久未谋面的抓马姐姐突然造访，使牧师弟弟开始正视自己的同志身份，并向一直暗恋的同事袒露心迹。

An utterly unique homemade sci-fi-action-sexploitation buddy image, Runaway Nightmare is a sublimely amateurish mess that must be endured to be believed. Two pals running a worm ranch in Death Valley very long for some excitement to cut the boredom of their lifestyles. Their desires are fulfilled when they witness mobsters burying a gorgeous blonde girl alive in the desert, save her, and are taken captive by a ruthless squadron of feminine revolutionaries for their difficulty. Our heroes are very first tortured and then used as sex slaves, but eventually the girl gang invites them to join their cause, and they battle the syndicate to recover a briefcase full of taken platinum. Runaway Nightmare at first follows a standard male fantasy template (kidnapped by dominant females for stud solution), but it isn't pornographic. The male leads crack jokes like adolescent versions of Bob Hope and Bing Crosby, but none of it's funny. The plot includes radioactive accidents, exploding warehouses, and club fights, but there is no action. First-and-only-time director Michael Cartel is fond of long, airless scenes in which nothing happens, giving Runaway Nightmare the bizarre waking fantasy feeling that badly built movies sometimes achieve accidentally. The dialogue is ridiculous, the situations are ludicrous, and there isn't an actor in sight. Brief, clumsily-inserted nude scenes are meant to double for characters in the narrative, nevertheless the women's bodies are different, their faces are obscured, and they're shot on videotape rather than the movie stock utilized for the rest of the picture. In spite of (and because of) these dubious Runaway, virtues Nightmare is a one-of-a-kind cinematic experience, a fascinating failure that reaches brand new levels of weirdness, and its obscure house video launch is really worth seeking out for the jaded and the curious

久未谋面的抓马姐姐突然造访，使牧师弟弟开始正视自己的同志身份，并向一直暗恋的同事袒露心迹。

An utterly unique homemade sci-fi-action-sexploitation buddy image, Runaway Nightmare is a sublimely amateurish mess that must be endured to be believed. Two pals running a worm ranch in Death Valley very long for some excitement to cut the boredom of their lifestyles. Their desires are fulfilled when they witness mobsters burying a gorgeous blonde girl alive in the desert, save her, and are taken captive by a ruthless squadron of feminine revolutionaries for their difficulty. Our heroes are very first tortured and then used as sex slaves, but eventually the girl gang invites them to join their cause, and they battle the syndicate to recover a briefcase full of taken platinum. Runaway Nightmare at first follows a standard male fantasy template (kidnapped by dominant females for stud solution), but it isn't pornographic. The male leads crack jokes like adolescent versions of Bob Hope and Bing Crosby, but none of it's funny. The plot includes radioactive accidents, exploding warehouses, and club fights, but there is no action. First-and-only-time director Michael Cartel is fond of long, airless scenes in which nothing happens, giving Runaway Nightmare the bizarre waking fantasy feeling that badly built movies sometimes achieve accidentally. The dialogue is ridiculous, the situations are ludicrous, and there isn't an actor in sight. Brief, clumsily-inserted nude scenes are meant to double for characters in the narrative, nevertheless the women's bodies are different, their faces are obscured, and they're shot on videotape rather than the movie stock utilized for the rest of the picture. In spite of (and because of) these dubious Runaway, virtues Nightmare is a one-of-a-kind cinematic experience, a fascinating failure that reaches brand new levels of weirdness, and its obscure house video launch is really worth seeking out for the jaded and the curious

1992年，少年谭珊蒂和她的朋友索菲和茉莉拍摄了新加坡的第一部独立电影-一部名为“偷懒者”的公路电影-和他们神秘的美国导师乔治·卡多纳(Georges Cardona)一起拍摄。桑迪写了剧本，饰演主角，一个叫S的杀手。拍摄结束后，乔治和所有的镜头一起消失了！20年后，16毫米罐在新奥尔良被找到，桑迪-现在是洛杉矶的小说家-开始了一场跨越两大洲和许多媒体的新的个人奥德赛：16毫米、数码、Hi8、Super8、幻灯片、动画和手写信件。万花筒朋克摇滚鬼故事！

1992年，少年谭珊蒂和她的朋友索菲和茉莉拍摄了新加坡的第一部独立电影-一部名为“偷懒者”的公路电影-和他们神秘的美国导师乔治·卡多纳(Georges Cardona)一起拍摄。桑迪写了剧本，饰演主角，一个叫S的杀手。拍摄结束后，乔治和所有的镜头一起消失了！20年后，16毫米罐在新奥尔良被找到，桑迪-现在是洛杉矶的小说家-开始了一场跨越两大洲和许多媒体的新的个人奥德赛：16毫米、数码、Hi8、Super8、幻灯片、动画和手写信件。万花筒朋克摇滚鬼故事！

讲述了一个神父为了打败折磨家人的恶鬼而展开的故事。

讲述了一个神父为了打败折磨家人的恶鬼而展开的故事。