美秀认为自己不够优秀，每次看到别的女孩自己很自卑，这时她出现了，来帮助小美秀改造成一个优秀的美少女！

庆长十三年（公元1608年），德川家康在关原之战中获胜，取得天下。上杉家的领地从会津120万石被减封为出羽米泽30万石。上杉家的组外众中很多人对将来失去信心，离开米泽。前田庆次却留下来，选择了与对抗困难的上杉家的家臣们一起共渡难关。年过六旬的庆次在米泽当地偏僻简陋的寺院“无苦庵”里安身，思考着“潮时”。他的儿子新九郎，对于沉迷于风流三昧、好酒贪杯、全无世上潇洒名将风采的庆次十分不解与反感。然而，就是这样的倾奇者庆次，虽然考虑退归林下，但为了守护上杉家在关键时刻又会不惜豁出性命。渐渐的，新九郎被父亲那洞察人生者才会有的胸襟和生活方式深深吸引。

在战国时期以阿国为首。根据《米泽人国记》的记载，庆次于(1567年-1582年)期间到了京都与关白一条兼冬及右大臣西园寺公朝的屋敷活动，学习文学、音乐，又听学大纳言三条公光讲解源氏物语及伊势物语、向名茶道家千利休学者茶道，更学懂乱舞、猿乐、笛吹、太鼓的舞技，且向连歌第一大师绍巴学习连歌、俳句和歌等艺文。庆次于当时又同时向伊势松阪城主古田重然学习骑马弓箭之术，自命文武相全、十八般武艺皆通。

男子穿越神话世界，觉醒无敌收尸系统，收敛强者尸体可获最低10倍强化奖励。可刚穿越，他就遭未婚妻诅咒，只剩10个时辰寿命。危急时刻，藏尸图显示附近有大帝尸体，恰逢荒古帝族开辟神墟通道，他毅然进入，强收大帝尸体，他想要逆天改命。

In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. 　　Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. 　　The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. 　　The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. 　　Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. 　　With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. 　　Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. 　　Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. 　　Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

A young man named Rick regularly gets drunk three sheets and seduces women, one after another. But this was not always the case. Once he had a family, rather beloved wife Elke and he was a sailor and had all the chances to become the captain of the ship. One day he was sent to the semi-annual cruise and Elke left alone. When he returned after a long absence, Rick learns that his wife has become a drug addict and a prostitute. Having found it, he realized that all was lost, and all life is too loses meaning for him, but then "rescue" comes the wife of his best friend Doreen, who tries to seduce him and make her lover. Having been refused, vindictive woman who brought Elke to such a state in the absence of her husband, decides to take revenge on cruel Rica. She finds a young girl like an ideal Rica, pays her money and asks that she "fell in love" him in himself, and then violently thrown. But events unfold in such a way that almost all the characters will regret their actions, and not all will survive until the finals ...

抬头望去，深邃的夜幕将万物拢入怀中。千般豪情在此刻也凝作疑问—— 日月安属？列星安陈？辽阔的宇宙，久远的时间，无一不在质询人类的渺小。 但偏偏，正是那渺小的人类…能够行过漫长的旅程，能够创造不朽的奇迹。

这是五十年后的未来，世界被“神”吞噬殆尽而荒芜的架空故事。 由于遭到突如其来的怪物“荒神”的破坏而失去平衡。在人类文明既有的兵器都因荒神的“捕食”本能而无效化下，生化科技企业“芬里尔”成功利用荒神细胞开发出了名为“神机”的生物兵器。并同时组织了特殊部队“GOD EATER”。自此，人类终于获得了与荒神对抗的力量。 于是，追求知性之极致的荒神，与追求物种延续的人类之间的战争便此展开。在破灭的尽头，究竟是神会先成为人，还是人会先成为神呢？

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Michael Regardie is a lonely, delusional and sick religious zealot of his own invented faith -a faith that justifies hideous rituals of murder, rape and sexual torture. Absolution from his ..