充满个性的梵家三姐妹的小妹爱丽丝偶然捡到了一只不可思议的小猫，姐妹们却遭到自称”black.inc“的男性袭击。TV版的剧情延续其后的发展，”black.inc“组织的先头部队DT再次向三姐妹袭来。然后三姐妹向梦中见到的小猫的请求化为了现实，顺势的决意下巨大的身影觉醒了。

2018年被称为中国“偶像元年”，多部养成系偶像主题相关的网络综艺，带火了偶像经济和文化。箭厂从多个维度切入，带你全面了解当下的偶像文化。

2018年被称为中国“偶像元年”，多部养成系偶像主题相关的网络综艺，带火了偶像经济和文化。箭厂从多个维度切入，带你全面了解当下的偶像文化。

新晋画家阿波隆妮亚透过绘画女性画像，思考身体政治。丹麦导演莉雅格洛就用摄像机，对准阿波隆妮亚，勾画出她的肖像，揭示她跌宕起伏的成长，以及自我探索的挣扎。拍摄历时十三年，记录像她这样别具一格的女子经历过的爱与痛、喜与悲、疑惑与笃定、放浪与流离，面对生与死，又如何在男性主导的艺术圈子站稳脚步。导演的镜头也反顾自身，以极其迷人的私密纪录，反映当代女性的某些精神面貌与生存状态。阿姆斯特丹纪录片电影节最佳影片。

新晋画家阿波隆妮亚透过绘画女性画像，思考身体政治。丹麦导演莉雅格洛就用摄像机，对准阿波隆妮亚，勾画出她的肖像，揭示她跌宕起伏的成长，以及自我探索的挣扎。拍摄历时十三年，记录像她这样别具一格的女子经历过的爱与痛、喜与悲、疑惑与笃定、放浪与流离，面对生与死，又如何在男性主导的艺术圈子站稳脚步。导演的镜头也反顾自身，以极其迷人的私密纪录，反映当代女性的某些精神面貌与生存状态。阿姆斯特丹纪录片电影节最佳影片。

起先我以为是70年代色情片，但是看完了发现不是，至少不是其他“艾曼妞”系列那种东西-_- 　　总而言之，值得看看的东西...由于简介与条目都被归类于情色片，so，以下的废话不看也罢，会被误导...... 　　By Redwolf 　　—————————————————— 　　In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older sister, should she seek revenge or recapture? In subplots, she gets along badly with her sister and her father, and she encourages her mother's affair with dad's sister. Axel has problems too besides the determined Sibylle: he must come to terms with the drowning death of his mother years ago.

起先我以为是70年代色情片，但是看完了发现不是，至少不是其他“艾曼妞”系列那种东西-_- 　　总而言之，值得看看的东西...由于简介与条目都被归类于情色片，so，以下的废话不看也罢，会被误导...... 　　By Redwolf 　　—————————————————— 　　In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older sister, should she seek revenge or recapture? In subplots, she gets along badly with her sister and her father, and she encourages her mother's affair with dad's sister. Axel has problems too besides the determined Sibylle: he must come to terms with the drowning death of his mother years ago.

Athens, today. Seventeen-year-old Aria, who is working at Jimmy’s local kebab place is waiting for a driving lesson with her father. When he finally arrives, it is not to go for a drive; on the contrary, he confides in her the care of a young Chinese immigrant who speaks neither Greek nor English. 　　DIRECTOR’S STATEMENT 　　A film, for me, is a collection of moments, which fall into place to create a whole. Sounds, looks, movements, the colors of Athens today tell the story of Aria, Lu and Petros. Image by image, I await the moment that I merge with them through their journey, just as they merge into mine—together accepting that our freedom exists in merely an instant.

Athens, today. Seventeen-year-old Aria, who is working at Jimmy’s local kebab place is waiting for a driving lesson with her father. When he finally arrives, it is not to go for a drive; on the contrary, he confides in her the care of a young Chinese immigrant who speaks neither Greek nor English. 　　DIRECTOR’S STATEMENT 　　A film, for me, is a collection of moments, which fall into place to create a whole. Sounds, looks, movements, the colors of Athens today tell the story of Aria, Lu and Petros. Image by image, I await the moment that I merge with them through their journey, just as they merge into mine—together accepting that our freedom exists in merely an instant.

SARIA is the tale of two inseparable orphaned sisters, Saria and Ximena, as they fight against daily abuse and unimaginable hardship at Virgen de la asuncion Safe home in Guatemala. Our story follows the events leading up to the tragic fire in 2017 that claimed the lives of 41 orphaned girls. SARIA is premiering at the 2020 Oscar Shorts.