这部片子围绕着错综复杂的四角关系展开，片名即是主题，四位主人公都在纠结自己究竟该如何选择。安纳德是一位事业有成的商人，他有一位美丽可人的妻子卡维塔和可爱的女儿妮赫，一家三口幸福地生活在一起。他们有一位挚友苏摩，是一位浪漫主义诗人，经常与安纳德一家在一起。苏摩曾在大学期间想要追求卡维塔，但看到卡维塔与安纳德情投意合，便将这份爱深藏于心，通过诗歌抒发。（在印地语中“卡维塔”就是“诗歌”的意思）然而原本美好的生活因一位名叫兰迪塔的女子的到来而打乱。兰迪塔声称自己是妮赫的亲生母亲，因为太过思念女儿而来探望。原来妮赫是卡维塔当初在意外流产后和安纳德从福利院领养的。兰迪塔的真诚善良感染了卡维塔，她未婚生子被迫母女分离的遭遇也让卡维塔十分同情。安纳德出差回家后，卡维塔介绍他认识兰迪塔。岂不料两人刚见面都惊得目瞪口呆。原来安纳德曾在火车上救过兰迪塔，并与她发生了一夜情，妮赫是他们的孩子！此时还蒙在鼓里的卡维塔正在撺掇对兰迪塔有意思的苏摩追求兰迪塔。安纳德陷入了两难抉择，兰迪塔亦是。一次，卡维塔撞见安纳德在安慰兰迪塔，质疑他们过分亲密。安纳德在万分紧急之时将实情全盘托出，不料激起了卡维塔更强的愤怒。得知此事的苏摩将卡维塔接到自己家中，并积极劝说她和安纳德离婚。妮赫成为大家关注的焦点，谁也不愿意失去她。为了维系婚姻，安纳德忍痛答应将妮赫还给兰迪塔。妮赫离开的晚上，安纳德和卡维塔失落地回到家中，承受着失女之痛，然而他们却突然听到了妮赫的声音......

march和sprite（荷尔蒙）是一对情侣，可是交往两个月，连手都没牵过，sprite认为march不开窍，所以想方设法想和march牵手，最终在无意中达成了愿望；而另外一对则是phai（荷尔蒙）一直暗恋着Gae，每天托人给她送石榴汁，就这样gae一直寻找到底是谁送的，后来终究发现确实自己身边的phai送的；另外一对这是比较敏感的同志爱情故事，lek（会更好的）一直偷偷喜欢gui，每天都送蛋烘糕给他吃，一起打球，一起玩游戏，，一起看电影，度过了美好的高中，可是毕业的时候，lek表白了，可是两人终究没在一起，毕业后一个在清迈，一个在曼谷，最终两人会在一起吗？请看完电影。谢谢！

人类掌握了可以改编人脑记忆的技术，为了追求影视作品的真实感，人们在一个孤岛上做了一个古城，在各个角落安装了隐藏摄像头。扮演皇帝的叶千羽近期要进行选妃，最终封后的人可得到巨额奖金和名气。野外生存女主播香葵被送入“人造古城”，成为选妃大队中的一员，本应是陪衬当炮灰的她，却凭借种种出格反套路行为突破重围，成为其中的热门选手。

Four centuries before the beginning of our era, Aristofanes wrote the comedy Ornithes . In it, two men leave their birthplace in search of a better life. They arrive in the forest of the birds and meet Hoopoe, the man who has become a bird. 　　This Greek comedy is a reverie, a voyage of discovery, an essay and perhaps also an indictment. The film mixes talking heads with theater, street scenes and beautiful views. The foundation is a desire for freedom but also the obstacles that humanity imposes on itself to find that freedom; walls around a country, social conventions, rules. Children rock to feel the tingling in their belly, that evolutionary reminder of what it was like to whiz through the air. 　　You can go in all directions in the air, says the man who no longer wants to walk but flies. "Gravity is mortality," says another. Meanwhile, two men go looking for bird man Hoopoe. 　　_____________________ 　　A hybrid film, at the edge of documentary, fiction, and political fantasy, by cinematographer Babis Makridis, of “L” (Sundance Film Festival 2012) and “Pity” (Sundance Film Festival 2018, Best Film, Greek Film Academy 2019). 　　The film “The Birds or how to be one” draws its inspiration from the archetypical myth of Aristophanes’s “The Birds,” Nikos Karathanos’s production, and its participants, filming them off stage, in real spaces and natural environments—from lava fields in Iceland to the plateaus of Patagonia, and from Times Square to the Egyptian pyramids. Everything takes place in a universe of fluid “everyday” routine, among theater PEOPLE, ornithologists, and pragmatic recluses who all dream of flying. 　　The film will have its world premiere at the Voices section of the International Film Festival Rotterdam 2020. The section presents "movies driven by powerful stories, captivating subjects and important themes. Each film brings a distinctive view of the world, from filmmakers with a confident voice". The movie was also part of Work in Progress by Les Arc Festival 2019, while in January 2020 it will be presented at Santiago a Mil Festival in Chile, together with the updated edition of "The Birds" performance by Nikos Karathanos.

