本剧讲述失去妻子、独自抚养年幼儿子的单亲父亲鸟饲树（草彅刚 饰），作为一名遗物整理师，与同事们一同走访各类家庭，从孤独死后的特殊清理到生前整理，细腻描绘逝者与家属之间未竟的情感。一次接受余命三个月的女性客户的生前整理委托，让他与对方的女儿——已婚的绘本作家真琴（中村友理 饰）逐渐产生情愫，却也面临伦理与情感的挣扎。剧中既有温情的人间百态，也展现了中年人的孤独与爱，是一部令人动容的原创人性剧。

本剧讲述失去妻子、独自抚养年幼儿子的单亲父亲鸟饲树（草彅刚 饰），作为一名遗物整理师，与同事们一同走访各类家庭，从孤独死后的特殊清理到生前整理，细腻描绘逝者与家属之间未竟的情感。一次接受余命三个月的女性客户的生前整理委托，让他与对方的女儿——已婚的绘本作家真琴（中村友理 饰）逐渐产生情愫，却也面临伦理与情感的挣扎。剧中既有温情的人间百态，也展现了中年人的孤独与爱，是一部令人动容的原创人性剧。

本剧聚焦单亲父亲鸟饲树（草彅刚 饰），他在妻子离世后独自抚养幼子，同时身为遗物整理师，和同事们穿梭于不同家庭，工作内容从孤独死者的特殊清理到生前整理都有涉及，细腻呈现了逝者与家属间未完结的情感。一次，他接到一位只剩三个月生命的女性客户的生前整理委托，由此与客户的女儿、已婚绘本作家真琴（中村友理 饰）渐渐生出情愫，陷入伦理与情感的两难境地。剧中既有温暖的人间故事，也刻画了中年人的孤独与爱，是一部极具感染力的原创人性剧。

动漫热作同名真人电影以星野爱为中心，预定12月20号在日本上映。

真人电影以星野爱为中心、真人剧集以阿库亚为中心、预定2025年上映和配信

素以风格犀利著称的美国黑人导演斯派克·李为“卡特里娜”飓风灾难制作的纪录片《决堤之时：四幕安魂曲》2006年8月15日晚在美国新奥尔良大剧场首映，1.6万新奥尔良人观看了影片。 　　这部长达4小时的纪录片讲述的是新奥尔良市如何遭“卡特里娜”飓风袭击变为一片废墟，该市居民如何因政府救灾措施不力而被迫流落四方。影片清晰地传达出这样一个信息：这场灾难降临近一年以后，新奥尔良市仍是百孔千疮。 　　影片一改李往日的风格，他本人既没有在片中出现，也没有为全片安排一个叙述人。整部影片全由新奥尔良市民直面镜头，讲述他们自己的故事。身为纽约人的李在新奥尔良有不少文艺界的朋友，飓风发生时他正在意大利参加威尼斯电影节，从灾难降临的那一刻他就知道这是一部他不得不制作的影片。美国《新闻周刊》在评论这部影片时说：“这无疑是他20年电影生涯中最重要的一部作品。”

暂无剧情简介

抬头望去，深邃的夜幕将万物拢入怀中。千般豪情在此刻也凝作疑问—— 日月安属？列星安陈？辽阔的宇宙，久远的时间，无一不在质询人类的渺小。 但偏偏，正是那渺小的人类…能够行过漫长的旅程，能够创造不朽的奇迹。

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.