丞相之女甄珠与世子司徒楠竹自小便指腹为婚定了娃娃亲，但因幼时落水一事互生心结，甄珠当婚当日落跑逃婚躲进圣达书院。司徒楠竹表面上是个脾气暴躁的小霸王，但实际上却是个直率专一的纯情男，他一旦认定了甄珠是他的未婚妻就不会改变心意，最终二人历经千帆终修正果。

《谁是甄湘》展现了一场由“吃瓜PDF”引发的网络暴力事件，呈现了网络世界中造谣、摆拍、言语攻击、直播PK斗狠等多种网络乱象。网络空间的开放性，让信息传播速度空前，但同时也让真相变得模糊。影片通过这场风暴，警示每一位网络参与者：别让流量成为谣言的加速器，别让言语成为网暴的催化剂。

丞相之女甄珠与世子司徒楠竹自小便指腹为婚定了娃娃亲，但因幼时落水一事互生心结，甄珠当婚当日落跑逃婚躲进圣达书院。司徒楠竹表面上是个脾气暴躁的小霸王，但实际上却是个直率专一的纯情男，他一旦认定了甄珠是他的未婚妻就不会改变心意，最终二人历经千帆终修正果。

甄高贵从小到大，过着甜蜜公主一样的日子。如今她从法国留学回国，准备大展拳脚。 进入高档别墅区，甄高贵的行李箱和正在骑摩托车的钟意名相撞，到医院检查，甄高贵又弄丢了钟意名头盔，两人因此加了微信。甄高贵回到别墅闹出乌龙，才知道家里已经破产负债，只是妈妈秦芬芳一直没告诉她。母女回到爸爸甄柏树留下的老宅，而老宅，也因为还债抵押，只是暂时能住。甄高贵艰难适应眼下苦涩的生活，钟意名又来找她要头盔。 另一面，钟意名的生活也走上新轨了。钟意名的哥哥钟意尧，是美糖爆米花公司的总裁，因要陪妻子要去国外就医，让一直不务正业的钟意名成为临时代班总裁。其实，美糖爆米花正面临倒闭，钟意尧只是想借机锻炼一下钟意名。

甄高贵从小到大，过着甜蜜公主一样的日子。如今她从法国留学回国，准备大展拳脚。 进入高档别墅区，甄高贵的行李箱和正在骑摩托车的钟意名相撞，到医院检查，甄高贵又弄丢了钟意名头盔，两人因此加了微信。甄高贵回到别墅闹出乌龙，才知道家里已经破产负债，只是妈妈秦芬芳一直没告诉她。母女回到爸爸甄柏树留下的老宅，而老宅，也因为还债抵押，只是暂时能住。甄高贵艰难适应眼下苦涩的生活，钟意名又来找她要头盔。 另一面，钟意名的生活也走上新轨了。钟意名的哥哥钟意尧，是美糖爆米花公司的总裁，因要陪妻子要去国外就医，让一直不务正业的钟意名成为临时代班总裁。其实，美糖爆米花正面临倒闭，钟意尧只是想借机锻炼一下钟意名。

经典历经岁月打磨抛光，熠熠生辉不减风采，依然别来无恙一如初见。12年后，郑晓龙导演发出邀请，剧组主创全员惊喜重聚，#甄嬛爱不停##甄爱十二年#，期待与各位「甄学家」双向奔赴，热爱如初。

经典历经岁月打磨抛光，熠熠生辉不减风采，依然别来无恙一如初见。12年后，郑晓龙导演发出邀请，剧组主创全员惊喜重聚，#甄嬛爱不停##甄爱十二年#，期待与各位「甄学家」双向奔赴，热爱如初。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

《祯甄高兴见到你》是一档最贴近家庭生活样貌的轻喜剧，告诉你OL心声、主妇疑难杂症、当家男人说不出的苦，还要帮你看完喜剧也解决了自己的问题。