Excellent surrealistic drama 　　Thumbs up for this pure pearl of soviet Georgian cinema. Highly recommended and not only for Georgians but for any moviegoer - everybody finds something appealing in this wonderfully developed and very well done film. 　　As for surrealism, it is exactly what makes to feel this film with its every bit: this surrealism is speaking on the language of every country and every nation. 　　And if you still doubt a word of mine, just watch this movie and you will know what I was talking about... 　　The director Eldar Shengelaya is very well known in Georgian movie art. The other highly recommended movies of his are "Tsisperi mtebi anu daujerebeli ambavi" and "Arachveulebrivi gamopena". By the way, all his movies show that he catches both the glimpses of daily life and the meaning beneath them with the pure professionalism and it is just pity he has not directed any movie since 1996. 　　All in all, watch and enjoy!!!

Excellent surrealistic drama 　　Thumbs up for this pure pearl of soviet Georgian cinema. Highly recommended and not only for Georgians but for any moviegoer - everybody finds something appealing in this wonderfully developed and very well done film. 　　As for surrealism, it is exactly what makes to feel this film with its every bit: this surrealism is speaking on the language of every country and every nation. 　　And if you still doubt a word of mine, just watch this movie and you will know what I was talking about... 　　The director Eldar Shengelaya is very well known in Georgian movie art. The other highly recommended movies of his are "Tsisperi mtebi anu daujerebeli ambavi" and "Arachveulebrivi gamopena". By the way, all his movies show that he catches both the glimpses of daily life and the meaning beneath them with the pure professionalism and it is just pity he has not directed any movie since 1996. 　　All in all, watch and enjoy!!!

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York

In a very rural part of Argentina, a professor decides to conduct an archeological dig. He goes there unsure of what he will find in such a small town. However, while there he befriends the local school teacher and they share their thoughts and dreams together. The professor starts getting comfortable when suddenly the death of a child plagues the town. Now, he must decide where he wants to be.

An update version of the best-selling novel and blockbuster movie, it tells the story of Scott Carey who shrinks to an incredible small size and must face the danger that he runs into.

Alex feels atracted to Samuel, and even though his best friend warns him he has a girlfriend, something makes him think he is not that indifferent.

Alex feels atracted to Samuel, and even though his best friend warns him he has a girlfriend, something makes him think he is not that indifferent.

山姆·艾里奥特(《一个明星的诞生》《谋杀绿脚趾》)饰演的Calvin看似只是个普通的带狗老人，等艾丹·特纳(《霍比特人》《无人生还》)饰演的年轻时的他登场，才知原来当年竟是他杀死了阿道夫·希特勒。几十年后的如今，Calvin大隐隐于市，却被美国政府再找上门，希望他再次拯救世界：去加拿大翻山越岭，杀死传说中的“雪人”大脚怪，它身上带着致命瘟疫。