Driven by their desire for light and warmth, British teenagers take a trip to the Balearic islands. They must absorb the sun and store it in their bodies to take it back to their cloud-covered kingdom. 源自：https://www.berlinale.de/en/2023/programme/202305287.html

南非科萨族的割礼仪式，是每名男孩成为男人前的人生大事。由割包皮到等待伤口复原，部族内的男子经历了一场雄性的成人礼。寂寞工人科拉尼，每两年都出任…

艾米·汉莫将主演一部未定名惊悚新片，巴巴克·安瓦里(《阴影之下》)执导，Annapurna Pictures出品。汉莫饰演新奥尔良的一名酒吧男招待，在捡到了某人遗…

暂无剧情简介

The way Susan Purdue sees it, the patricide she’s been planning for so long isn’t just an act of revenge, it’s a necessity. When her father returns to the family home, all is long since prepared and the killing can finally occur. The rotten soul will pay for his unpardonable, incestuous transgressions against his daughter when she was just a child. But once her dad is good and buried in the backyard, Susan doesn’t find the closure she anticipated. Tormented by a host of demons and trapped in a dead-end job, she slides quietly into a deep madness that blurs the distinction between her banal reality and her nightmarish, sadomasochistic fantasies. To survive, she submits herself to a strict dominator for whom the worst tortures are the same as the most gentle caresses. Tanya has a boyfriend, skips school and gets her kicks hanging out in sleazy dives. She’d be a pretty unremarkable teen if not for the identity crisis that has gnawed inside her for so long. Adopted at birth, she ties her troubles in life to the fact that she has no idea who her true parents are. One afternoon, her therapist gives her what she has always wanted—confidential documents from the orphanage at which she was so cruelly abandoned. While the dossier doesn’t identify her father, her mother’s name is marked down as Susan Purdue. The destinies of these two women will cross, leading them both into a parallel world of unearthly creatures of flesh and latex, a place where the most shocking perversions are realized. At the heart of this purgatory of the senses, the masks will fall and the unbearable truth will surface in a sea of blood. Tanya and Susan, each other’s mirror image, will have to face themselves. Abandon hope, all who enter here. With the stunning documentaries TRANSFIGURED NIGHTS and BOUND FOR PLEASURE, presented at Fantasia in 2008, the fetishistic fascinations of New Zealand filmmaker David Blyth (creator of the cult hits DEATH WARMED UP, RED BLOODED AMERICAN GIRL) were revealed. His highly anticipated return to fiction explores his themes anew, transposed to the screen like a lucid fever dream. One proceeds with caution into his dark universe, where only the logic of fantasy is the guide. Blyth surprises by expertly echoing the atmospherics of Lynch while recalling ANGEL MINE, his debut feature film. Blyth punctuates this journey with violent images as bizarre as they are disturbing, from a painful castration to an unusually grotesque birth. Bewitching and phantasmagorical, dangerous and amazing, WOUND will leave its mark on you. —Simon Laperrière (translated by Rupert Bottenberg)

东京——『晓特区』。 这个国家新成立的经济特区预定地，将行政权让渡给了大企业『先岛Holdings』。围绕着仅适用于特区内的减税等权利，敌对企业策划种种阴谋，并最终爆发了大型暴动·晓抗争。内政荒废，先岛Holdings也解体。晓特区成为了国家自治也无从实现的无人管理地域。 有一群男人守护着化作无法地带的这座城市。 拥有封印着凶暴神兽之力的刺青「神圣刺青」的人类，通称为『SCARD』。他们各自拥有固有的特殊能力，以及能够将一切攻击无力化——如子弹在命中身体之前就被弹开，刀剑则会被粉碎——的防御力。 利用刺青能力守护城市的「赫利俄斯」、守护组织的「阿耳忒弥斯」、守护秩序的「公安特务」成为新兴势力，镇守于晓特区。 虽然微弱，但抗争仍在每天持续发生，即使如此他们仍然贯彻自身的「正义」。 他们在如此动荡当中生存——这是描绘他们理所当然日常的物语。

A mysterious community of animals has chosen to live self-sufficiently in the basement of a church. Sheltered from humans, they engage in various rituals.

二战复员回到家乡的辽沙，在战争中遇上了玛莎。正当他们准备结婚的时候，玛莎的未婚夫出现了，而辽沙也回到了妻子家，他本想和柳芭和二个孩子共度天伦之乐，却发现妻子在他当兵时有了其他的男人。战争不仅给人们带来了灾难，而且战后的创伤也是无法愈合的……

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.