Middle-aged HAKKI lives in a historical Aegean village with his family. He provides for them by selling statuettes in front of the nearby ancient city as well as guiding local tours. The region harbors business opportunities as touristic interest booms; however, HAKKI fails to catch the trend. One day, he finds a historical artifact in his garden by chance and sells it for a car's price, later he finds out the actual value of the artifact is hundred times higher. With great ambition, he starts digging tunnels in his garden, hoping to find more valuables, yet he gets nothing. He is now obsessed, sacrifices much of his life and takes on a dark journey for both him and his family.

Middle-aged HAKKI lives in a historical Aegean village with his family. He provides for them by selling statuettes in front of the nearby ancient city as well as guiding local tours. The region harbors business opportunities as touristic interest booms; however, HAKKI fails to catch the trend. One day, he finds a historical artifact in his garden by chance and sells it for a car's price, later he finds out the actual value of the artifact is hundred times higher. With great ambition, he starts digging tunnels in his garden, hoping to find more valuables, yet he gets nothing. He is now obsessed, sacrifices much of his life and takes on a dark journey for both him and his family.

#好莱坞影讯# 史蒂文·索德伯格下一部导演作品浮出水面，其将执导新片[冷酷不够热](KIMI)，佐伊·克罗维兹领衔主演，该片也将在HBO Max首映。影片剧本由大卫·凯普撰写，讲述了一位有人群心理障碍的技术工作者，在普通数据流审阅过程中发现了暴力犯罪的记录证据，并尝试在其公司的指挥系统中进行报告。面对强大阻力和官僚主义，她意识到为了参与其中，她将不得不做她最担心的事情——离开她的公寓。

Zach's life is upended when performance anxiety in bed leads to a life-shattering accusation: his girlfriend says she thinks he's gay, and Zach wonders if she's right.

Zach's life is upended when performance anxiety in bed leads to a life-shattering accusation: his girlfriend says she thinks he's gay, and Zach wonders if she's right.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.

"Happy and Gay" is a revisionist history document reflecting the classic 1930's-styled cartoon musical misadventure. It's responding to this early animation era's acts of censorship, prejudice and stereotype through the placement of a simply positive representation of gay and lesbian characters into the narrative. Stereotypes are embedded as historical markers, contextualizing the conversion. This resulting representation means that this is document that could not have existed at the time it references.

"Happy and Gay" is a revisionist history document reflecting the classic 1930's-styled cartoon musical misadventure. It's responding to this early animation era's acts of censorship, prejudice and stereotype through the placement of a simply positive representation of gay and lesbian characters into the narrative. Stereotypes are embedded as historical markers, contextualizing the conversion. This resulting representation means that this is document that could not have existed at the time it references.

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 　　本片荣获2006年柏林电影节特别致意最佳影片奖。