Since the 1980s, famed cellist Sonia Wieder-Atherton has been present in much of Chantal Akerman’s work, whether through her numerous collaborations soundtracks, or as a protagonist (as in Rue Mallet-Stevens, 1986), or in this case, as the subject of an extended documentary portrait. The film begins with a voiceover from Akerman, describing and situating her subject, after which Wieder-Atherton takes over the narrative, sitting before the camera for an extended presentation of her life and art. Wieder-Atherton then performs some short pieces by Claudio Monteverdi, Luciano Berio, Leos Janacek, Johannes Brahms and Franz Schubert, either solo or accompanied by a small ensemble. As well as insights into an artist, this film offers a precious cinematic moment of listening.

Since the 1980s, famed cellist Sonia Wieder-Atherton has been present in much of Chantal Akerman’s work, whether through her numerous collaborations soundtracks, or as a protagonist (as in Rue Mallet-Stevens, 1986), or in this case, as the subject of an extended documentary portrait. The film begins with a voiceover from Akerman, describing and situating her subject, after which Wieder-Atherton takes over the narrative, sitting before the camera for an extended presentation of her life and art. Wieder-Atherton then performs some short pieces by Claudio Monteverdi, Luciano Berio, Leos Janacek, Johannes Brahms and Franz Schubert, either solo or accompanied by a small ensemble. As well as insights into an artist, this film offers a precious cinematic moment of listening.

In one of the narrow streets of the Old town of Stockholm lies hotel City. It's filled by mysterious characters such as 'Greven', 'Blomman' and others. The police inspector Goeransson is chasing a jewel thief, 'Diamant-Lasse'.

In one of the narrow streets of the Old town of Stockholm lies hotel City. It's filled by mysterious characters such as 'Greven', 'Blomman' and others. The police inspector Goeransson is chasing a jewel thief, 'Diamant-Lasse'.

阿杰在回家的路途中撞上名迎面跑來的陌生人，竟從對方口中發現一道指示並找到一個黑色盒子，盒中錄音機傳出懷有身孕的妻子被抓走的訊息。 　　阿杰必須遵循盒中「伊菲基妮亞之夜」的使用手冊，才有可能將妻子救出。

讲述一群在大城市合租的90后年轻男女，他们性格迥异，不同的工作环境下面临着不同的人情世故。这些不同的三观融合在一间几十平米的合租房内，从而产生有趣却蕴含生活哲理的良性反应，面对屡屡发生在周遭的突发事件，他们更多用自己的调侃与吐槽，一笑而过。《难搞的室友》希望通过展现室友之间发生的奇葩、有趣的故事，将大城市中的合租生活通过节目把影响力放大，让更多类似经历的人群在节目中找到共鸣，找到自己。在用户分享故事本身的喜悦同时，激发并鼓励大家去终结孤单、拥抱生活。和有趣的人一起做有趣的事，房子是租来的，但生活不是。

讲述一群在大城市合租的90后年轻男女，他们性格迥异，不同的工作环境下面临着不同的人情世故。这些不同的三观融合在一间几十平米的合租房内，从而产生有趣却蕴含生活哲理的良性反应，面对屡屡发生在周遭的突发事件，他们更多用自己的调侃与吐槽，一笑而过。《难搞的室友》希望通过展现室友之间发生的奇葩、有趣的故事，将大城市中的合租生活通过节目把影响力放大，让更多类似经历的人群在节目中找到共鸣，找到自己。在用户分享故事本身的喜悦同时，激发并鼓励大家去终结孤单、拥抱生活。和有趣的人一起做有趣的事，房子是租来的，但生活不是。

我在末日被推下高楼，唯一的线索是凶手身上那股甜到作呕的草莓香膏味。一睁眼，我竟奇迹般地回到了极寒降临前的大学宿舍。眼前，温柔递水的江离、涂着同款草莓唇膏的傅瑶、以及角落里沉默拆着钢管的陈默，都可能是将我推入深渊的凶手。她们无辜的表象下，隐藏着致命的杀机。带着前世完整的死亡记忆，我必须在这场末日倒计时中，从最亲密的室友里找出真凶，这一次，我绝不会再任人宰割。