What are a few references among friends? But for Cal and his circle, it’s hardly a few. They barely conduct a single conversation that doesn’t revolve around architecture, literature, theology, history. Each set of ideas leads seamlessly into the next, until the flow they form is endless, there are always more footnotes, theoretical perspectives, cantos, translations to cite, so many ways of keeping everyday life at bay. When Cal, Evelyn, Chris et al. exchange all this absurdly specific knowledge, they do so with such earnest relentlessness that it’s hard to suppress a smile, although melancholy is never far away. Cal is frequently by himself, turning pages in silence in shadowy rooms, while Evelyn paces the streets of Philadelphia when she can’t sleep, at night, alone. Even when the group gets together, they often remain apart in the frame with no wider shot to connect them, one face holds forth, another stays silent, are they even in the same place at all? Evelyn wishes it were possible to speak more directly, but perhaps that’s the defining feature of the period, not the classical one, this one. You speak, you listen, there’s nothing in between.

What are a few references among friends? But for Cal and his circle, it’s hardly a few. They barely conduct a single conversation that doesn’t revolve around architecture, literature, theology, history. Each set of ideas leads seamlessly into the next, until the flow they form is endless, there are always more footnotes, theoretical perspectives, cantos, translations to cite, so many ways of keeping everyday life at bay. When Cal, Evelyn, Chris et al. exchange all this absurdly specific knowledge, they do so with such earnest relentlessness that it’s hard to suppress a smile, although melancholy is never far away. Cal is frequently by himself, turning pages in silence in shadowy rooms, while Evelyn paces the streets of Philadelphia when she can’t sleep, at night, alone. Even when the group gets together, they often remain apart in the frame with no wider shot to connect them, one face holds forth, another stays silent, are they even in the same place at all? Evelyn wishes it were possible to speak more directly, but perhaps that’s the defining feature of the period, not the classical one, this one. You speak, you listen, there’s nothing in between.

The first city of a million was built two thousand years ago. But how did they make Ancient Athens and Rome work without petrol, gas or electricity? Professor Wallace-Hadrill finds out.

The first city of a million was built two thousand years ago. But how did they make Ancient Athens and Rome work without petrol, gas or electricity? Professor Wallace-Hadrill finds out.

“He came to read. He opened two or three books; by historians and poets. But he read for barely ten minutes, and then gave up.” C. Cavafy 　　源自：https://www.cinemadureel.org/en/films/souvenir-dathenes-2/

如果没有欧洲意识，雅典会是什么样子？如果没有摧残过后的累累伤痕，伯利克里城会变成什么样子？雅典古卫城，一切从这里开始。这里有新古典主义的房屋，有现代化的建筑，有安静的小广场,有乔治·赛法里斯的优美诗篇，有特萨罗什的画卷，有曼诺思·哈杰达吉斯的钢琴曲。影片如一篇私密日记般娓娓道来，却又有着戏剧般的拍摄方式和诗一般的剪辑方式。 　　《雅典，重返雅典古卫城》是一部旨在介绍欧洲文化古都的系列片中的一部分。安哲罗普洛斯从神话故事，历史中以及他自己的回忆中汲取灵感，为他的家乡创作出来一部极具个人风格的作品。

如果没有欧洲意识，雅典会是什么样子？如果没有摧残过后的累累伤痕，伯利克里城会变成什么样子？雅典古卫城，一切从这里开始。这里有新古典主义的房屋，有现代化的建筑，有安静的小广场,有乔治·赛法里斯的优美诗篇，有特萨罗什的画卷，有曼诺思·哈杰达吉斯的钢琴曲。影片如一篇私密日记般娓娓道来，却又有着戏剧般的拍摄方式和诗一般的剪辑方式。 　　《雅典，重返雅典古卫城》是一部旨在介绍欧洲文化古都的系列片中的一部分。安哲罗普洛斯从神话故事，历史中以及他自己的回忆中汲取灵感，为他的家乡创作出来一部极具个人风格的作品。

在西方的衰落之中，文化之母丧失了对自己命运的掌控。Yorgos是一位过着单调生活的希腊流浪汉，一场前往旧日遗迹的旅程唤醒了他。在寻得千疮百孔的欧洲留下的碎片后，他点燃火堆，想给它们一次重生的机会。

在西方的衰落之中，文化之母丧失了对自己命运的掌控。Yorgos是一位过着单调生活的希腊流浪汉，一场前往旧日遗迹的旅程唤醒了他。在寻得千疮百孔的欧洲留下的碎片后，他点燃火堆，想给它们一次重生的机会。