Synopsis 　　Middle-school teacher Myeong-ho (Hwang-hae), who comes from a poor family, and Bu-nam (Yang Hun), whose father is the president of a trading company, attended the same university. When both men develop gastric disordersBu-nam ate too much and Myeong-ho couldn't get enough to eatthe doctor proposes that they exchange lifestyles for two weeks. Living in each other's homes, each young man falls in love with the other's sister, and the two couples get married in a joint wedding ceremony. 　　Notes 　　"The filmization of a stage musical, and the fusion of film and mass entertainment" (Chung Jong-wha) 　　Hyperbolae of Youth lay claim to the title of Korea's first comedy movie, with a cast comprising such comic actors as Yang Hun, Yang Seok-cheon, and Kim Hee-gap. It affords us a glimpse into the cinematic sensibility and generic interest of Han Hyung-mo, who was the most commercially successful director of his day, and falls between The Hand of Destiny (Unmyeong-ui son) and Madame Freedom (Ja-yu bu-in) in his filmography. The movie tells a simple story: a brother and sister from a wealthy family fall in love their opposite-sex counterparts from a poor family, thus mature into well-rounded individuals, and make happy marriages. In this basic synopsis, even the fundamental difference of social status does not pose much of an obstacle. In fact, the extent to which the film straightforwardly endows the improverished brother and sister with positive values makes it seem rather simplistic. However, the movie's main interest does not lie in its story or theme. Instead, it concentrates on making the most of the generic elements of comedy and musical in order to maximize its own entertainment value. This agenda becomes manifestly clear from the film's characterizations. That is, the two male leads are comically rendered as a rich man's son who is sick from eating too much and a poor man's son who is sick from not eating enough. Musical elements are also introduced as a means of reinforcing the film's entertainment value. In the first half, for instance, the film's musical director Park Si-chun, in the role of the doctor, accompanies the nurses on his guitar as they sing a pop song. This scene, which has no relation to the plot, was inserted solely for the purpose of enhancing the movie's generic appeal as a musical. The same holds true for the scene in which Kim Hee-gap appears mid-film as a man carrying a wooden rack on his back to sing a medley of popular Korean songs. Such generic elements boost the film's entertainment value while infusing the whole with a cheerful and upbeat atmosphere. Hyperbolae of Youth may well be called the finest feel-good movie of the 1950s.

Synopsis 　　Middle-school teacher Myeong-ho (Hwang-hae), who comes from a poor family, and Bu-nam (Yang Hun), whose father is the president of a trading company, attended the same university. When both men develop gastric disordersBu-nam ate too much and Myeong-ho couldn't get enough to eatthe doctor proposes that they exchange lifestyles for two weeks. Living in each other's homes, each young man falls in love with the other's sister, and the two couples get married in a joint wedding ceremony. 　　Notes 　　"The filmization of a stage musical, and the fusion of film and mass entertainment" (Chung Jong-wha) 　　Hyperbolae of Youth lay claim to the title of Korea's first comedy movie, with a cast comprising such comic actors as Yang Hun, Yang Seok-cheon, and Kim Hee-gap. It affords us a glimpse into the cinematic sensibility and generic interest of Han Hyung-mo, who was the most commercially successful director of his day, and falls between The Hand of Destiny (Unmyeong-ui son) and Madame Freedom (Ja-yu bu-in) in his filmography. The movie tells a simple story: a brother and sister from a wealthy family fall in love their opposite-sex counterparts from a poor family, thus mature into well-rounded individuals, and make happy marriages. In this basic synopsis, even the fundamental difference of social status does not pose much of an obstacle. In fact, the extent to which the film straightforwardly endows the improverished brother and sister with positive values makes it seem rather simplistic. However, the movie's main interest does not lie in its story or theme. Instead, it concentrates on making the most of the generic elements of comedy and musical in order to maximize its own entertainment value. This agenda becomes manifestly clear from the film's characterizations. That is, the two male leads are comically rendered as a rich man's son who is sick from eating too much and a poor man's son who is sick from not eating enough. Musical elements are also introduced as a means of reinforcing the film's entertainment value. In the first half, for instance, the film's musical director Park Si-chun, in the role of the doctor, accompanies the nurses on his guitar as they sing a pop song. This scene, which has no relation to the plot, was inserted solely for the purpose of enhancing the movie's generic appeal as a musical. The same holds true for the scene in which Kim Hee-gap appears mid-film as a man carrying a wooden rack on his back to sing a medley of popular Korean songs. Such generic elements boost the film's entertainment value while infusing the whole with a cheerful and upbeat atmosphere. Hyperbolae of Youth may well be called the finest feel-good movie of the 1950s.

铭一直躲藏在自己绘画的小屋子里，跟那不给予回应的大世界玩捉迷藏，明明很害怕寂寞，却仍坚持一个人。希决定把铭找出来，他闯进那到处都是蓝色墙壁的堡垒，然后大喊，数到三你就出来吧，我想跟你说，你藏着的其实都很美。捉迷藏，从来都不是场独脚戏。

铭一直躲藏在自己绘画的小屋子里，跟那不给予回应的大世界玩捉迷藏，明明很害怕寂寞，却仍坚持一个人。希决定把铭找出来，他闯进那到处都是蓝色墙壁的堡垒，然后大喊，数到三你就出来吧，我想跟你说，你藏着的其实都很美。捉迷藏，从来都不是场独脚戏。

《剧星耀放肆聊》是一档依托当下热门电视剧的互联网明星访谈节目，以周播形式呈现，集均点击量达150万。每期节目都会邀请热播剧的主要演员进行两两对谈，不仅深入挖掘电视剧台前幕后的秘闻趣事，还设置了网友提问环节，更具亲民感与接地气的特质，节目形式轻松活泼。

《舞台2023》衍生节目《舞台歌手放肆饭局》是一档聚焦舞台歌手下班后放松生活的社交类真人秀。上班累积了压力，下班放肆地“嗨皮”。下班后，舞台歌手们相约小喝一口，一起吐槽干饭、玩乐唱歌，狠狠解压狠狠浪，嗨吃嗨玩嗨爆料。

故事发生在一座充满传统风俗与现代气息并存的城市里，讲述了机缘巧合下，性格迥异的两位主人公——林若兮和萧承言，因一场特殊的“冲喜”仪式而结识。 林若兮是一位个性独立、事业心强的新时代女性

韩景心一不小心惹上了恶魔小叔霍君墨，原以为未来的日子会被强权控制，但没想到霍君墨对她的态度却是出人意料的温柔和宠爱。