On March 12, 1956, Basque Nationalist Jesús de Galíndez Suarez disappears from his apartment in New York, never heard from again. He had been working with the FBI and was about to publish a book critical of Dominican strongman, Trujillo. In 1988, a graduate student, Muriel Colber, wants to make Galíndez the subject of her dissertation. She's in Spain doing research; finding little, she goes to Santo Domingo. At every turn, the CIA, in the person of agent Robards, tries to thwart her; and, at each turn, as she considers abandoning the project, someone offers new information, often contradictory. She wants the truth behind the Galíndez mystery; will she find it?

萨冈作为恶之魔术师而被人们所恐惧。笨拙且不会讲话的他，今天也在一边进行魔术研究一边抓领地内的贼。这样的他在地下拍卖会所见到的，是有着绝世美貌的白色奴隶精灵少女涅菲。对她一见钟情的萨冈倾家荡产将涅菲买下，然而不善言辞的他不知道接下来该怎么应对涅菲。就这样，不知道如何传达爱意的魔术师，与倾慕着主人却不知如何传述的奴隶，笨拙的二人的共同生活开始了……

Homelessness, hunger and shame: poverty is rampant in the richest country in the world. Over 40 million people in the United States live below the poverty line, twice as many as it was fifty years ago. It can happen very quickly. 　　Many people in the United States fall through the social safety net. In the structurally weak mining region of the Appalachians, it has become almost normal for people to go shopping with food stamps. And those who lose their home often have no choice but to live in a car. There are so many homeless people in Los Angeles that relief organizations have started to build small wooden huts to provide them with a roof over their heads. The number of homeless children has also risen dramatically, reaching 1.5 million, three times more than during the Great Depression the 1930s. A documentary about the fate of the poor in the United States today. 　　这是一部关于穷人生存环境的纪录片。在美国这个世界上最富有的国家，有超过4千万人低于贫困线，比50年前多了两倍。一夜落魄是常有的。穷人只能依靠食品券度日。无家可归的人除了住在车里没有别的选择。在洛杉矶有太多的无家可归者，一些公益组织开始帮助他们造街边小木屋。无家可归儿童的数量也大幅上升，接近150万，这个数字是1930年代大萧条时期的3倍。这是一部关于穷人在今日美国的命运。

娱乐圈预言中的“天降紫微星”女明星梁相宜一觉醒来，发现自己躺在了一个陌生男人——璀璨集团总裁韩丞勋的床上，不仅如此，她的身体还变成了一个男人。为查出事情的真相，梁相宜联合韩丞勋一起调查。梁相宜不断地在男人和女人之间反复变身，这让她颇为苦恼，但又得益于男人的身体，让她替同事化解了职场骚扰，同时也治愈了失去儿子的母亲文玉翠。梁相宜逐渐不再排斥自己变成男人。在和韩丞勋相处的过程中，她与韩丞勋也渐生情愫，却不料遭到了韩丞勋母亲的极力反对，梁相宜不卑不亢，有赖于男...

在这个世界，男主角「萨冈」作为恶之魔术师而被人们所恐惧。笨拙且不会讲话的他，今天也在一边进行魔术研究，一边扫荡领地内的盗贼。这样的他在地下拍卖会所见到的，是有着绝世美貌的白色奴隶精灵少女「涅菲」。对她一见钟情的萨冈倾家荡产将涅菲买下，然而不善言辞的他不知道接下来该怎么应对涅菲。就这样，不知道如何传达爱意的魔术师，与倾慕着主人却不知如何传述的奴隶，笨拙的两人的共同生活开始了……

本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。