食品公司销售经理林信（丁子朗饰）、时装店老板夏莉（冯盈盈饰）同居多时，爱情渐变平淡，两人对将来也存在分歧。情侣间日积月累的矛盾、不满一发不可收拾，林信、夏莉爆发激烈争吵下引致车祸……经历生死一刹后，踏实贤淑的夏莉变得热情率性，事事以林信为中心，甚至介入其圈子，为林信的姊姊林善（车婉婉饰）、上司麦美娜（姚嘉妮饰）、竞敌骆伟滔（张颖康饰）、好兄弟穆家杰（马贯东饰）和区文（黄庭锋饰）带来巨大冲击！林信纵跟夏莉重拾初相识的浪漫与情愫，但眼前的她犹如判若两人，林信不禁思疑对方还是否真爱？

食品公司销售经理林信（丁子朗饰）、时装店老板夏莉（冯盈盈饰）同居多时，爱情渐变平淡，两人对将来也存在分歧。情侣间日积月累的矛盾、不满一发不可收拾，林信、夏莉爆发激烈争吵下引致车祸……经历生死一刹后，踏实贤淑的夏莉变得热情率性，事事以林信为中心，甚至介入其圈子，为林信的姊姊林善（车婉婉饰）、上司麦美娜（姚嘉妮饰）、竞敌骆伟滔（张颖康饰）、好兄弟穆家杰（马贯东饰）和区文（黄庭锋饰）带来巨大冲击！林信纵跟夏莉重拾初相识的浪漫与情愫，但眼前的她犹如判若两人，林信不禁思疑对方还是否真爱？

精明干练的职场精英雷粒、温柔漂亮的全职主妇任多美、力求证明自己的隐形富家女沈嘉男，原本年龄不同、性格迥异，经历也并无交集，却在面临职场和生活困境的人生重要节点里成为了相识相知、相亲相爱的挚交好友。从互相揣测对方到渐渐接纳彼此，从独自面对到互相敞开心扉，从单打独斗到互相撑腰，三位勇敢、坚强，又充满智慧和力量的现代都市女性，最终齐心协力解决了彼此生活中发生的种种问题和困惑，并见证了彼此的成长与蜕变。历经千帆后，三人凭借自身的努力，不光撕掉了外界贴在女性身上的固有标签，更是勇敢开拓了实现自我的事业，如同三首曲调各异的乐章交织在一起，奏出了美妙绝伦的人生乐曲。

精明干练的职场精英雷粒、温柔漂亮的全职主妇任多美、力求证明自己的隐形富家女沈嘉男，原本年龄不同、性格迥异，经历也并无交集，却在面临职场和生活困境的人生重要节点里成为了相识相知、相亲相爱的挚交好友。从互相揣测对方到渐渐接纳彼此，从独自面对到互相敞开心扉，从单打独斗到互相撑腰，三位勇敢、坚强，又充满智慧和力量的现代都市女性，最终齐心协力解决了彼此生活中发生的种种问题和困惑，并见证了彼此的成长与蜕变。历经千帆后，三人凭借自身的努力，不光撕掉了外界贴在女性身上的固有标签，更是勇敢开拓了实现自我的事业，如同三首曲调各异的乐章交织在一起，奏出了美妙绝伦的人生乐曲。

淹没于茫茫人海中的三位女性，她们都在追求着属于自己的“平凡的幸福”。然而，追求幸福的道路却通向了“犯罪”。职场强人、家庭主妇、派出所女警，三人是敌是友？今夏，敬请期待她们的谎言、陷阱、以及不为人知的另一面。 　　本剧改编自横関大的同名小说。

淹没于茫茫人海中的三位女性，她们都在追求着属于自己的“平凡的幸福”。然而，追求幸福的道路却通向了“犯罪”。职场强人、家庭主妇、派出所女警，三人是敌是友？今夏，敬请期待她们的谎言、陷阱、以及不为人知的另一面。 　　本剧改编自横関大的同名小说。

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.