Two sisters discover a strange object of alien origin.

讲述一位女子不满意她的丈夫，觉得他没有野心和激情，于是决定换一个新丈夫。而这个新丈夫却大不一样……

花陵城指挥使凌长风与妻子唐千月是一对新婚三年的恩爱夫妻。除夕夜晚，两人本约好一起度过，城内却突发“魂化”事件，待凌长风平复归来，唐千月已经晕倒在血泊中，胸口上还绽开了一朵鬼魅妖艳的花......唐千月身上到底隐藏了什么秘密，魂化病症到底为何人计谋，被怀疑所打乱的深情又该如何前行？花陵城新故事由此开启......

Hyacinth Bucket (whose name, she insists, is pronounced "Bouquet") is a suburban housewife in the West Midlands. She would be the first to tell you that she is a gracious hostess, a respected citizen, and a well-connected member of high society. If you don't believe that, just ask her best friend Elizabeth, held captive in Hyacinth's kitchen; or the postmen and neighbours who bristle at the sound of her voice; or Richard, her weary and compliant husband.In fact, Hyacinth's reputation could be as perfect as her new lounge set, if not for her senile father's love of running wild in the nip. Oh, and she would prefer it if her brother-in-law was a sharper dresser. And that her husband was more ambitious. And that her sisters were more presentable. And do take your shoes off before you come in the house, dear. Mind that you don't brush against the wallpaper.

Charlie, forced to reevaluate her all-female mechanic shop, unknowingly confides in her online confidant Beau, who turns out to be her real-life business rival, their connection blossoms amidst professional rivalry.

Charlie, forced to reevaluate her all-female mechanic shop, unknowingly confides in her online confidant Beau, who turns out to be her real-life business rival, their connection blossoms amidst professional rivalry.

A nameless cannabis delivery guy delivers his much-needed medication to stressed-out New Yorkers.

A snobbish housewife is determined to climb the social ladder, in spite of her family's working class connections and the constant chagrin of her long suffering husband.

A snobbish housewife is determined to climb the social ladder, in spite of her family's working class connections and the constant chagrin o f her long suffering husband.

Sandro Lai compiled interviews, talk show appearances, and award presentations from Italian TV for this 2001 film chronicling most of the director's career. It hardly qualifies as in-depth analysis of either the man or his films, but it has a lot of historical flavor and some odd bits of trivia (Antonioni once visited John F. Kennedy in the White House to discuss a film about the projected moon landing). Apparently Antonioni shifted to color before much of Italian TV did, because the brief coverage here of Red Desert (1964), Blowup (1966), and Zabriskie Point (1969) is in black and white, and color arrives only with his disputed documentary about China. 58 min.