男主角卜部征人被自己的爸爸捧为新兴宗教「神地崇教」的接班人，在献祭仪式中意外转生到异世界。征人原以为终于不会有人因为被笑信奉邪教而疏远他，但这个国家饱受皇家爆政所苦，不忍好友被无故赐死的征人默默祈祷，拥有超强神力的「御灵」马上前来搭救他，而这个御灵竟然就是神地崇教的真神 「御灵」……

理查（彼得·萨斯加德 Peter Sarsgaard 饰）是一位富有的电脑工程师，整日和电脑与网络打交道的生活让逐渐减弱了他和人相处的能力，在一次又一次的郁闷和空虚中，他决定改变自己的生活。在一间名为“潘多拉之匣”的俱乐部里，理查邂逅了美艳又性感的脱衣舞娘弗洛伦斯（莫莉·帕克 Molly Parker 饰），财大气粗的理查随即出价一万美元，要求弗洛伦斯与他共度三个夜晚。 　　弗洛伦斯本是一家乐团的鼓手，无奈囊中羞涩，只得干起了跳脱衣舞的副业。心高气傲的她对于理查的无理十分不满，却又无法抗拒丰厚的报酬，她随即提出了诸多苛刻的条件。在讨价还价之间，本来只是单纯的买卖关系的两人之间，产生了更深层次的感情。

理查（彼得·萨斯加德 Peter Sarsgaard 饰）是一位富有的电脑工程师，整日和电脑与网络打交道的生活让逐渐减弱了他和人相处的能力，在一次又一次的郁闷和空虚中，他决定改变自己的生活。在一间名为“潘多拉之匣”的俱乐部里，理查邂逅了美艳又性感的脱衣舞娘弗洛伦斯（莫莉·帕克 Molly Parker 饰），财大气粗的理查随即出价一万美元，要求弗洛伦斯与他共度三个夜晚。 　　弗洛伦斯本是一家乐团的鼓手，无奈囊中羞涩，只得干起了跳脱衣舞的副业。心高气傲的她对于理查的无理十分不满，却又无法抗拒丰厚的报酬，她随即提出了诸多苛刻的条件。在讨价还价之间，本来只是单纯的买卖关系的两人之间，产生了更深层次的感情。

Composed of serious and funny musical scenes, an exploration of the virtues of translation and desire for communication between humans and birds. Told by a narrator from the future, after the sixth mass extinction, an observation of the attempts made to establish a possible exchange.

Composed of serious and funny musical scenes, an exploration of the virtues of translation and desire for communication between humans and birds. Told by a narrator from the future, after the sixth mass extinction, an observation of the attempts made to establish a possible exchange.

Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. 　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. 　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. 　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. 　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

据悉，Showtime计划将Nathan Englander的巴以冲突题材小说《Dinner At The Center Of The Earth》改编为剧集。 《国土安全》主创Howard Gordon和Alex Gansa会负责本剧，并担任执行制片。消息称该项目正以试播集的形式开发中，两人会执笔试播集剧本。 原著小说是一个错综复杂的戏剧化故事，以中东和欧洲为背景，情节设计有借鉴现实中巴以冲突相关方。

鸟类几乎遍布全世界的每个栖息地。从北极到沿海的孤岛，这些坚韧的动物几乎可以生活在任何地方。鸟类如何在不同的环境中繁衍生息？它们已经因为适应环境而将羽翼变得丰满坚毅，将移动与唱歌的方式变得多彩。对于鸟类来说，多样性不仅是生命的调味品，还是生命的缘由。它们是天空的游牧民族。

世界上几乎所有的栖息地都有鸟类生存。从北极到沿海的孤岛，这类适应力极强的动物几乎可以在任何地方生存。