佐藤保和佐藤幸性格截然不同却莫名投缘，一路从相识交往走到结婚生子。保曾多次参加司法考试却屡屡落榜，没想到陪他备考的幸却先通过了考试，成为了职业律师。一边是邋遢的律师妻子，一边是被育儿压得喘不过气的落榜丈夫——这对夫妻之间维持着微妙的平衡，在欢笑与心酸中勾勒出一段真实的爱情故事。本片主演为凭借《惠子，凝视》获得第77届每日电影最佳女主角的岸井雪乃，以及凭借《利己主义者》获得第78届每日电影最佳男配角的宫泽冰鱼。两人的默契演绎为影片注入真实的情感张力，折射出现代社会中人与人之间的沟通困境，探讨了人们与“他人”之间的理解与妥协。

佐藤保和佐藤幸性格截然不同却莫名投缘，一路从相识交往走到结婚生子。保曾多次参加司法考试却屡屡落榜，没想到陪他备考的幸却先通过了考试，成为了职业律师。一边是邋遢的律师妻子，一边是被育儿压得喘不过气的落榜丈夫——这对夫妻之间维持着微妙的平衡，在欢笑与心酸中勾勒出一段真实的爱情故事。本片主演为凭借《惠子，凝视》获得第77届每日电影最佳女主角的岸井雪乃，以及凭借《利己主义者》获得第78届每日电影最佳男配角的宫泽冰鱼。两人的默契演绎为影片注入真实的情感张力，折射出现代社会中人与人之间的沟通困境，探讨了人们与“他人”之间的理解与妥协。

Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. 　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. 　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. 　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. 　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

古代并非我们想象的那样落后 　　我们今天所拥有的许多先进技术，其源头大多都可以追溯到遥远的过去。 　　无论是宏伟的纪念碑，威力十足的战舰，还是精湛的制作工艺，这些伟大的技术成就，无一不显示出古代技术并非像有些人想象的那样落后。 　　古代人的许多发明创造仍然沿用至今。纪录片《古代奇迹》将为我们开启一场令人震撼的时间之旅，带你一起去探秘不可思议的古代奇迹。 　　该片将通过现代技术还原古代的伟大发明，并经由专家分析，揭开这些古代技术背后的神秘面纱。此外，该片还会将古今的技术进行对比，揭示古人的非凡智慧，领略古代世界无处不在的奇迹。

从公元前2000年至今的四千多年中，伴随着一场场战争的爆发，中原大地见证了各个朝代的更替。每一场战役都预示了一个旧的时代走向灭亡。战争的云谲波诡，钩心斗角、大智大勇的背后暗藏玄机。伴随着每一场战争，历史给我们留下一个个让人为之震撼与唏嘘的名字。 　　《古代战场》是一部大型历史文化类系列纪录片，本系列纪录片共20集，选取中国历史上非常具有代表性的战争，从战争发生的背景，人物故事来再现还原真实的战争过程。 　　本片主要以情景再现的形式，通过实地拍摄、专家采访等方式给大家展现每一场战争中的史实背景与鲜活故事。 　　第1集 靖康1127：徽宗掌朝 　　第2集 靖康1127：联金伐辽 　　第3集 靖康1127：徽宗禅位 　　第4集 靖康1127：二帝北狩 　　……

从公元前2000年至今的四千多年中，伴随着一场场战争的爆发，中原大地见证了各个朝代的更替。每一场战役都预示了一个旧的时代走向灭亡。战争的云谲波诡，钩心斗角、大智大勇的背后暗藏玄机。伴随着每一场战争，历史给我们留下一个个让人为之震撼与唏嘘的名字。 　　《古代战场》是一部大型历史文化类系列纪录片，本系列纪录片共20集，选取中国历史上非常具有代表性的战争，从战争发生的背景，人物故事来再现还原真实的战争过程。 　　本片主要以情景再现的形式，通过实地拍摄、专家采访等方式给大家展现每一场战争中的史实背景与鲜活故事。 　　第1集 靖康1127：徽宗掌朝 　　第2集 靖康1127：联金伐辽 　　第3集 靖康1127：徽宗禅位 　　第4集 靖康1127：二帝北狩 　　……

古代并非我们想象的那样落后 我们今天所拥有的许多先进技术，其源头大多都可以追溯到遥远的过去。 无论是宏伟的纪念碑，威力十足的战舰，还是精湛的制作工艺，这些伟大的技术成就，无一不显示出古代技术并非像有些人想象的那样落后。 古代人的许多发明创造仍然沿用至今。纪录片《古代奇迹》将为我们开启一场令人震撼的时间之旅，带你一起去探秘不可思议的古代奇迹。 该片将通过现代技术还原古代的伟大发明，并经由专家分析，揭开这些古代技术背后的神秘面纱。此外，该片还会将古今的技术进行对比，揭示古人的非凡智慧，领略古代世界无处不在的奇迹。

《古代暴君》是美国历史频道的系列纪录片，2009年11月至12月在美国历史频道播出。该纪录片通过法医调查、动画重现以及历史学家访谈还原古代暴君的行为。

《日常》改编自あらゐけいいち连载于《月刊少年ACE》的同名漫画。以“时定高中”的高中女生们异想天开的日常——“非日常”日常为中心，展开一个充满各种笑点的可爱故事。