托妮·科莱特将出演BBC六集新剧《旅行癖》(Wanderlust，暂译)，编剧尼克·佩恩([终结的感觉])，导演卢克·斯奈林(《职介破事儿》)。该剧聚焦一个家庭中的几代人，科莱特饰演女主角理疗师乔伊，她一直试图修复已经破损的夫妻关系。该剧目前正在曼彻斯特热拍，将在BBC1台首播，同时登陆Netflix。

托妮·科莱特将出演BBC六集新剧《旅行癖》(Wanderlust，暂译)，编剧尼克·佩恩([终结的感觉])，导演卢克·斯奈林(《职介破事儿》)。该剧聚焦一个家庭中的几代人，科莱特饰演女主角理疗师乔伊，她一直试图修复已经破损的夫妻关系。该剧目前正在曼彻斯特热拍，将在BBC1台首播，同时登陆Netflix。

In case you think you’re going to see some random and unforgivable cruelty, the camera cuts with choppy edits and we’re left with a flaming cat shape, maybe a toy, maybe a dead one collected from a vets. Who knows?

In case you think you’re going to see some random and unforgivable cruelty, the camera cuts with choppy edits and we’re left with a flaming cat shape, maybe a toy, maybe a dead one collected from a vets. Who knows?

纪敏想和男友一起探索新的娱乐场所。偷窥成为一种可能变成现实的新幻想。

《咬甲癖》由记忆片段和叙事性独白组成，通过线性的回忆方式展现对“咬甲”这一身体行为的非线性思考——咬甲的动作给予身体神经反馈，在时间变化中影响着意识的产生和表达，而意识又反冲身体对咬甲行为的感知，经由不同成长阶段中面临的无法预测的因素，发酵成具有相互作用的具身性关系。通过揭露这些复杂多维的内外因素，如童年记忆、原生家庭、身份认知等问题，反思在其中塑造身体羞辱、挤压自我生长空间的父权意识形态。

《咬甲癖》由记忆片段和叙事性独白组成，通过线性的回忆方式展现对“咬甲”这一身体行为的非线性思考——咬甲的动作给予身体神经反馈，在时间变化中影响着意识的产生和表达，而意识又反冲身体对咬甲行为的感知，经由不同成长阶段中面临的无法预测的因素，发酵成具有相互作用的具身性关系。通过揭露这些复杂多维的内外因素，如童年记忆、原生家庭、身份认知等问题，反思在其中塑造身体羞辱、挤压自我生长空间的父权意识形态。

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

This short basically has two guys who seem to be judging by their accents, foreigners yet still speaking English to each other while they violently attack a couple and some random guy for a little less than 30 mins.