Jerzy Stuhr plays a high school teacher with a sensitive outlook on life and a soft spot for students who like art and literature as passionately as he does. His adversary is a possessed sports instructor, gaining growing control over the students and authorities. His methods are questionable and his influence dangerous, but the handball team's prospects look good and the school needs success...

Whilst traveling across America living off the money from a large inheritance, ex-fireman Nashe has a chance meeting with Pozzi, a professional gambler and card shark. Nashe agrees to fund the penniless Pozzi in a game of poker against two eccentric millionaires, Flower and Stone, in an attempt to regain some of his spent fortune. His gamble has unforeseen and bizarre consequences for both himself and Pozzi. This film is an almost exact translation of the novel by Paul Auster.

A big-time, but honest gambler has to prevent his younger brother from following in his footsteps, and taking up gambling.

这部电影讲述的是“机遇号”火星探测车的故事，它的创造者和美国宇航局的科学家们亲切地给它起了个名字，叫“机遇号”。机遇号最初的预期寿命只有90天，但它最终在火星上探索了近15年。

15岁的达吉(Daggi)将迎来一次改变生活的机遇. 一个崭新的开始, 另一次机会. 但一切真的能重新开始吗? 达吉将自己仅有的一切装进了行囊, 还有颈上挂着的那把载着自己过去的钥匙, 踏上了新的旅程. 他努力地去适应在这个新的小镇上的生活：一个充满关怀与爱的新家庭, 和一直盼望有个哥哥的小古斯塔夫(Gustav). 他叫他玩 Yatzy(或 Yahtzee) - 古斯塔夫最喜欢的游戏, 因为在 Yatzy 里每个人都拥有机会. 　　在这个沉闷的小镇上, 不安而偏执的达吉试图与一切保持着距离. 而与葛洛莉亚(Gloria)的相识让他们一起发现了爱的美丽... 　　直到他的过去再次浮现, 将他拖回那段既无法走进 - 也难以挣脱的生活...

Direct Action documents the everyday of one of the most important activist communities in France in order to see how the success of a radical protest movement can offer a path through the climate crisis facing us all. 　　Following the principles of Jean Rouch’s ethnographic filmmaking and Wiseman’s immersive approach, Direct Action is a unique and hypnotic portrayal of a community which is not circumscribed to its violent interactions with the State: thanks to their meticulous observation, the directors document a highly singular political movement where it is still possible to conceive a better tomorrow.

Direct Action documents the everyday of one of the most important activist communities in France in order to see how the success of a radical protest movement can offer a path through the climate crisis facing us all. 　　Following the principles of Jean Rouch’s ethnographic filmmaking and Wiseman’s immersive approach, Direct Action is a unique and hypnotic portrayal of a community which is not circumscribed to its violent interactions with the State: thanks to their meticulous observation, the directors document a highly singular political movement where it is still possible to conceive a better tomorrow.

Direct Action documents the everyday of one of the most important activist communities in France in order to see how the success of a radical protest movement can offer a path through the climate crisis facing us all. 　　Following the principles of Jean Rouch’s ethnographic filmmaking and Wiseman’s immersive approach, Direct Action is a unique and hypnotic portrayal of a community which is not circumscribed to its violent interactions with the State: thanks to their meticulous observation, the directors document a highly singular political movement where it is still possible to conceive a better tomorrow.

村井理子（柴崎幸 饰）突然接到警方的电话，得知多年未见的哥哥（小田切让 饰）去世。发现尸体的是与哥哥同住的儿子良一，理子下定决心：“得赶紧把哥哥变成可以携带的尺寸。”于是她前往东北，时隔七年在警察局再次见到了哥哥的前妻加奈子（满岛光 饰）以及他们的女儿满里奈（青山姫乃 饰）。 　　三人一同整理哥哥住过、早已变成垃圾屋的公寓，发现了一张贴在墙上的全家福照片，照片中有年幼的理子与哥哥，还有哥哥、加奈子、满里奈与良一的合影。在为哥哥处理后事的过程中，理子不断吐槽哥哥，而曾被哥哥连累的加奈子却对她说：“也许理子你，并不了解他全部的一面。”四个角色重新面对“家庭”的混乱四天就此开始。

村井理子（柴崎幸 饰）突然接到警方的电话，得知多年未见的哥哥（小田切让 饰）去世。发现尸体的是与哥哥同住的儿子良一，理子下定决心：“得赶紧把哥哥变成可以携带的尺寸。”于是她前往东北，时隔七年在警察局再次见到了哥哥的前妻加奈子（满岛光 饰）以及他们的女儿满里奈（青山姫乃 饰）。 　　三人一同整理哥哥住过、早已变成垃圾屋的公寓，发现了一张贴在墙上的全家福照片，照片中有年幼的理子与哥哥，还有哥哥、加奈子、满里奈与良一的合影。在为哥哥处理后事的过程中，理子不断吐槽哥哥，而曾被哥哥连累的加奈子却对她说：“也许理子你，并不了解他全部的一面。”四个角色重新面对“家庭”的混乱四天就此开始。