中考结束，90后女孩关柔柔每天在跑酷训练场尽情地挥洒着青春的活力，在她生日当日，与身为刑警队长的父亲关清扬约定亲手做一顿大餐的她，却目睹了自己的父亲在围捕逃犯的过程中壮烈牺牲，让她无比震惊的是，自己竟然几乎成了父亲牺牲的原因。 　　刑警队长关清扬的80后女徒弟江南一直倾慕师傅，但是碍于师傅对三年前因车祸瘫痪在床的妻子和聪明女儿的爱太深，把爱一直默默地埋在心中。在关清扬牺牲的现场，江南和关柔柔顿生龌龊，双方留下深深的误解。 　　关柔柔的小姨黄淑珊从新加坡回来准备带走自己的姐姐，但是她不愿意带走关柔柔，这引出了一个惊天的秘密，原来关柔柔是关清扬领养的一个孩子。尘埃落定的结局让人唏嘘，黄淑珊带走了自己的姐姐，而关柔柔在很短的时间里不许得不接受的事实是，失去双亲，并且了解了自己被领养的经历。江南在这时站出来，坚持做了关柔柔的监护人，两个仇人一样的女孩，在一个屋檐下，会发生什么？ 　　中美混血林子初是一个精灵古怪的女孩，自己搞了一个黑客网站准备黑掉全世界的辱华网站，在攻击还没有实施前，被网监警察破获，备受打击的林子初倚靠天生的味觉奇异灵敏的秉质，被某大型糖果公司发现并聘请为专业品尝师。一个十六岁的女孩开始了自己的创业之路。 　　出身豪门的90后男孩王子轩虽然家世显赫，贵族气十足，却因为父母都忙于工作养成冷漠的性格，中考结束坚决拒绝父亲安排其出国留学的想法，为此与父亲打赌，用自己的压岁钱在股票市场开户，成功地在股市崩盘前逃顶，辈誉为少年股神。父母无奈只好安排他进入本市的一所高级私立中学。 　　这所私立中学的身后背景是一个很有社会责任感的教育机构，听说了关柔柔的情况后，安排新任校长楚仪寻找关柔柔，准备对其进行低调的全程教育赞助，于是关柔柔和王子轩成了同班同学。进入这个班级的还有楚仪的女儿林子初以及被学校破格录取的中考状元农民工的儿子任真。 　　弓春笑是一名刚来报到的历史老师，当她一见到那名不苟言笑，雷厉风行的校长楚仪、温和尔雅的语文老师——国学时，旧恨新怨霎时一起涌上心头，迫使她萌生去意，几乎不想在这所名校多逗留一分钟。 　　原来高考那一年，情窦初开的弓春笑身不由己的爱上自己的老师——国学！这事后来让当时弓春笑的班任楚仪获悉，为了自己学生的前途着想，她霸道的介入，强硬逼迫也曾经是自己学生的国学调离，使他们之间的这段朦胧恋情就此夭折。弓春笑为了“报复”她，居然也报考了师范学院，顺利进入大学，心里却依旧无法放弃国学。而国学自从被楚仪逼迫着离开当初的学校，就来到一家私立高中任教，几年来工作出色，已经成为教学骨干，这时，楚仪以校长的身份又出现在他的面前，更令他吃惊的是，师范毕业生弓春笑，赫然在新教师的名单里。谁也没想到的是，三个恩怨深重的人风云际会，会发生什么呢？ 　　弓春笑当初为了“报复”楚仪从事了老师的职业，自然也会为了“报复”她留下来。学校的历史老师何必固执的教学理念与楚仪和学生的要求格格不入，也激起学生的不满，在这种情况下，楚仪决定启用新录用的师范毕业生弓春笑做这个班级的班任。让她没有想到的是，这个被何必称为“塔利班”的班级，居然有那么多同学喜欢弓春笑这个小老师……

这部纪录片记录了潮汕海边一个老渔村的青春梦。小渔村90后身处特别的时空环境，全球化大浪潮拍岸而来；自1989年以来全国GPD排名第一大省的一个贫穷闭塞的小渔村。是留守，还是出走？是变革，还是因袭？迷恋城市，乡愁 却挥之不去。本片把人物置于唯美的乡村和唏嘘的现实之间，既唯美又写实。再现广东沿海一带潮汕渔家人对大海的依恋、自我的挑战、未来的追求等一系列现实生活中不同心理选择的真实故事。本片中法合拍共同创作完成，并获广东省委宣传部重点扶持项目。 　　The documentary recorded the youth dream of an old fishing village near the Chaoshan sea. Youths who born after 1990s in small fishing are positioned in a special time frame. Should they stay behind or leave for big cities? Should they transform or simply follow? Many people actually became infatuated with the city but still be influenced by nostalgia. This film puts the characters between the beautiful countryside and the cruel reality, which is both aesthetic and realistic. With reproduction of the attachment, self-challenge and future pursuance these Chaoshan fishers have, the film portrayed different psychological selections they face in real life. This film is a collaboration production of Chinese and French and have received governmental support from the publicity department of Guangdong Province.

叁叁是一位居住在上海的苗族女孩，热爱写诗、绘画等各种艺术形式。她长期患有抑郁症，在疫情的末期，她萌生了给自己举办葬礼的念头。然而，就在她开始整理自己的遗物时，奶奶却突然离世。在回到贵州凯里的老家参加奶奶葬礼，并筹备自己葬礼的过程中，叁叁陷入了抑郁症复发，原生家庭创伤重现 ，以及现实与梦想两难全的困境。 　　San, a young Miao woman residing in Shanghai, immerses herself deeply in poetry, painting, and various forms of art. She has wrestled with depression for an extended period. As the post-pandemic era approached, San briefly entertained a provocative idea: the concept of orchestrating her own funeral. However, just as she started sorting through her belongings, her grandmother passed away unexpectedly. Upon returning to her hometown in Kaili, Guizhou, to attend her grandmother's funeral and make arrangements for her own, San found herself in a dilemma of relapsed depression, resurfacing family traumas, and the conflict between reality and dreams. 　　入围西宁first电影节纪录片实验室 　　入围CNEX社会影响力工作坊

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 　　本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 　　本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.