The story of several trips, that of Raye, a young girl who leaves the family home for one or other European countries, that of her father, Abel, former athlete and finally that of Nellie, his wife, who does not not but travel among the micro-organisms that she studies with her microscope.

The story of several trips, that of Raye, a young girl who leaves the family home for one or other European countries, that of her father, Abel, former athlete and finally that of Nellie, his wife, who does not not but travel among the micro-organisms that she studies with her microscope.

大型系列纪录片《寻古中国·古蜀记》，将于6月10日文化和自然遗产日当天起在央视综合频道（CCTV-1）22:30档开播。5集纪录片将通过对神秘古蜀王国的最新考古发现，深入揭示古蜀文明如何与黄河流域和长江中下游流域文明交流融合，生动呈现古蜀文明的辉煌以及对中华文明的重要贡献。 　　史籍中对古蜀历史和文明记载语焉不详。神秘的古蜀文明源自哪里？古蜀先民来自何方？五代蜀王是否确有其人？蜀地族群在成都平原创造了怎样一段震惊今人的古代文明？古蜀人与黄河流域及长江中下游流域先民如何交往交流交融？ 　　《寻古中国·古蜀记》立足诸多遗址考古成果，运用相关史籍文献，系统梳理从川西高原的营盘山文化到成都平原的宝墩文化、三星堆文化、金沙文化(十二桥文化)、古蜀大型船棺遗存的考古学文化的发展历程，以及古蜀国传说中的“蚕丛、柏灌、鱼凫、杜宇、开明”五代蜀王世系图谱。节目故事讲述环环相扣、抽丝剥茧，鲜活呈现古蜀文明由肇始、发展到走向繁荣、最终汇入中华文明长河的历史脉络。

大型系列纪录片《寻古中国·古蜀记》，将于6月10日文化和自然遗产日当天起在央视综合频道（CCTV-1）22:30档开播。5集纪录片将通过对神秘古蜀王国的最新考古发现，深入揭示古蜀文明如何与黄河流域和长江中下游流域文明交流融合，生动呈现古蜀文明的辉煌以及对中华文明的重要贡献。 　　史籍中对古蜀历史和文明记载语焉不详。神秘的古蜀文明源自哪里？古蜀先民来自何方？五代蜀王是否确有其人？蜀地族群在成都平原创造了怎样一段震惊今人的古代文明？古蜀人与黄河流域及长江中下游流域先民如何交往交流交融？ 　　《寻古中国·古蜀记》立足诸多遗址考古成果，运用相关史籍文献，系统梳理从川西高原的营盘山文化到成都平原的宝墩文化、三星堆文化、金沙文化(十二桥文化)、古蜀大型船棺遗存的考古学文化的发展历程，以及古蜀国传说中的“蚕丛、柏灌、鱼凫、杜宇、开明”五代蜀王世系图谱。节目故事讲述环环相扣、抽丝剥茧，鲜活呈现古蜀文明由肇始、发展到走向繁荣、最终汇入中华文明长河的历史脉络。

两名年轻女子为了在网络上一举成名，假扮成高端时尚广告的餐饮服务员。广告团队并不知道这两个女人的计划是拍摄自己偷窃昂贵商品的过程，然后把它们送给需要的人，并发布到自己的Youtube频道上。然而，当她们到达拍摄地点时，那里却空无一人。他们发现了一个iPad，里面有迄今为止拍摄的广告片段。然而，这部看似向让-吕克-戈达德致敬的华丽影片，很快就变成了类似《女巫布莱尔》的超自然噩梦。

两名年轻女子为了在网络上一举成名，假扮成高端时尚广告的餐饮服务员。广告团队并不知道这两个女人的计划是拍摄自己偷窃昂贵商品的过程，然后把它们送给需要的人，并发布到自己的Youtube频道上。然而，当她们到达拍摄地点时，那里却空无一人。他们发现了一个iPad，里面有迄今为止拍摄的广告片段。然而，这部看似向让-吕克-戈达德致敬的华丽影片，很快就变成了类似《女巫布莱尔》的超自然噩梦。

In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." 　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. 　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. 　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." 　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. 　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. 　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

本片讲述了迷失在时间里的现代巴西。受经济危机影响，北方农村的原住民黑人克里斯托旺供职的牛奶厂地方分厂倒闭，他不得不离乡背井，来到奶厂总部的所在地谋生。这是一个有着奥地利殖民气息的奇怪小镇，面对排外保守的当地人，克里斯托旺感到孤立无援，与白人世界隔绝。直到某天，他发现了一幢废弃的房子，里面摆满了与他的出身相关的物品和纪念品。他在这座房子里安顿下来，重新与自己的根联结。然后这个记忆之屋仿佛活了过来，更多的物品开始出现。慢慢地，克里斯托旺开始发生了蜕变。

宇宙大明星zero与其经纪人taeyeon的旅行日常。