We will never know how many people were victims of communism between the October Revolution of 1917 and Stalin’s death in March 1953. Some historians say 20 million died others 50 million. Millions more worked as slaves in the Gulag, the system of mines, factories and building sites which lay at the heart of the great Soviet drive for industrialisation. 　　Gulag is tragedy on a harrowing scale. The stories of a nightmare world, told in the words of both victims and perpetrators, continue to haunt today’s society. Slave labour built the Russian Parliament and half of Moscow. The legendary Volga Canal was built by the Gulag and if people died during their work then they would be thrown in with the cement. 　　Gulag is a journey from a canal on the outskirts of Moscow to the deserts of central Asia and the snowy wastes of the Arctic via the heart of Russian society and history. It is not simply a story of repression but an exploration of the way the camp system stands as a metaphor for Soviet Russia for the camps combined repression with a huge economic purpose, lying at the heart of Stalin’s plans to industrialise.

We will never know how many people were victims of communism between the October Revolution of 1917 and Stalin’s death in March 1953. Some historians say 20 million died others 50 million. Millions more worked as slaves in the Gulag, the system of mines, factories and building sites which lay at the heart of the great Soviet drive for industrialisation. 　　Gulag is tragedy on a harrowing scale. The stories of a nightmare world, told in the words of both victims and perpetrators, continue to haunt today’s society. Slave labour built the Russian Parliament and half of Moscow. The legendary Volga Canal was built by the Gulag and if people died during their work then they would be thrown in with the cement. 　　Gulag is a journey from a canal on the outskirts of Moscow to the deserts of central Asia and the snowy wastes of the Arctic via the heart of Russian society and history. It is not simply a story of repression but an exploration of the way the camp system stands as a metaphor for Soviet Russia for the camps combined repression with a huge economic purpose, lying at the heart of Stalin’s plans to industrialise.

The film tells the story of the last known group of women who survived being held in the Soviet-era forced labor camps called Gulag. The Gulag was a brutal system of repression and terror that devastated the Soviet population during the regime of Joseph Stalin and was first described by Aleksandr Solzhenitsyn in "The Gulag Archipelago".

本部拍摄于1958年的实验先锋电影短片，极具拼贴主义风格。取材自B级片、新闻短片、软性色情片段、新奇的电影短片以及旧好莱坞电影的镜头等。影片中包含了许多毫无关联的空镜头，动物照片混杂着人类的图像，来往的行人穿插拥挤的车流，暴力以及战争。影片构造出严重的失衡感，颠覆了以往的审美取向，却创建出拼凑片段中的独特拼贴主义风格。 　　本片在1994年被美国国会图书馆评为极具“文化、历史和美学的意义”。

在这部嬉笑怒骂的历史修正主义动画里，挥舞着链锯的乔治·华盛顿集结了一批惹事生非者，包括热爱啤酒的塞缪尔·亚当斯、知名科学家托马斯·爱迪生、优秀…

这部以匈牙利浪漫主义大师弗朗茨·李斯特所创作的《匈牙利狂想曲第二号》为基调音乐的实验影片，以炫目的抽象几何图形之舞，共同构筑起了一曲精神世界中的视觉诗歌。在深蓝色的背景空间里，平面圆形以渐变的红色层层飞入人们的视线中。继而，开始出现一些蓝色的正方形和长方形，以及三角形。这些仿佛拥有生命的形状，跟随音乐的节奏在屏幕上快速移动着。当画面再次回归到最初的红色圆形上时，李斯特那壮烈的慢板和谐谑的快板，在这个神奇的微观世界里，戛然而止。 　　本部制作于1937年的抽象先锋动画短片，由德国导演奥斯卡·费钦格执导。奥斯卡一直致力于将动态的抽象几何图形达到可视化的戏剧效果。1936年后，奥斯卡前往美国派拉蒙电影公司工作。然而他对抽象艺术的探索却被敌视和埋没，不久奥斯卡离开派拉蒙去了米高梅电影公司，在那里他创作了本片《一部视觉诗歌》。

这部浪漫喜剧讲述了一个可爱又压力山大的女演员的故事，她拿到了一份人人眼红的系列色情剧的戏份，并对这份戏很珍惜，但是她嫉妒心很强的男友却处处作梗。影片基于Kat Foater和Scott Rodger的日常生活，并由他们共同编写、演绎。 Rodger执导的电影，成功地重现了他们的性格。

这部跨类别纪录片剖析墨西哥以至全世界最备受争议的团队：警队。警员其身不正却得以逍遥法外，大大削弱司法系统，究竟这种风气是怎样形成的呢？

A collective project with students at a junior high school in a Paris suburb, about friendship, emancipation, trust, and the act of filmmaking for a generation raised by selfies and YouTube.

A video diary of an unnamed man losing his mind. He kidnaps and tortures an unnamed victim and slowly gets more degrading and violent towards his hostage.