在千年时光中，麻将界曾经影响着世界的格局，而每个时代中，引领麻将的绝世强者，就被称为——麻神！智慧和勇气的对决，意志与技巧的碰撞，真正的强者，凌驾于规则之上！来自海外的天才少年，将在麻将界掀起滔天巨浪，最终登临麻神王座！

网络动画《麻神》改编自白北五原作、李楚涛作画的网络漫画。动画由上海震雷文化传播有限公司负责制作。 在千年时光中，麻将界曾经影响着世界的格局，而每个时代中，引领麻将的绝世强者，就被称为——麻神！智慧和勇气的对决，意志与技巧的碰撞，真正的强者，凌驾于规则之上！来自海外的天才少年，将在麻将界掀起滔天巨浪，最终登临麻神王座！ 2016年6月29日起每周二10：00在腾讯视频独家更新。

华子：华子和他女朋友分手了，原因是女友告诉他她发现自己喜欢同性，厌恨同性恋的华子愤怒地离开，并开始了一系列疯狂的举动和分裂的思想，后来他在一个音乐现场误认为女友和他分手的原因是她喜欢上了另一个高中电子音乐人罗三，其实她和他分手是因为喜欢上了个叫雷锋的大麻老板，于是他…… 　　罗三：高中生罗三过着一种与外界似乎不相干的生活：迷恋日本战后文学和摇滚乐，有窥视癖和交流障碍。他由于在一次窥视中看到了漂亮的华子前女友时被她发现，身份暴露的她立刻逃离开，他却不知道被窥视的她有被窥癖，于是她喜欢上了能给予她更大快感的罗三，后来在他的电子演出现场，罗三被她认出，并且向罗三吐露真心，罗三却没有那意思，于是跑开，并由此发生了一些事…… 　　 　　雷锋：雷锋是一个大麻老板，他最近交了个性格怪异的女朋友（华子的前女友），此女由于曾经被雷锋窥过而喜欢上雷锋，后来此女又喜欢上一个性格更怪异的窥视狂罗三而抛弃了雷锋，平时就苟延残喘的雷锋于是感到十分绝望，他于是选择了自杀，谁知…… 　　胖子：胖子是一个极其老实也经常被一帮流氓欺负的人，他暗恋他家隔壁的一个女孩，有一次那女孩被那帮流氓调戏，于是胖子决定一定要为她报仇，于是他傻呼呼地学了劣质双截棍武功，于是他找了流氓的，那几个流氓反倒被胖子制服，胖子战胜流氓后跑到练功的地方欢呼…… 　　本片为桂林独立电影社的处女座长片，由5个导演每个人拍摄一部短片，四部风格各异的短片组成一部长片，每部之间都有联系，由于资金有限、设备简陋、但也创意百出，因此拍摄出了此部CULT神作！！！！！！ 　　预告片：http://www.tudou.com/programs/view/3d17frGWXiw/ 　　正片观看地址：http://www.tudou.com/programs/view/oCD1oD8oN5M/# 　　桂林独立电影社小组：http://www.douban.com/group/63923/

改编自同名网络漫画 Play, Plii / Secret Playlist，讲述音乐YouTuber宋汉珠和人气偶像李道国之间的爱情故事。

描写了电视幕后工作的《不能播放！》居然决定改变成电视动画了！！ 原作者真船佳奈目前在BS东视工作，她的漫画《不能播放！》《不能播放！Deep》讲述的故事是以她在东京电视台当副导演时的经历为原型创作的。 隐隐约约知道，但又一知半解。“副导演”真实的工作究竟是什么样的！？

December 1969, Thelonious Monk in Paris. Before his evening concert, he records a programme for French television. 　　The rushes show a Thelonious Monk who is in the grip of the violent factory of stereotypes from which he tries to escape. 　　The film becomes the crossing of this great artist, who would like to exist only for his music. And the portrait in hollow of a media machine as ridiculous as it is revolting. 　　Here is the machine in action. Deconstructing these rushes as phantasms. To see the factory of caricatures at work. Deaf, smiling, ambiguous, admiring and sickening. To hold the microphone without listening, to marvel without seeing. 　　Trying to overturn the point of view. 　　Here is Thelonious going through the ordeal, at work, as if he had landed on a strange planet, where a portrait is being made that he cannot do anything about. Tired by the years spent undergoing this painful exercise. 　　Fortunately, he plays, and in doing so, he makes more than anything else be said. 　　“It brings tears to my eyes when I see the shit that my father was going through” T.S Monk Jr.

December 1969, Thelonious Monk in Paris. Before his evening concert, he records a programme for French television. 　　The rushes show a Thelonious Monk who is in the grip of the violent factory of stereotypes from which he tries to escape. 　　The film becomes the crossing of this great artist, who would like to exist only for his music. And the portrait in hollow of a media machine as ridiculous as it is revolting. 　　Here is the machine in action. Deconstructing these rushes as phantasms. To see the factory of caricatures at work. Deaf, smiling, ambiguous, admiring and sickening. To hold the microphone without listening, to marvel without seeing. 　　Trying to overturn the point of view. 　　Here is Thelonious going through the ordeal, at work, as if he had landed on a strange planet, where a portrait is being made that he cannot do anything about. Tired by the years spent undergoing this painful exercise. 　　Fortunately, he plays, and in doing so, he makes more than anything else be said. 　　“It brings tears to my eyes when I see the shit that my father was going through” T.S Monk Jr.

抬头望去，深邃的夜幕将万物拢入怀中。千般豪情在此刻也凝作疑问—— 日月安属？列星安陈？辽阔的宇宙，久远的时间，无一不在质询人类的渺小。 但偏偏，正是那渺小的人类…能够行过漫长的旅程，能够创造不朽的奇迹。