雇われ探偵としてうだつの上がらない日々を過ごす青年は、ある日とある依頼主に、妻の調査を頼まれる。不倫疑惑のある妻の本性を暴く為、妻の尾行を開始するが、あっさりと見失ってしまう。「何か御用ですか」背中から聞こえてきた気品のある声の持ち主は、依頼主の妻だった。何故か調査に協力的な妻に同行する青年は次第に、彼女の魅力に引き込まれていく…

"National High School Photography Championship Tournament", also known as "Shashin Koshien" is an event held annually in Higashikawa, Hokkaido, Japan's town of photography. m.77mi.cc Every summer, Shashin Koshien decides which school has the best photography club. Oyama, Sakura, and Mirai from Kansai Academy in Osaka were encouraged by their advisor to join with the aim of letting them experience "a world where people who are challenged could see". Meanwhile, Tsubakiyama Shota, a senior at Sakuragaoka Gakuen in Tokyo is the only member of his school's photography club. Other members resigned thinking that photography won't help in getting them to a university. In spite of principal Saeki objecting to his plans, Shota was still eager to join, forming a team with his childhood friend and a junior volunteer. With over 500 schools all over the country, only 18 schools would be chosen to participate in the event. Competitors fight to capture the beauty of Japan and the human spirit.

心霊好きのグラドルたちがあつまる学園『グラドル学園 心霊写真部』。 　　そんなアイドル達が不用意に入ってはいけないと噂がある本当(ガチ)の心霊スポットを実際に調査しに行くホラー企画。 　　【死を呼ぶ首なし地蔵】の怨念で霊の目撃情報が絶えない全国有数の心霊スポット「しとどの窟(いわや)」で、顧問から出される恐怖の指令に挑む。 　　突然流れる屋外トイレ、聞こえてしまった女性の声、次々と誤作動を起こすカメラなど、ヤラセなしの『ガチ心霊体験』にアイドル達のガチ悲鳴が止まらない! 　　果たして無事に帰ってこれるのだろうか?

只因為喜歡上一個人，一晚被強暴4次的小兵哥，不甘受辱而淪為孤魂野鬼。但原來他要死了才走運，從此獲得附體的能力，甚至可以左右宿主的思想。赤裸遊走於各國之間，他展開了一段又一段充滿奇幻與淫樂的人間旅程。最終，與其他穿越者聚集的小鬼們依然難以放下對人間情愛的執著，最終陷入了斯德哥爾摩症候群的情感旋渦。這是雲翔名作《屍房菜》的重塑與升級版，帶來了更為震撼的體驗。

只因為喜歡上一個人，一晚被強暴4次的小兵哥，不甘受辱而淪為孤魂野鬼。但原來他要死了才走運，從此獲得附體的能力，甚至可以左右宿主的思想。赤裸遊走於各國之間，他展開了一段又一段充滿奇幻與淫樂的人間旅程。最終，與其他穿越者聚集的小鬼們依然難以放下對人間情愛的執著，最終陷入了斯德哥爾摩症候群的情感旋渦。這是雲翔名作《屍房菜》的重塑與升級版，帶來了更為震撼的體驗。

黛安——國王最喜愛的妓女，被囚禁在「鹿園」。她只有一個願望，但這個願望並不是與國王同床共枕，而是迫切希望能逃離她的金鳥籠。某一個夜晚，在國王放下警惕的時候，她決定逃跑。

中港兩代父女，分隔兩地生活，說着兩種語言，身份和人生完全對倒，本來最親密的家人卻也是最陌生的。獨居老人陳永強是觀塘公園的保安員，某天他要陪伴從內地來港的女兒子姍換領新身份證及辦理銀行開戶，二人回到老家又到永強工作的觀塘公園蹓躂，面對鴻溝欲言又止，只能如守望者般巡察觀覷，踟躕不前。夫子自道的導演以靜謐凝視的鏡頭瞻眺鱗次櫛比的香港城市建築，配以收窄又拉闊的畫框沉澱了父女間的滄海桑田。金像影帝太保再度以沉穩肅穆的演出訴盡暮年的孤寂。

Sparkling, masterful début by Kovalov is found-footage compilation of e.g. news items, propaganda material and instruction films. For his directing début, Oleg Kovalov chose a very extravagant experiment. As a basis he took a propaganda film from the fifties, The Case of Corporal Kochetkov, dissected this as it were and gave the naked structure a new substance and new accents by re-cutting the shots and adding documentary material from the fifties, such as newsreel footage of Khrushchev's visit to America and pictures of the visit by Yves Montand and Simone Signoret to Moscow. The film about corporal Kochetkov called on the Soviet citizens to be on their guard and showed how sly the enemy was: for instance it could pose as an innocent girl. Kovalov creams off the emotional froth from this melodrama, deconstructs its codes and subjects it to a thoughtful analysis. For instance he reveals paranoia and spy-phobia, complexes in the 'collective Soviet unconscious' that is still active even in relatively enlightened periods.