《在海上的两年》导演本·里弗斯新作，导演本·里弗斯在随行奥利维尔·拉克谢（本片男主角）的《含羞草》剧组时，借用《含羞草》剧组即兴拍摄的一部实验性电影，故事设定在摩洛哥的撒哈拉沙漠，用现实主义的方式拍了个特别离奇的寓言故事。获得第68届洛迦诺国际电影节的金豹奖提名。

林知意在婚礼当天被逃婚，为了出口恶气，她决定找个“结婚搭子”，没想到在转角遇到了为躲避相亲逃来南山的顾南风。两人各有所求，一拍即合决定闪婚。林知意带着顾南风摆摊挣钱，却没想到对方竟然是千亿总裁。

《高尔夫恋人》以当前韩国年轻人颇为热衷的流行运动——高尔夫为主轴，揭示了人生的真正对手其实就是自己的认知，告诉人们，只要抱着希望，努力拼搏，就会获得成功，也勉励青少年为理想坚持不懈地奋斗。苏幼贞扮演的尹多仁，自幼被父亲抛弃，孤寂地承受生存压力，可她本性乐观进取，对高尔夫也是由衷热爱，成长环境的艰苦，没有阻止她执着的前进步伐。恰在这时，金在元饰演的宇赫，一名讨债公司的小混混，闯入了多仁原本毫无波澜的生活。宇赫本性淳厚善良，他被多仁追逐理想时，呈现出的坚定信念感动着，从此，默默为她承担困苦，默默等待她的垂青，默默守望她的背影，还为她不惜付出生命。 　　而金敏贞饰演的，同父异母的妹妹彩燕，是位职业高尔夫球手，性格上却与多仁相去甚远，虽美艳靓丽，但好强善妒，喜欢用美丽作为手段，想尽百般方法，只为达到自己的目的。她自小就爱慕富家公子民太勋，可他却并不爱她，一直回避着彩燕的灼热追求。反而对坚持理想的多仁，投入了自己的感情。于是，多仁被彩燕仇恨着，还被她千方刁难和陷害，企图让太勋“回心转意”，但，彩燕会轻易得逞，称心如意吗？宇赫的执着等待，太勋的坚持追求，多仁又该如何抉择呢？

莫莉经营着当地的妈妈团体，今年她们参加了著名的年度现代育儿团体竞赛。当一个新到镇上的爸爸，阿什利，建立了一个竞争对手的爸爸的群体，他们的竞争性质导致竞争在镇上。

莫莉经营着当地的妈妈团体，今年她们参加了著名的年度现代育儿团体竞赛。当一个新到镇上的爸爸，阿什利，建立了一个竞争对手的爸爸的群体，他们的竞争性质导致竞争在镇上。

如果世界的粮食产量达到了巅峰，那么为何每一秒钟都会有孩子死于饥饿？这部影片揭示了食物供应不平衡的原因和影响，并探讨了如何才能养活不断增长的人口。

故事发生在距今千百万年前的原始社会，皓月当空，月朗星稀。原始丛林的某个角落，山洞内闪耀着乳黄色的火光。镜头拉近，我们看见一个身穿兽皮、胡子拉碴的原始人正用手在岩壁上涂涂画画。他正在画一个体型丰满到极度变形的女子，女子裸露全身，线条曼妙流畅。而且壁画不止一副，而是画了很多女子一字排开。当最后一幅完成之后，我们的原始人艺术家开始以极其超前的方式欣赏着他的旷世杰作…… 　　本片为2002年法国昂西动画节开幕动画短片。

Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran. 　　A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

王家卫曾在15年前说过：“梁朝伟单靠眼睛就可以演戏了。”15年后，梁朝伟用沉淀了三十多年的“眼”技，全片只用一双眼睛演戏，兑现了这句神点评。影帝梁朝伟，联袂殿堂级摄影师夏永康、及奥斯卡提名最佳美术指导张叔平，以王家卫御用班底的奢华阵容，倾情呈献终极眼戏大片《眼》！9月25日19:30-20:30，湖南卫视、浙江卫视、江苏卫视、东方卫视，全国四大卫视震撼封屏首映，只播一次，不容错过！

主人公发现自己的脑后不停地长出眼睛，他开始看到之前看不到的角度，承受越来越多来自他人的注视，于是他只好选择一个极端的解决办法……