Dakar, a few days before the feast of Tabaski, a painter is shut away in his studio, working on the theme of the ritual sacrifice of the ram. Sketches are hung on clotheslines to dry. The red paint drips from the drawings like fresh blood. An inscription on the wall: 'Tabaski, who's next?'. Three characters and a sheep revolve around him and reconnect him with reality. This hybrid movie, blending fiction, performance and history, is freely inspired by the painter Iba Ndiaye (1928- 2008) and his work entitled 'Tabaski'. 'Painting is remembering', he said.

暂无剧情简介

一名正义的警察在比哈尔追捕一个残酷无比的罪犯，结果陷入致命追逐和腐败泥潭中的道德困境

一名正义的警察在比哈尔追捕一个残酷无比的罪犯，结果陷入致命追逐和腐败泥潭中的道德困境

Gary Gulman offers candid reflections on his struggles with depression through stand-up and short documentary interludes that provide insight into his mental health journey.

One of the world's most legendary pianists reveals new aspects of his life and music in this pair of compelling films. In "Off the Record," Gould revels in his freedom from the public at his college retreat near Lake Simcoe, Ontario, and plays for an audience of one: his collie. In "On the Record," Gould arrives in New York for a recording session, joking and bantering as he reveals his role as a vigorous, sensitive, and critical creator and interpreter of music.

Side #1- WIDESCREEN 　　0. scene selections 　　1. Aria [2:49] 　　2. Lake Simcoe [4:20] 　　3. 45 Seconds and a Chair [:52] 　　4. Bruno Monsaingeon [1:54] 　　5. Gould Meets Gould [4:38] 　　6. Hamburg [4:19] 　　7. Variation in C Minor [:39] 　　8. Practice [3:35] 　　9. The L.A. Concert [4:03] 　　10. Cd318 [3:40] 　　11. Yehudi Menuhin [2:24] 　　12. Passion According to Gould [3:16] 　　13. Opus 1 [3:46] 　　14. Crossed Paths [6:04] 　　15. Truck Stop [3:36] 　　16. The Idea of North [3:22] 　　17. Solitude [2:51] 　　18. Questions With No Answers [4:32] 　　19. A Letter [:43] 　　20. Gould Meets McLaren [3:15] 　　21. The Tip [3:51] 　　22. Personal Ad [1:57] 　　23. Pills [2:28] 　　24. Margaret Pacsu [1:13] 　　25. Diary of One Day [2:07] 　　26. Motel Wawa [3:51] 　　27. Forty-nine [1:29] 　　28. Jessie Greig [2:18] 　　29. Leaving [2:30] 　　30. Voyager [:49] 　　31. Aria [2:30] 　　32. End Credits [3:08] 　　Side #2- FULL SCREEN 　　0. scene selections 　　1. Aria [2:49] 　　2. Lake Simcoe [4:20] 　　3. 45 Seconds and a Chair [:52] 　　4. Bruno Monsaingeon [1:54] 　　5. Gould Meets Gould [4:38] 　　6. Hamburg [4:19] 　　7. Variation in C Minor [:39] 　　8. Practice [3:35] 　　9. The L.A. Concert [4:03] 　　10. Cd318 [3:40] 　　11. Yehudi Menuhin [2:24] 　　12. Passion According to Gould [3:16] 　　13. Opus 1 [3:46] 　　14. Crossed Paths [6:04] 　　15. Truck Stop [3:36] 　　16. The Idea of North [3:22] 　　17. Solitude [2:51] 　　18. Questions With No Answers [4:32] 　　19. A Letter [:43] 　　20. Gould Meets McLaren [3:15] 　　21. The Tip [3:51] 　　22. Personal Ad [1:57] 　　23. Pills [2:28] 　　24. Margaret Pacsu [1:13] 　　25. Diary of One Day [2:07] 　　26. Motel Wawa [3:51] 　　27. Forty-nine [1:29] 　　28. Jessie Greig [2:18] 　　29. Leaving [2:30] 　　30. Voyager [:49] 　　31. Aria [2:30] 　　32. End Credits [3:08]

一位天才的钢琴家，一位深沉的哲人，一个作品虽不多却也耐人寻味的作曲家，一个不可多得的传媒大师……格伦·古尔德，这个谜一般的名字，在其短短50年的人生中，他用双手在键盘上凿刻出了一个深邃、绚丽的音乐世界，演绎了一段不朽的传奇。仅就其钢琴演奏而言，在千万听众心目中他就是巴赫的最佳代言人，甚至他就是巴赫的化身。古尔德曾声明，巴赫的作品并不是他的最爱，然而他手下的巴赫却成为千万听众的最爱。 　　《格伦·古尔德的内心世界》并不是第一部有关古尔德的纪录片，但却与其他谈论古尔德偏执的性格、滥用药物、他的手套和围巾的影片不同，该片揭开了古尔德偶像面纱下的真实面貌。“《格伦·古尔德的内心世界》是一部将情感与事实交织在一起的纪录片，十分珍贵。”洛伯影业的首席执行官理查德·洛伯称，“当我在多伦多电影节第一次看到这部影片的时候，我就认识到，古尔德内心的魔鬼终于找到了一个可以承载他天使般的音乐才华的载体了。我们很高兴能将这一部影片呈现给古尔德的乐迷们。”