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    双相 - 电影

    2019中国大陆短片
    导演:王炜
    演员:王兆阳 邓乃川 黄远楷
    成年后的高翔偶然遇到了中学同学李飞,李飞精神状况与常人不同,做着底层的工作,高翔回忆起当年对李飞做过的伤害,他想去了解对方的生活,想用自己的方式得到心灵的救赎,但却事与愿违。
    双相
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    影视

    双相 - 电影

    2019中国大陆短片
    导演:王炜
    演员:王兆阳 邓乃川 黄远楷
    成年后的高翔偶然遇到了中学同学李飞,李飞精神状况与常人不同,做着底层的工作,高翔回忆起当年对李飞做过的伤害,他想去了解对方的生活,想用自己的方式得到心灵的救赎,但却事与愿违。
    双相
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    双相青春 - 纪录片

    2009美国剧情·纪录片·传记
    导演:Dana Heinz Perry
    Boy Interrupted looks at the life of Evan Perry a 15-year-old boy from New York who committed suicide in 2005. The film made by his parents Dana and Hart examines how Evan's bipolar disorder and depression affected his life and the life of his family.
    双相青春
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    双相青春 - 纪录片

    2009美国剧情·纪录片·传记
    导演:Dana Heinz Perry
    Boy Interrupted looks at the life of Evan Perry a 15-year-old boy from New York who committed suicide in 2005. The film made by his parents Dana and Hart examines how Evan's bipolar disorder and depression affected his life and the life of his family.
    双相青春
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    影视

    和解 - 电影

    2009美国剧情·同性
    导演:Chad Ahrendt
    演员:Eric Nenninger Jack Maxwell
    RECONCILIATION is a groundbreaking, provocative story about an estranged father and son struggling to overcome the heartbreaking consequences of their past. Grant Taylor (Eric Nenninger) has been troubled by intense childhood memories ever since his wife, Sara (Chelsey Crisp), gave him the exciting news..."You are going to be a dad!" As fatherhood nears, Grant privately wrestles with his embarrassment and anger toward his own father. His memories come to a head when Sara receives a call informing them that Grant's dad, Jeff (Jack Maxwell), is terminally ill and his last wish is to see his son. With Sara's encouragement, Grant reluctantly goes to see the man he disowned at his 10th birthday party, when he found out his father was gay. At the hospice, father and son confront the past as they come face to face for the first time in 16 years. Will Grant forgive his father for abandoning their family...
    和解
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    和解 - 电影

    2009美国剧情·同性
    导演:Chad Ahrendt
    演员:Eric Nenninger Jack Maxwell
    RECONCILIATION is a groundbreaking, provocative story about an estranged father and son struggling to overcome the heartbreaking consequences of their past. Grant Taylor (Eric Nenninger) has been troubled by intense childhood memories ever since his wife, Sara (Chelsey Crisp), gave him the exciting news..."You are going to be a dad!" As fatherhood nears, Grant privately wrestles with his embarrassment and anger toward his own father. His memories come to a head when Sara receives a call informing them that Grant's dad, Jeff (Jack Maxwell), is terminally ill and his last wish is to see his son. With Sara's encouragement, Grant reluctantly goes to see the man he disowned at his 10th birthday party, when he found out his father was gay. At the hospice, father and son confront the past as they come face to face for the first time in 16 years. Will Grant forgive his father for abandoning their family...
    和解
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    影视

    和解 - 电影

    2017波兰剧情·历史·战争
    导演:马西耶·索比埃斯琴斯基
    演员:Julian Swiezewski 索非娅·维赫瓦奇 雅各布·盖尔沙乌
    1945年波兰人民军在原德国集中营中关押德国战俘与阶级敌人,一名新参军的看守爱上了关押在其中的波兰女孩,受其影响最终走向了新生
    和解
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    和解 - 电影

    2022短片
    作为实用价值而诞生的油纸伞手艺,随着众多新产物的冲击,其实用价值不再,作为小众艺术品存在着。面对现代如潮水般的冲击下,本就不景气的油纸伞小店该如何面对?主人公苏师傅该作何选择?油纸伞手艺又该何去何从?
    和解
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    影视

    和解 - 电影

    2017波兰剧情·历史·战争
    导演:马西耶·索比埃斯琴斯基
    演员:Julian Swiezewski 索非娅·维赫瓦奇 雅各布·盖尔沙乌
    1945年波兰人民军在原德国集中营中关押德国战俘与阶级敌人,一名新参军的看守爱上了关押在其中的波兰女孩,受其影响最终走向了新生
    和解
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    自我和他人 - 纪录片

    2001日本纪录片
    导演:佐藤真
    演员:Gocho Shigeo
    1983年,年仅36岁的日本摄影家牛腸茂雄病逝,作为其好友的纪录片导演佐藤真拍摄了这部纪念影片,用真挚的情感回顾了摄影家的一生,影片几乎没有对白,镜头静静地从牛腸茂雄的故居摆设回到他的摄影作品上。。。   http://ja.wikipedia.org/wiki/%E7%89%9B%E8%85%B8%E8%8C%82%E9%9B%84   In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression.   This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.
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