What Shall I Name This Love? is an Indian soap opera currently aired on channel STAR Plus. The show is a star-crossed love story presenting an interesting contrast of personalities entwined in a relationship swinging between love & hate. Khushi and Arnav have diametrically opposite ideologies. If Khushi believes in means, Arnav believes only in ends. Khushi's relationships are the most important to her, whereas Arnav believes all people come with a price and can be manipulated for one's benefit. As the story progresses, their love-hate relationship witnesses a series of dramatic conflicts. Arnav constantly tries to break Khushi's steadfast morals just in order to prove to himself that he can control everyone; Khushi on the other hand, always tries to follow her values & morals.

这部片子围绕着错综复杂的四角关系展开，片名即是主题，四位主人公都在纠结自己究竟该如何选择。安纳德是一位事业有成的商人，他有一位美丽可人的妻子卡维塔和可爱的女儿妮赫，一家三口幸福地生活在一起。他们有一位挚友苏摩，是一位浪漫主义诗人，经常与安纳德一家在一起。苏摩曾在大学期间想要追求卡维塔，但看到卡维塔与安纳德情投意合，便将这份爱深藏于心，通过诗歌抒发。（在印地语中“卡维塔”就是“诗歌”的意思）然而原本美好的生活因一位名叫兰迪塔的女子的到来而打乱。兰迪塔声称自己是妮赫的亲生母亲，因为太过思念女儿而来探望。原来妮赫是卡维塔当初在意外流产后和安纳德从福利院领养的。兰迪塔的真诚善良感染了卡维塔，她未婚生子被迫母女分离的遭遇也让卡维塔十分同情。安纳德出差回家后，卡维塔介绍他认识兰迪塔。岂不料两人刚见面都惊得目瞪口呆。原来安纳德曾在火车上救过兰迪塔，并与她发生了一夜情，妮赫是他们的孩子！此时还蒙在鼓里的卡维塔正在撺掇对兰迪塔有意思的苏摩追求兰迪塔。安纳德陷入了两难抉择，兰迪塔亦是。一次，卡维塔撞见安纳德在安慰兰迪塔，质疑他们过分亲密。安纳德在万分紧急之时将实情全盘托出，不料激起了卡维塔更强的愤怒。得知此事的苏摩将卡维塔接到自己家中，并积极劝说她和安纳德离婚。妮赫成为大家关注的焦点，谁也不愿意失去她。为了维系婚姻，安纳德忍痛答应将妮赫还给兰迪塔。妮赫离开的晚上，安纳德和卡维塔失落地回到家中，承受着失女之痛，然而他们却突然听到了妮赫的声音......

这部片子围绕着错综复杂的四角关系展开，片名即是主题，四位主人公都在纠结自己究竟该如何选择。安纳德是一位事业有成的商人，他有一位美丽可人的妻子卡维塔和可爱的女儿妮赫，一家三口幸福地生活在一起。他们有一位挚友苏摩，是一位浪漫主义诗人，经常与安纳德一家在一起。苏摩曾在大学期间想要追求卡维塔，但看到卡维塔与安纳德情投意合，便将这份爱深藏于心，通过诗歌抒发。（在印地语中“卡维塔”就是“诗歌”的意思）然而原本美好的生活因一位名叫兰迪塔的女子的到来而打乱。兰迪塔声称自己是妮赫的亲生母亲，因为太过思念女儿而来探望。原来妮赫是卡维塔当初在意外流产后和安纳德从福利院领养的。兰迪塔的真诚善良感染了卡维塔，她未婚生子被迫母女分离的遭遇也让卡维塔十分同情。安纳德出差回家后，卡维塔介绍他认识兰迪塔。岂不料两人刚见面都惊得目瞪口呆。原来安纳德曾在火车上救过兰迪塔，并与她发生了一夜情，妮赫是他们的孩子！此时还蒙在鼓里的卡维塔正在撺掇对兰迪塔有意思的苏摩追求兰迪塔。安纳德陷入了两难抉择，兰迪塔亦是。一次，卡维塔撞见安纳德在安慰兰迪塔，质疑他们过分亲密。安纳德在万分紧急之时将实情全盘托出，不料激起了卡维塔更强的愤怒。得知此事的苏摩将卡维塔接到自己家中，并积极劝说她和安纳德离婚。妮赫成为大家关注的焦点，谁也不愿意失去她。为了维系婚姻，安纳德忍痛答应将妮赫还给兰迪塔。妮赫离开的晚上，安纳德和卡维塔失落地回到家中，承受着失女之痛，然而他们却突然听到了妮赫的声音......

march和sprite（荷尔蒙）是一对情侣，可是交往两个月，连手都没牵过，sprite认为march不开窍，所以想方设法想和march牵手，最终在无意中达成了愿望；而另外一对则是phai（荷尔蒙）一直暗恋着Gae，每天托人给她送石榴汁，就这样gae一直寻找到底是谁送的，后来终究发现确实自己身边的phai送的；另外一对这是比较敏感的同志爱情故事，lek（会更好的）一直偷偷喜欢gui，每天都送蛋烘糕给他吃，一起打球，一起玩游戏，，一起看电影，度过了美好的高中，可是毕业的时候，lek表白了，可是两人终究没在一起，毕业后一个在清迈，一个在曼谷，最终两人会在一起吗？请看完电影。谢谢！

march和sprite（荷尔蒙）是一对情侣，可是交往两个月，连手都没牵过，sprite认为march不开窍，所以想方设法想和march牵手，最终在无意中达成了愿望；而另外一对则是phai（荷尔蒙）一直暗恋着Gae，每天托人给她送石榴汁，就这样gae一直寻找到底是谁送的，后来终究发现确实自己身边的phai送的；另外一对这是比较敏感的同志爱情故事，lek（会更好的）一直偷偷喜欢gui，每天都送蛋烘糕给他吃，一起打球，一起玩游戏，，一起看电影，度过了美好的高中，可是毕业的时候，lek表白了，可是两人终究没在一起，毕业后一个在清迈，一个在曼谷，最终两人会在一起吗？请看完电影。谢谢！

