50年代西班牙经典的弗拉门戈电影之一，导演José María Forqué的处女作，主演是当时很有名的弗拉门戈舞蹈家Antonio和Xan das Bolas，另外还有著名女歌手María Dolores Pradera等人。与其他弗拉门戈电影相比，这片的特点在故事中加入了些超现实的元素，而不是纯粹的写实派。 　　Jose Maria Forque is a prolific director of Spanish feature films and television programs, he made his feature debut in 1951 with Niebla y Sol/Mist and Sun after making several state-sponsored documentaries for which he received no credit. Forqué founded his own production company, Orfeo Film, in 1967.

《太阳与蝴蝶》是一部极具细腻与温柔质感的青春校园剧，讲述了因旧仓库中尘封的秘密被一群好奇的男学生意外揭开后，引出的一段关于青春与成长的“群体回忆”。在多年后，蔡小小以实习老师的身份重返母校，她发现，尽管岁月更迭，但那些美好的校园记忆却如同老式录音机中的旋律，能够永远清晰地被镌刻在心底。

抬头望去，深邃的夜幕将万物拢入怀中。千般豪情在此刻也凝作疑问—— 日月安属？列星安陈？辽阔的宇宙，久远的时间，无一不在质询人类的渺小。 但偏偏，正是那渺小的人类…能够行过漫长的旅程，能够创造不朽的奇迹。

飞船坠毁在未知的星球上，飞行员米尔斯发现自己竟被困在了6500万年前的地球上。此时只有一个获救的机会，他和另一位仅有的幸存者寇娅要在这片充满危险史前生物的未知环境中极限求生。

飞船坠毁在未知的星球上，飞行员米尔斯发现自己竟被困在了6500万年前的地球上。此时只有一个获救的机会，他和另一位仅有的幸存者寇娅要在这片充满危险史前生物的未知环境中极限求生。

《白垩纪世界》讲述了因飞机失事坠海，张诚、苏佳等六人幸免于难，漂流到海岛上。这座孤岛处处都透露着诡异，手机失去了信号，热带丛林里居然出现早已灭绝的恐龙。通过卫星电话呼救，得到了要他们到岛屿南部的海边等候船只接应的音讯。他们穿越丛林接二连三遭遇恐龙追逐、攻击，在极度恐慌中意外被流落于此的考古队员罗斌相救。原来罗斌跟随考察队来此，教授与队员们不幸遇难后，他发现了惊天秘密；有人在孤岛上利用基因技术复活了恐龙，并雇佣杀手击杀发现恐龙秘密的人。不久，他们被杀手们追踪，在生死关头，张诚、罗斌奋勇搏杀，护卫众人逃离到海边，终于全歼敌人，被救出海岛。

《白垩纪世界》讲述了因飞机失事坠海，张诚、苏佳等六人幸免于难，漂流到海岛上。这座孤岛处处都透露着诡异，手机失去了信号，热带丛林里居然出现早已灭绝的恐龙。通过卫星电话呼救，得到了要他们到岛屿南部的海边等候船只接应的音讯。他们穿越丛林接二连三遭遇恐龙追逐、攻击，在极度恐慌中意外被流落于此的考古队员罗斌相救。原来罗斌跟随考察队来此，教授与队员们不幸遇难后，他发现了惊天秘密；有人在孤岛上利用基因技术复活了恐龙，并雇佣杀手击杀发现恐龙秘密的人。不久，他们被杀手们追踪，在生死关头，张诚、罗斌奋勇搏杀，护卫众人逃离到海边，终于全歼敌人，被救出海岛。

关于恐龙变成化石后进入到不同时期的人类社会后发生的“异变”。

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.