金发的双性恋Mateo，性感的Maria，以及内心充满冲突的同性恋Angel。在现实生活中各种体验是他们寻找自我的手段。 金发的双性恋Mateo，性感的Maria，以及内心充满冲突的同性恋Angel。在现实生活中各种体验是他们寻找自我的手段。

戏剧是镜，戏剧是梦。 一方舞台，透射你我的自我与梦想。

The world of a young theatre director in a small Czech town crumbles after he decides to realize his dream of adapting an overly ambitious play based on Euripides' classic 'Fedra'. He loses his two main actors during rehearsals and the municipality threatens to cut funding due to the play's political content. Petr falls for young actress Karolina, playing the lead. Tensions at his home grow: he's not much of a present husband and a father. Shortly before the premiere both women leave him. His wife's had enough and Karolina simply disappears. Petr attempts to save his masterpiece, but the play is a fiasco. Devastated, he tries to regain last pieces left of his life. But is it far too late?

The world of a young theatre director in a small Czech town crumbles after he decides to realize his dream of adapting an overly ambitious play based on Euripides' classic 'Fedra'. He loses his two main actors during rehearsals and the municipality threatens to cut funding due to the play's political content. Petr falls for young actress Karolina, playing the lead. Tensions at his home grow: he's not much of a present husband and a father. Shortly before the premiere both women leave him. His wife's had enough and Karolina simply disappears. Petr attempts to save his masterpiece, but the play is a fiasco. Devastated, he tries to regain last pieces left of his life. But is it far too late?

热爱韩剧的美国大学生Claire，某天意外掉进韩剧世界Dramaworld －一个和现实相反的世界，而自己成了剧情的引导者，不仅需要想办法让剧情得以延续，还得要…

故事内容依旧处于保密状态，据传闻，故事讲的是一对情侣在大喜日子来临之前，他们的感情突然出现了意想不到的转折。

故事内容依旧处于保密状态，据传闻，故事讲的是一对情侣在大喜日子来临之前，他们的感情突然出现了意想不到的转折。

《古典宝宝》是一部令人愉快的动画节目，包含了一系列的短片，每一个短片都以精美的画作为特色，配合着轻松活泼的音乐和动画效果，将艺术作品栩栩如生地呈现在孩子们的眼前。

《古典宝宝》是一部令人愉快的动画节目，包含了一系列的短片，每一个短片都以精美的画作为特色，配合着轻松活泼的音乐和动画效果，将艺术作品栩栩如生地呈现在孩子们的眼前。

What are a few references among friends? But for Cal and his circle, it’s hardly a few. They barely conduct a single conversation that doesn’t revolve around architecture, literature, theology, history. Each set of ideas leads seamlessly into the next, until the flow they form is endless, there are always more footnotes, theoretical perspectives, cantos, translations to cite, so many ways of keeping everyday life at bay. When Cal, Evelyn, Chris et al. exchange all this absurdly specific knowledge, they do so with such earnest relentlessness that it’s hard to suppress a smile, although melancholy is never far away. Cal is frequently by himself, turning pages in silence in shadowy rooms, while Evelyn paces the streets of Philadelphia when she can’t sleep, at night, alone. Even when the group gets together, they often remain apart in the frame with no wider shot to connect them, one face holds forth, another stays silent, are they even in the same place at all? Evelyn wishes it were possible to speak more directly, but perhaps that’s the defining feature of the period, not the classical one, this one. You speak, you listen, there’s nothing in between.