One day, Kaede, a gyaru, picks up a dinosaur and begins living with it. The short comedy depicts their daily lives together as the dinosaur consumes human food, watches TV, and enjoys fashionable things. Thus begins the story of a gal and a dinosaur cohabiting that transcends time.

Gal Pals is a comedy about the interwoven lives of a group of LGBT women living in Los Angeles…created by LGBT women living in Los Angeles. It’s The L Word for the Broad City generation.

人类掌握了可以改编人脑记忆的技术，为了追求影视作品的真实感，人们在一个孤岛上做了一个古城，在各个角落安装了隐藏摄像头。扮演皇帝的叶千羽近期要进行选妃，最终封后的人可得到巨额奖金和名气。野外生存女主播香葵被送入“人造古城”，成为选妃大队中的一员，本应是陪衬当炮灰的她，却凭借种种出格反套路行为突破重围，成为其中的热门选手。

Four centuries before the beginning of our era, Aristofanes wrote the comedy Ornithes . In it, two men leave their birthplace in search of a better life. They arrive in the forest of the birds and meet Hoopoe, the man who has become a bird. 　　This Greek comedy is a reverie, a voyage of discovery, an essay and perhaps also an indictment. The film mixes talking heads with theater, street scenes and beautiful views. The foundation is a desire for freedom but also the obstacles that humanity imposes on itself to find that freedom; walls around a country, social conventions, rules. Children rock to feel the tingling in their belly, that evolutionary reminder of what it was like to whiz through the air. 　　You can go in all directions in the air, says the man who no longer wants to walk but flies. "Gravity is mortality," says another. Meanwhile, two men go looking for bird man Hoopoe. 　　_____________________ 　　A hybrid film, at the edge of documentary, fiction, and political fantasy, by cinematographer Babis Makridis, of “L” (Sundance Film Festival 2012) and “Pity” (Sundance Film Festival 2018, Best Film, Greek Film Academy 2019). 　　The film “The Birds or how to be one” draws its inspiration from the archetypical myth of Aristophanes’s “The Birds,” Nikos Karathanos’s production, and its participants, filming them off stage, in real spaces and natural environments—from lava fields in Iceland to the plateaus of Patagonia, and from Times Square to the Egyptian pyramids. Everything takes place in a universe of fluid “everyday” routine, among theater PEOPLE, ornithologists, and pragmatic recluses who all dream of flying. 　　The film will have its world premiere at the Voices section of the International Film Festival Rotterdam 2020. The section presents "movies driven by powerful stories, captivating subjects and important themes. Each film brings a distinctive view of the world, from filmmakers with a confident voice". The movie was also part of Work in Progress by Les Arc Festival 2019, while in January 2020 it will be presented at Santiago a Mil Festival in Chile, together with the updated edition of "The Birds" performance by Nikos Karathanos.

Four centuries before the beginning of our era, Aristofanes wrote the comedy Ornithes . In it, two men leave their birthplace in search of a better life. They arrive in the forest of the birds and meet Hoopoe, the man who has become a bird. 　　This Greek comedy is a reverie, a voyage of discovery, an essay and perhaps also an indictment. The film mixes talking heads with theater, street scenes and beautiful views. The foundation is a desire for freedom but also the obstacles that humanity imposes on itself to find that freedom; walls around a country, social conventions, rules. Children rock to feel the tingling in their belly, that evolutionary reminder of what it was like to whiz through the air. 　　You can go in all directions in the air, says the man who no longer wants to walk but flies. "Gravity is mortality," says another. Meanwhile, two men go looking for bird man Hoopoe. 　　_____________________ 　　A hybrid film, at the edge of documentary, fiction, and political fantasy, by cinematographer Babis Makridis, of “L” (Sundance Film Festival 2012) and “Pity” (Sundance Film Festival 2018, Best Film, Greek Film Academy 2019). 　　The film “The Birds or how to be one” draws its inspiration from the archetypical myth of Aristophanes’s “The Birds,” Nikos Karathanos’s production, and its participants, filming them off stage, in real spaces and natural environments—from lava fields in Iceland to the plateaus of Patagonia, and from Times Square to the Egyptian pyramids. Everything takes place in a universe of fluid “everyday” routine, among theater PEOPLE, ornithologists, and pragmatic recluses who all dream of flying. 　　The film will have its world premiere at the Voices section of the International Film Festival Rotterdam 2020. The section presents "movies driven by powerful stories, captivating subjects and important themes. Each film brings a distinctive view of the world, from filmmakers with a confident voice". The movie was also part of Work in Progress by Les Arc Festival 2019, while in January 2020 it will be presented at Santiago a Mil Festival in Chile, together with the updated edition of "The Birds" performance by Nikos Karathanos.