurence, an operator, advises him.

NHK秋季SP，野木亚纪子（逃避虽可耻但有用、Unnatural、掟上今日子的备忘录）编剧，北川景子主演，光石研、永山绚斗、矢本悠马、新井浩文、岩松了、杉本哲太，等人共演。 　　任何人都可以发送情报的时代，从中年男性投稿SNS为开端。是谎言或是真实，以该投稿为契机，假新闻满天飞。是谁为了什么目的而制作假新闻。 　　本剧讲述的是记者东云树（北川景子饰）在某天被总编辑派去调查食品中混入青虫的新闻，并因这条新闻而引发一系列事件，东云树在此之中思考真实与虚假等议题的故事。

NHK秋季SP，野木亚纪子（逃避虽可耻但有用、Unnatural、掟上今日子的备忘录）编剧，北川景子主演，光石研、永山绚斗、矢本悠马、新井浩文、岩松了、杉本哲太，等人共演。 　　任何人都可以发送情报的时代，从中年男性投稿SNS为开端。是谎言或是真实，以该投稿为契机，假新闻满天飞。是谁为了什么目的而制作假新闻。 　　本剧讲述的是记者东云树（北川景子饰）在某天被总编辑派去调查食品中混入青虫的新闻，并因这条新闻而引发一系列事件，东云树在此之中思考真实与虚假等议题的故事。

互不相识的迪亚哥和伊莎贝尔逃离在墨西哥的家，并假扮为夫妻，以躲避他的贩毒仇敌和她那虐待成性的丈夫。