抬头望去，深邃的夜幕将万物拢入怀中。千般豪情在此刻也凝作疑问—— 日月安属？列星安陈？辽阔的宇宙，久远的时间，无一不在质询人类的渺小。 但偏偏，正是那渺小的人类…能够行过漫长的旅程，能够创造不朽的奇迹。

如果这是梦，那也太过真实了。谁会猜到仅仅是一觉醒来，命运给“nakhoon”开了一个玩笑，穿越到了近400年前的阿瑜陀耶时代。在疑惑中害怕，所有人都叫他为“klao”，下落不明的罪人銮·裕甲巴的儿子。他必须要假装“klao”生活，并努力寻找回到现代的办法，解开真正的klao身上 的谜团，但越寻找，就越遇到更多可疑的事情。还有“phop大人，和klao关系亲密的哥哥，视线无时无刻不在跟随着他，而他也发现，自己愈发对那个人的视线感到无措彷徨。

苏府婿女苏沫璃为了抢夺王后之位，偷走了妹妹和太子的定情信物，和奸臣一起把妹妹苏念鱼害死，强迫其喝下毒酒，就在苏念鱼死的一瞬间，电闪雷鸣，一切都穿越回到了苏念鱼18岁那年，苏沫璃还是处处刁难，太子终于出手了，救下了苏念鱼，这一次苏念鱼要拿回属于自己的一切。

如果这是梦，那也太过真实了。谁会猜到仅仅是一觉醒来，命运给“nakhoon”开了一个玩笑，穿越到了近400年前的阿瑜陀耶时代。在疑惑中害怕，所有人都叫他为“klao”，下落不明的罪人銮·裕甲巴的儿子。他必须要假装“klao”生活，并努力寻找回到现代的办法，解开真正的klao身上 的谜团，但越寻找，就越遇到更多可疑的事情。还有“phop大人，和klao关系亲密的哥哥，视线无时无刻不在跟随着他，而他也发现，自己愈发对那个人的视线感到无措彷徨。

新垣结衣在上海拍摄的心情短剧。新垣结衣一人分饰两角，讲说她独自到上海旅行，偶遇与自己长相一模一样的女生

The fear of being overwhelmed by the outside world can almost litterally make you lose your head...

A diary film about a relationship between a man (Alain Cavalier) and a woman, told entirely through voice-overs by the two participants, spoken over largely static images (of household objects, animals, parts of the body, rooms, landscapes etc.). At times an emotional direction emerges (an articulation of love, loss, frustration), then it retreats. At times the film seems to be about its own making; at others it seems merely to drift. 　　Imdb Review: Alain Cavalier's latest film is deceptively simple and yet revolutionary because it seems to stand outside the boundaries of narrative and documentary filmmaking. One could describe "La Rencontre" as a cinematic diary--a home movie that documents the filmmaker and his muse during the course of their relationship. But unlike most movies the human subjects here are never photographed in whole, just partially. This brave new work is as much about Cavalier's object of desire, that is, his lover as it is about the medium that gives expression to his love. It is conceived as one part confessional and one part discourse on the metaphysics of love and cinema. The cinema, for Cavalier, is like a two-way mirror that records images while reflecting those images back onto itself. Subject and object appear to mirror each other's identity until they assume new personae in the process. 　　The immediate challenge for Cavalier, then, is cinema's objective gaze: the ability of the camera to record the physical nature of reality. But Cavalier's chief interest is just the opposite. He wants to demonstrate the possibility of a new cinema: one that evolves out of concealment and subterfuge. This cinema deemphasizes the human landscape and dislocates the image from its voice. It focuses inward rather than outward, and chooses to explore the intangible and the abstract over the tactile and the concrete. 　　Appropriately, Cavalier's cine-diary unfolds like an open book: his twin loves (muse and cinema) are illuminated through a series of tableaux filled with close-up objects which are brought vividly to life by the imagination and the transfigurative power of the cinema. It is as if these everyday objects have become the lovers' collective memories saturated with the emotions and energy of life. In short these objects have assumed a life of their own becoming humanized and perhaps immortalized in the process. After all isn't this precisely the paradox of cinema--the ability to resurrect inanimate objects, to bring them back to life at 24 frames per second?

文涛向秦峰道歉，称无法履约并愿还钱。秦峰不在意，让艾利接替顾悦，还送别墅怂恿二人。艾利突然持刀刺文涛，被其挣脱。秦峰现身，坦言自己需换肾，文涛肾源匹配，此前皆为夺肾设计，顾悦是被栽赃。警察与顾悦赶到，顾悦拿出文涛的录音笔揭穿阴谋，秦峰、艾利被捕。顾悦告知文涛，秦峰是养父养子，恩将仇报夺家产，害她父亲。文涛庆幸信她，顾悦（本名曼歌）提议在一起，文涛答应。两人牵手时顾悦恶心似怀孕，文涛接电话得知母亲康复，见面后母亲猜顾悦怀孕，三人欢喜。文涛承诺对顾悦好，两人相拥，期待新生活。

江念真拒向沈彦道歉，称一周内让沈家主动合作。两天后，她赴约见沈呈川，遭沈彦骚扰拖拽，被沈呈川救下。江念真请求合作摆脱沈彦，沈呈川应允。次日，她带父亲递企划案获接待，父亲惊喜，准备去沈家退婚。赵芳和江婕见状不安，暗自盘算应对。

由AT-X电视台制作，中村悠一和杉田智和主持的电视节目。东京相遇是一档专门介绍游戏的节目，每集时长约半小时。