Middle-aged HAKKI lives in a historical Aegean village with his family. He provides for them by selling statuettes in front of the nearby ancient city as well as guiding local tours. The region harbors business opportunities as touristic interest booms; however, HAKKI fails to catch the trend. One day, he finds a historical artifact in his garden by chance and sells it for a car's price, later he finds out the actual value of the artifact is hundred times higher. With great ambition, he starts digging tunnels in his garden, hoping to find more valuables, yet he gets nothing. He is now obsessed, sacrifices much of his life and takes on a dark journey for both him and his family.

Middle-aged HAKKI lives in a historical Aegean village with his family. He provides for them by selling statuettes in front of the nearby ancient city as well as guiding local tours. The region harbors business opportunities as touristic interest booms; however, HAKKI fails to catch the trend. One day, he finds a historical artifact in his garden by chance and sells it for a car's price, later he finds out the actual value of the artifact is hundred times higher. With great ambition, he starts digging tunnels in his garden, hoping to find more valuables, yet he gets nothing. He is now obsessed, sacrifices much of his life and takes on a dark journey for both him and his family.

Zach's life is upended when performance anxiety in bed leads to a life-shattering accusation: his girlfriend says she thinks he's gay, and Zach wonders if she's right.

"Happy and Gay" is a revisionist history document reflecting the classic 1930's-styled cartoon musical misadventure. It's responding to this early animation era's acts of censorship, prejudice and stereotype through the placement of a simply positive representation of gay and lesbian characters into the narrative. Stereotypes are embedded as historical markers, contextualizing the conversion. This resulting representation means that this is document that could not have existed at the time it references.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.

Oy Vey My Son is Gay is a new romantic comedy featuring a Jewish family who struggles coming to terms with their sons non-Jewish and gay boyfriend, and the other families difficulty accepting their own son, both families hide it, but in the end when the couple adopts a child and it makes headline news, they come to defend the couple and realize how much they love them. 　　Best of all their are some fun faces as cast members: Lainie Kazan, Saul Rubinek, Vincent Pastore, John Lloyd Young, Jai Rodriguez, Bruce Vilanch, Shelly Burch, Slava Medvedenko and Carmen Electra.

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 　　本片荣获2006年柏林电影节特别致意最佳影片奖。

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 　　本片荣获2006年柏林电影节特别致意最佳影片奖。

这是一个多段式故事，四个人的命运相互交织，却各自有着不为人知的秘密。所有的人一边找寻着尊严，一边战胜着恐惧。

不孕不育医院的董事长刘栓宝（刘金山）靠卖假药发家，李小果（李菁）、常水仙两夫妻便是受害者，讽刺的是，他自己的宝贝儿子竟是找人代孕。刘的竞争对手吴应德（吴大维）担心自己效益不好的医院会被刘吞并，与刘的情妇王玛丽（黄伊汶）勾搭在一起，准备伺机将刘的儿子偷走好好敲诈一笔。终日沉迷网络游戏的大盛和扣扣（后舍男生）因无钱被赶出网吧，为筹到上网费用，两人设计被李、常相撞，后借此敲诈不成干脆赖在了李家。 　　吴用大气球去偷刘的宝贝儿子，但婴儿竟意外被李、常捡得，不过这没妨碍吴对刘敲诈。大盛和扣扣在与李、常相处中生出感情，无意间听说他们被刘骗得很惨时，发誓要帮他们讨回公道，结果却从刘手中接下一桩买卖，其后也打起婴儿的主意。而王玛丽亦因有阴谋才用美人计将刘、吴同时迷惑。