Two wealthy Victorian widows are courted tentatively by two impoverished British aristocrats. When one of the dowagers suggests that her beau go away with her for a month to see if they are compatible, the fireworks begin.

Maria, a wealthy widow, invites her long-time dinner companion Richard to spend a month at her house in Scotland. If she still likes him after a month together, they will marry. Their mutual friends, George, Duke of Bristol, and his companion, Helen decide to make it a foursome. The humor in this drawing room comedy contrasts the vain, self-centered Maria and George with their gentle and sophisticated partners. Written by <[email protected]>

地产行业峰会现场，定庄集团现任总裁顾灵色正式宣布将开启全面收购计划，拓展商业地盘。未来集团代理董事长江文斌得到消息后，急召集团创始人叶南川之子——叶承枢回国。顾灵色借此与江文斌达成协议——与叶承枢订婚99天，达到彼此的商业目的。顾灵色的追求者——权子墨听到此消息十分震惊，冲动之下口不择言，令两家集团股价因此受到影响。 为力证两人热恋，顾灵色主动住进叶承枢家中。要与只见过两面的女人“同居”，叶承枢紧张无措，致电给江文斌之子江寒求助。顾灵色无意中听见对话，觉得叶承枢的单纯有趣，故意逗弄，却不小心与叶承枢一同跌入浴池之中，意外吻到彼此。

地产行业峰会现场，定庄集团现任总裁顾灵色正式宣布将开启全面收购计划，拓展商业地盘。未来集团代理董事长江文斌得到消息后，急召集团创始人叶南川之子——叶承枢回国。顾灵色借此与江文斌达成协议——与叶承枢订婚99天，达到彼此的商业目的。顾灵色的追求者——权子墨听到此消息十分震惊，冲动之下口不择言，令两家集团股价因此受到影响。 为力证两人热恋，顾灵色主动住进叶承枢家中。要与只见过两面的女人“同居”，叶承枢紧张无措，致电给江文斌之子江寒求助。顾灵色无意中听见对话，觉得叶承枢的单纯有趣，故意逗弄，却不小心与叶承枢一同跌入浴池之中，意外吻到彼此。

地产行业峰会现场，定庄集团现任总裁顾灵色正式宣布将开启全面收购计划，拓展商业地盘。未来集团代理董事长江文斌得到消息后，急召集团创始人叶南川之子——叶承枢回国。顾灵色借此与江文斌达成协议——与叶承枢订婚99天，达到彼此的商业目的。顾灵色的追求者——权子墨听到此消息十分震惊，冲动之下口不择言，令两家集团股价因此受到影响。 为力证两人热恋，顾灵色主动住进叶承枢家中。要与只见过两面的女人“同居”，叶承枢紧张无措，致电给江文斌之子江寒求助。顾灵色无意中听见对话，觉得叶承枢的单纯有趣，故意逗弄，却不小心与叶承枢一同跌入浴池之中，意外吻到彼此。

Dhruv 和 Amrita 是潜在的结婚对象，他们决定在婚礼前同居，以测试他们是否合得来。随着相处时间的推移，他们之间是否会产生浪漫的感觉成了问题。

被外公逼婚的沈家大小姐，为了应付婚事同意和霍家大少爷恋爱三个月，来到霍家却把霍少的表妹刁难，霍家少爷竟然发现她与小时候的女孩身上具有相同的香气，不愿联姻的霍少是否还会拒绝这门婚事呢。

Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. 　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. 　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. 　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. 　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

古代并非我们想象的那样落后 　　我们今天所拥有的许多先进技术，其源头大多都可以追溯到遥远的过去。 　　无论是宏伟的纪念碑，威力十足的战舰，还是精湛的制作工艺，这些伟大的技术成就，无一不显示出古代技术并非像有些人想象的那样落后。 　　古代人的许多发明创造仍然沿用至今。纪录片《古代奇迹》将为我们开启一场令人震撼的时间之旅，带你一起去探秘不可思议的古代奇迹。 　　该片将通过现代技术还原古代的伟大发明，并经由专家分析，揭开这些古代技术背后的神秘面纱。此外，该片还会将古今的技术进行对比，揭示古人的非凡智慧，领略古代世界无处不在的奇迹。