Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. 　　Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. 　　Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

Two half-brothers are reunited after a long break, only to perpetuate an old feud over their desire for the same woman.

宋朝康王被困于金营巨宅，看守者是金太子和黑道高手万天奎。义士鲍廷天欲救康王，招来高手边幅仗义相助。边幅想到以苦肉计骗得太子相信，进入巨宅，二人救出康王。边幅最后身中金兵冷箭，死于马下，为国捐躯。

宋朝康王被困于金营巨宅，看守者是金太子和黑道高手万天奎。义士鲍廷天欲救康王，招来高手边幅仗义相助。边幅想到以苦肉计骗得太子相信，进入巨宅，二人救出康王。边幅最后身中金兵冷箭，死于马下，为国捐躯。

罗杰·摩尔和托尼·柯蒂斯联袂出演的一部24集英剧，二人分别扮演英国勋爵Brett Sinclair和美国石油大亨Danny Wilde。一位退休的老法官Fullton看出了两位花花公子背后的才华，将其“招募”为自己的“义警”，解决那些正当法律渠道无法解决的案件。而在欧洲大陆的一次次冒险中，出身与性格都反差极大的二人渐渐成为了彼此最好的朋友……

罗杰·摩尔和托尼·柯蒂斯联袂出演的一部24集英剧，二人分别扮演英国勋爵Brett Sinclair和美国石油大亨Danny Wilde。一位退休的老法官Fullton看出了两位花花公子背后的才华，将其“招募”为自己的“义警”，解决那些正当法律渠道无法解决的案件。而在欧洲大陆的一次次冒险中，出身与性格都反差极大的二人渐渐成为了彼此最好的朋友……

本片讲述了分属两个政治集团的夫妻狄云和凌雪之间，在面对婚姻危机之后，共同找回属于两个人的爱情，并最终同仇敌忾，将倒卖国家火器的西厂提督刘保绳之以法的故事。