In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." 　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. 　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. 　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." 　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. 　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. 　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

这是一名失去记忆的小女孩以及Deemo…… 　　所编织出的一个充满温柔、梦幻、凄美与爱的故事。

故事发生在英国一座位于海边的小镇中，利兹（乔迪·梅 Jodhi May 饰）是一个性格有些内向的害羞女子，带着年仅16岁的男友戴茨（乔丹·博尔格 Jordan Bolger 饰），两人来到小镇上度假。同样来到了小镇的，还有一位内心世界十分丰富的艺术家艾登（爱德华·霍格 Edward Hogg 饰），跟他一起的，是脾气十分暴躁，性格反复无常的16岁情人贝斯（杰西卡·巴登 Jessica Barden 饰）。 　　就是这样两对仿佛错了位的情侣，他们在小镇上肆意的挥洒着他们的欢笑和激情，也只有在这里，这两段饱受世俗偏见困扰的感情能够毫无遮掩的流露出来。但岛上的生活毕竟是虚幻的，逃得再远，四人也终究要面对他们内心里的黑洞。

故事发生在英国一座位于海边的小镇中，利兹（乔迪·梅 Jodhi May 饰）是一个性格有些内向的害羞女子，带着年仅16岁的男友戴茨（乔丹·博尔格 Jordan Bolger 饰），两人来到小镇上度假。同样来到了小镇的，还有一位内心世界十分丰富的艺术家艾登（爱德华·霍格 Edward Hogg 饰），跟他一起的，是脾气十分暴躁，性格反复无常的16岁情人贝斯（杰西卡·巴登 Jessica Barden 饰）。 　　就是这样两对仿佛错了位的情侣，他们在小镇上肆意的挥洒着他们的欢笑和激情，也只有在这里，这两段饱受世俗偏见困扰的感情能够毫无遮掩的流露出来。但岛上的生活毕竟是虚幻的，逃得再远，四人也终究要面对他们内心里的黑洞。

Three kids in a low-income neighbourhood find friendship and community in an unlikely place, in this adaptation of Catherine Hernandez’s award-winning book.

Peter Cushing stars as a former priest who harbors a dark and horrible secret in his attic. The locked room serves as a prison cell for his crazed, cannibalistic adult son, who acquired his savage tastes in India during his father's missionary work there. Cushing fears that his son will escape to prey upon the effete guests at his rural English estate during a cross-country auto race.

两个在丹麦穷途末路的小偷古飞宇和贝永新，为了还清黑帮老大李的赌债，本想盗走最后一票却卷入了一场古堡遗产争夺战中，遇到了本以为是古堡合法继承人的…